Krsna was dressed like this not only in Vrndavana but also on the battlefield of Kuruksetra. Seeing such colorful dress and the garlands of different flowers, some great sages prayed

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[[Category:The Nectar of Devotion Chapter 26 - Stimulation for Ecstatic Love]]
[[Category:The Nectar of Devotion Chapters 01 to 51]]
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<h2>Other Books by Srila Prabhupada</h2>
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<h3>Nectar of Devotion</h3>
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Kṛṣṇa is sometimes called vanamālī. Vana means forest and mālī means gardener, so vanamālī refers to one who extensively uses flowers and garlands on different parts of His body. Kṛṣṇa was dressed like this not only in Vṛndāvana but also on the battlefield of Kurukṣetra. Seeing such colorful dress and the garlands of different flowers, some great sages prayed, "Lord Kṛṣṇa was going to the battlefield of Kurukṣetra not to fight, but to grace all of the devotees with His presence.
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[[Vanisource:NOD 26 (1970)|Nectar of Devotion, 26]]
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His helmet, His earrings, His necklace, His four garments, the bangles on His head, the rings on His fingers, His ankle bells and His flute—these are the different features of Kṛṣṇa's ornaments. Kṛṣṇa, the enemy of Agha, always looked beautiful with His incomparable helmet, His earrings made of diamonds, His necklace of pearls, His bangles, embroidered garments and the beautiful rings on His fingers.

Kṛṣṇa is sometimes called vanamālī. Vana means forest and mālī means gardener, so vanamālī refers to one who extensively uses flowers and garlands on different parts of His body. Kṛṣṇa was dressed like this not only in Vṛndāvana but also on the battlefield of Kurukṣetra. Seeing such colorful dress and the garlands of different flowers, some great sages prayed, "Lord Kṛṣṇa was going to the battlefield of Kurukṣetra not to fight, but to grace all of the devotees with His presence."

Kṛṣṇa's Flute

As far as His flute is concerned, it is said that the vibration of this wonderful instrument was able to break the meditation of the greatest sages, and Kṛṣṇa was thus challenging Cupid by advertising His transcendental glories all over the world.

There are three kinds of flutes used by Kṛṣṇa. One is called veṇu, one is called muralī, and the third is called vaṁśī. Veṇu is very small, not more than six inches long, with six holes for whistling. Muralī is about eighteen inches long with a hole at the end and four holes on the body of the flute. This kind of flute produces a very enchanting sound. The vaṁśī flute is about fifteen inches long, with nine holes on its body. Kṛṣṇa used to play on these three flutes occasionally when they were needed. Kṛṣṇa has a longer vaṁśī, which is called mahānanda, or sanmohinī. When it is still longer it is called ākarṣiṇī. When it is even longer it is called ānandinī. The ānandinī flute is very pleasing to the cowherd boys and is technically named vaṁsulī. These flutes were sometimes bedecked with jewels. Sometimes they were made of marble and sometimes of hollow bamboo. When the flute is made of jewels it is called sanmohinī. When made of gold, it is called ākarṣiṇī.
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Krsna-varnam tvisakrsnam: although Caitanya Mahaprabhu appears without krsna, or a blackish color, He is understood to be Krsna Himself. Idanim krsnatam gatah (SB 10.8.13). The same original Krsna who appears in different varnas has now appeared

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{{terms|"Kṛṣṇa-varṇaṁ tviṣākṛṣṇam: although Caitanya Mahāprabhu appears without kṛṣṇa, or a blackish color, He is understood to be Kṛṣṇa Himself. Idānīṁ kṛṣṇatāṁ gataḥ. The same original Kṛṣṇa who appears in different varṇas has now appeared"}}
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[[Category:Srimad-Bhagavatam, Canto 10 Chapter 08 Purports - Lord Krsna Shows the Universal Form Within His Mouth]]
[[Category:Srimad Bhagavatam, Canto 10 Purports - Chapters 01 to 13]]
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<h2>Srimad-Bhagavatam</h2>
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<h3>SB Canto 10.1 to 10.13</h3>
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Kṛṣṇa-varṇaṁ tviṣākṛṣṇam: although Caitanya Mahāprabhu appears without kṛṣṇa, or a blackish color, He is understood to be Kṛṣṇa Himself. Idānīṁ kṛṣṇatāṁ gataḥ. The same original Kṛṣṇa who appears in different varṇas has now appeared. The word āsan indicates that He is always present. Whenever the Supreme Personality of Godhead appears in His full feature, He is understood to be kṛṣṇa-varṇam, although He appears in different colors.
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[[Vanisource:SB 10.8.13|SB 10.8.13, Translation and Purport]]
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Your son Kṛṣṇa appears as an incarnation in every millennium. In the past, He assumed three different colors—white, red and yellow—and now He has appeared in a blackish color. (In another Dvāpara-yuga, He appeared (as Lord Rāmacandra) in the color of śuka, a parrot.) All such incarnations have now assembled in Kṛṣṇa.
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Partially explaining the position of Lord Kṛṣṇa and partially covering the facts, Garga Muni indicated, "Your son is a great personality, and He can change the color of His body in different ages." The word gṛhṇataḥ indicates that Kṛṣṇa is free to make His choice. In other words, He is the Supreme Personality of Godhead and may therefore do whatever He desires. In Vedic literature the different colors assumed by the Personality of Godhead in different millenniums are stated, and therefore when Garga Muni said, "Your son has assumed these colors," he indirectly said, "He is the Supreme Personality of Godhead." Because of Kaṁsa's atrocities, Garga Muni tried to avoid disclosing this fact, but he indirectly informed Nanda Mahārāja that Kṛṣṇa, his son, was the Supreme Personality of Godhead.

