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What to speak of Lord Brahma and Lord Siva, the goddess of fortune, Laksmi, is the Lord's constant companion in service, since she always associates with His body. But even she could not get such mercy - as mother Yasoda

2021-03-03T14:18:18Z

162.158.212.223: Removed from deleted category 'But'

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{{terms|"What to speak of Lord Brahmā and Lord Śiva, the goddess of fortune, Lakṣmī, is the Lord's constant companion in service, since she always associates with His body. But even she could not get such mercy"}}
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[[Category:What to Speak Of]]
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[[Category:Srimad-Bhagavatam, Canto 10 Chapter 09 Purports - Mother Yasoda Binds Lord Lord Krsna]]
[[Category:Srimad Bhagavatam, Canto 10 Purports - Chapters 01 to 13]]
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<h2>Srimad-Bhagavatam</h2>
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<h3>SB Canto 10.1 to 10.13</h3>
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Lord Brahmā is bhṛtya, a servant of Kṛṣṇa, and he is ādi-kavi, the original creator of this universe (tene brahma hṛdā ya ādi-kavaye (SB 1.1.1)). Nonetheless, even he could not obtain such mercy as mother Yaśodā. As for Lord Śiva, he is the topmost Vaiṣṇava (vaiṣṇavānāṁ yathā śambhuḥ). What to speak of Lord Brahmā and Lord Śiva, the goddess of fortune, Lakṣmī, is the Lord's constant companion in service, since she always associates with His body. But even she could not get such mercy. Therefore Mahārāja Parīkṣit was surprised, thinking, "What did mother Yaśodā and Nanda Mahārāja do in their previous lives by which they got such a great opportunity, the opportunity to be the affectionate father and mother of Kṛṣṇa?"
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[[Vanisource:SB 10.9.20|SB 10.9.20, Translation and Purport]]
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Neither Lord Brahmā, nor Lord Śiva, nor even the goddess of fortune, who is always the better half of the Supreme Lord, can obtain from the Supreme Personality of Godhead, the deliverer from this material world, such mercy as received by mother Yaśodā.
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This is a comparative study between mother Yaśodā and other devotees of the Lord. As stated in Caitanya caritāmṛta ([[Vanisource:CC Adi 5.142|CC Adi 5.142]]), ekale īśvara kṛṣṇa, āra saba bhṛtya: the only supreme master is Kṛṣṇa, and all others are His servants. Kṛṣṇa has the transcendental quality of bhṛtya-vaśyatā, becoming subordinate to His bhṛtya, or servant. Now, although everyone is bhṛtya and although Kṛṣṇa has the quality of becoming subordinate to His bhṛtya, the position of mother Yaśodā is the greatest. Lord Brahmā is bhṛtya, a servant of Kṛṣṇa, and he is ādi-kavi, the original creator of this universe (tene brahma hṛdā ya ādi-kavaye ([[Vanisource:SB 1.1.1|SB 1.1.1]])). Nonetheless, even he could not obtain such mercy as mother Yaśodā. As for Lord Śiva, he is the topmost Vaiṣṇava (vaiṣṇavānāṁ yathā śambhuḥ). What to speak of Lord Brahmā and Lord Śiva, the goddess of fortune, Lakṣmī, is the Lord's constant companion in service, since she always associates with His body. But even she could not get such mercy. Therefore Mahārāja Parīkṣit was surprised, thinking, "What did mother Yaśodā and Nanda Mahārāja do in their previous lives by which they got such a great opportunity, the opportunity to be the affectionate father and mother of Kṛṣṇa?"

In this verse there are three negative pronouncements-na, na, na. When anything is uttered three times—"do it, do it, do it"—one should understand that this is meant to indicate great stress on a fact. In this verse, we find na lebhire, na lebhire, na lebhire. Yet mother Yaśodā is in the supermost exalted position, and thus Kṛṣṇa has become completely subordinate to her.

The word vimuktidāt is also significant. There are different types of liberation, such as sāyujya, sālokya, sārūpya, sārṣṭi and sāmīpya ([[Vanisource:CC Madhya 6.266|CC Madhya 6.266]]), but vimukti means "special mukti." When after liberation one is situated on the platform of prema-bhakti, one is said to have achieved vimukti, "special mukti." Therefore the word na is mentioned. That exalted platform of premā is described by Śrī Caitanya Mahāprabhu as premā pum-artho mahān, and mother Yaśodā naturally acts in such an exalted position in loving affairs. She is therefore a nitya-siddha devotee, an expansion of Kṛṣṇa's hlādinī potency, His potency to enjoy transcendental bliss through expansions who are special devotees (ānanda-cinmaya-rasa-pratibhāvitābhiḥ (BS 5.37)). Such devotees are not sādhana-siddha.
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Krsna is therefore sometimes called Yogesvara, the master of all yogis. In the Vedic literature we find that the yogi Saubhari Muni expanded himself into eight