It may be noted that Śrīla Jīva Gosvāmī, in his book Krama-sandarbha, has enunciated the purport of this verse. In every millennium, Kṛṣṇa appears in a different form, either as white, red or yellow, but this time He personally appeared in His original, blackish form and, as predicted by Garga Muni, exhibited the power of Nārāyaṇa. Because in this form the Supreme Personality of Godhead exhibits Himself fully, His name is Śrī Kṛṣṇa, the all-attractive.

Factually, Kṛṣṇa is the source of all avatāras, and therefore all the different features of the different avatāras are present in Kṛṣṇa. When Kṛṣṇa incarnates, all the features of other incarnations are already present within Him. Other incarnations are partial representations of Kṛṣṇa, who is the full-fledged incarnation of the Supreme Being. It is to be understood that the Supreme Being, whether appearing as śukla, rakta or pīta (white, red or yellow), is the same person. When He appears in different incarnations, He appears in different colors, just like the sunshine, which contains seven colors. Sometimes the colors of sunshine are represented separately; otherwise the sunshine is observed mainly as bright light. The different avatāras, such as the manvantara-avatāras, līlā-avatāras and daśa-avatāras, are all included in the kṛṣṇa-avatāra. When Kṛṣṇa appears, all the avatāras appear with Him. As described in Śrīmad-Bhāgavatam ([[Vanisource:SB 1.3.26|SB 1.3.26]]):

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:avatārā hy asaṅkhyeyā
:hareḥ sattva-nidher dvijāḥ
:yathāvidāsinaḥ kulyāḥ
:sarasaḥ syuḥ sahasraśaḥ
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The avatāras incessantly appear, like incessantly flowing water. No one can count how many waves there are in flowing water, and similarly there is no limitation of the avatāras. And Kṛṣṇa is the full representation of all avatāras because He is the source of all avatāras. Kṛṣṇa is aṁśī, whereas others are aṁśa, part of Kṛṣṇa. All living entities, including us, are aṁśas (mamaivāṁśo jīva-loke jīva-bhūtaḥ sanātanaḥ ([[Vanisource:BG 15.7 (1972)|BG 15.7]])). These aṁśas are of different magnitude. Human beings (who are minute aṁśas) and the demigods, viṣṇu-tattva and all other living beings are all part of the Supreme. Nityo nityānāṁ cetanaś cetanānām (Kaṭha Upaniṣad 2.2.13). Kṛṣṇa is the full representation of all living entities, and when Kṛṣṇa is present, all avatāras are included in Him.

The Eleventh Canto of Śrīmad-Bhāgavatam describes the incarnations for each yuga in chronological order. The Bhāgavatam says, kṛte śuklaś catur-bāhuḥ, tretāyāṁ rakta-varṇo'sau, dvāpare bhagavān śyāmaḥ and kṛṣṇa-varṇaṁ tviṣākṛṣṇam ([[Vanisource:SB 11.5.32|SB 11.5.32]]). We actually see that in Kali-yuga, Bhagavān has appeared in pīta-varṇa, or a yellow color, as Gaurasundara, although the Bhāgavatam speaks of kṛṣṇa-varṇam. To adjust all these statements, one should understand that although in some yugas some of the colors are prominent, in every yuga, whenever Kṛṣṇa appears, all the colors are present. Kṛṣṇa-varṇaṁ tviṣākṛṣṇam: although Caitanya Mahāprabhu appears without kṛṣṇa, or a blackish color, He is understood to be Kṛṣṇa Himself. Idānīṁ kṛṣṇatāṁ gataḥ. The same original Kṛṣṇa who appears in different varṇas has now appeared. The word āsan indicates that He is always present. Whenever the Supreme Personality of Godhead appears in His full feature, He is understood to be kṛṣṇa-varṇam, although He appears in different colors. Prahlāda Mahārāja states that Caitanya Mahāprabhu is channa; that is, although He is Kṛṣṇa, He is covered by a yellow color. Thus the Gauḍīya Vaiṣṇavas accept the conclusion that although Caitanya Mahāprabhu appeared in pīta color, He is Kṛṣṇa.

:kṛṣṇa-varṇaṁ tviṣākṛṣṇaṁ
:sāṅgopāṅgāstra-pārṣadam
:yajñaiḥ saṅkīrtana-prāyair
:yajanti hi sumedhasaḥ
:([[Vanisource:SB 11.5.32|SB 11.5.32]])
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Vaniquotes - User contributions [en]

Krsna was dressed like this not only in Vrndavana but also on the battlefield of Kuruksetra. Seeing such colorful dress and the garlands of different flowers, some great sages prayed

Krsna-varnam tvisakrsnam: although Caitanya Mahaprabhu appears without krsna, or a blackish color, He is understood to be Krsna Himself. Idanim krsnatam gatah (SB 10.8.13). The same original Krsna who appears in different varnas has now appeared