2021-03-02T23:01:25Z

162.158.212.223: Removed from deleted category 'Into'

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{{terms|"Kṛṣṇa is therefore sometimes called Yogeśvara, the master of all yogīs. In the Vedic literature we find that the yogī Saubhari Muni expanded himself into eight"}}
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[[Category:Krsna Is Called]]
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[[Category:Krsna Book Chapter 90 - Summary Description of Lord Krsna's Pastimes]]
[[Category:Krsna Book Chapters 01 to 90]]
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<h2>Other Books by Srila Prabhupada</h2>
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<h3>Krsna, The Supreme Personality of Godhead</h3>
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Kṛṣṇa is therefore sometimes called Yogeśvara, the master of all yogīs. In the Vedic literature we find that the yogī Saubhari Muni expanded himself into eight. But that expansion was like a television expansion. The television image is manifested in millions of expansions, but those expansions cannot act differently; they are simply reflections of the original and can only act exactly as the original does.
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[[Vanisource:KB 90|Krsna Book, 90]]
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The concluding portion of Kṛṣṇa’s pastimes is found in the Ninetieth Chapter of the Tenth Canto of Śrīmad-Bhāgavatam, and in this chapter Śukadeva Gosvāmī wanted to explain how Kṛṣṇa lived happily at Dvārakā with all opulences. Kṛṣṇa’s opulence of strength has already been displayed in His different pastimes, and now it will be shown how His residence at Dvārakā displayed His opulences of wealth and beauty. In this material world the opulences of wealth and beauty are considered the highest of all opulences, yet they are only a perverted reflection of these opulences in the spiritual world. Therefore, while Kṛṣṇa stayed on this planet as the Supreme Personality of Godhead, His opulences of wealth and beauty had no comparison within the three worlds. Kṛṣṇa enjoyed sixteen thousand beautiful wives, and it is most significant that He lived at Dvārakā as the only husband of these thousands of beautiful women. This is specifically stated—that He was the only husband of sixteen thousand wives. It is of course not unheard of in the history of the world that a powerful king would keep many hundreds of queens, but although such a king might be the only husband of so many wives, he could not enjoy all of them at one time. Lord Kṛṣṇa, however, enjoyed all of His sixteen thousand wives simultaneously.

Although it may be said that yogīs also can expand their bodies into many forms, the yogī’s expansion and Lord Kṛṣṇa’s expansion are not the same. Kṛṣṇa is therefore sometimes called Yogeśvara, the master of all yogīs. In the Vedic literature we find that the yogī Saubhari Muni expanded himself into eight. But that expansion was like a television expansion. The television image is manifested in millions of expansions, but those expansions cannot act differently; they are simply reflections of the original and can only act exactly as the original does. Kṛṣṇa’s expansion is not material, like the expansion of the television or the yogī. When Nārada visited the different palaces of Kṛṣṇa, he saw that Kṛṣṇa, in His different expansions, was variously engaged in each and every palace of the queens.

It is also said that Kṛṣṇa lived in Dvārakā as the husband of the goddess of fortune. Queen Rukmiṇī is the goddess of fortune, and all the other queens are her expansions. So Kṛṣṇa, the chief of the Vṛṣṇi dynasty, enjoyed with the goddess of fortune in full opulence. The queens of Kṛṣṇa are described as permanently youthful and beautiful. Although Kṛṣṇa had grandchildren and great-grandchildren, neither Kṛṣṇa nor His queens looked older than sixteen or twenty years of age. The young queens were so beautiful that when they moved they appeared like lightning moving in the sky. They were always dressed with excellent ornaments and garments and were always engaged in sportive activities like dancing, singing or playing ball on the roofs of the palaces. The dancing and tennis playing of girls in the material world are perverted reflections of the original pastimes of the original Personality of Godhead, Kṛṣṇa, and His wives.

The roads and streets of the city of Dvārakā were always crowded with elephants, horses, chariots and infantry soldiers. When elephants are engaged in service, they are given liquor to drink, and it is said that the elephants in Dvārakā were given so much liquor that they would sprinkle a great quantity of it on the road and still walk on the streets intoxicated. The infantry soldiers passing on the streets were profusely decorated with golden ornaments, and horses and golden chariots plied along the streets. In all directions of Dvārakā City, wherever one would turn his eyes he would find green parks and gardens, each of them filled with trees and plants laden with fruits and flowers. Because there were so many nice trees of fruits and flowers, all the sweetly chirping birds and buzzing bumblebees joined together to make sweet vibrations. The city of Dvārakā thus fully displayed all opulences. The heroes in the dynasty of Yadu used to think themselves the most fortunate residents of the city, and actually they enjoyed all transcendental facilities.
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