View source for So we should not imitate, but at least we must be very careful to complete the sixteen rounds, the minimum. Nama-gane sada rucih. We have to increase our taste for singing and chanting

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[[Category:We Should]]
[[Category:Should Not Imitate]]
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<h2>Lectures</h2>
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<h3>Srimad-Bhagavatam Lectures</h3>
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So we should not imitate, but at least we must be very careful to complete the sixteen rounds, the minimum. Nāma-gāne sadā ruciḥ. We have to increase our taste for singing and chanting. Nāma-gāne sadā ruciḥ prītis tad vasati-sthale. And we should increase our inclination to live in the place where Kṛṣṇa is living.
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[[Vanisource:730429 - Lecture SB 01.08.37 - Los Angeles|730429 - Lecture SB 01.08.37 - Los Angeles]]
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Don't think that we are safe now. We are not safe. Without Your protection, we are always unsafe." This should be the position of the devotee. We are actually in a dangerous position, this material world. At any time, māyā will catch. At any time. As soon as we are a little inattentive . . . "Now I have done my duty. Now let me take rest little." No, there is no rest. We must be always alert.

There is a verse from Śrīla Rūpa Gosvāmī. What is that? Avyartha-kālatvam. Avyartha-kālatvam. A devotee should be so much careful that he should see, "Whether my time is unnecessarily being spent? Whether I am now engaged in māyā's service or Kṛṣṇa's service?" That one should be very much alert. Avyartha-kālatvam, nāma-gāne sadā ruciḥ prītis tad vasati-sthale ([[Vanisource:CC Madhya 23.18-19|CC Madhya 23.18-19]]). These are the symptoms of advanced devotees. What is that? Nāma-gāne sadā ruci: he's, he's never tired of chanting or singing or dancing. No tiresome feeling. Nāma-gāne sadā. Sadā means always; ruci, taste. "Oh, very nice: Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Rāma, Hare Rāma, Rāma . . ." This is the taste. This taste, to awaken this taste, it takes time. To become . . .

Just like Rūpa Gosvāmī. When he was chanting, he was thinking, "I have got only one tongue and two ears. What I shall chant?" He was thinking, "If I could get millions of tongues and trillions and ears, then I could relish something by chanting and hearing." This was the . . .

so we should not imitate, but at least we must be very careful to complete the sixteen rounds, the minimum. Nāma-gāne sadā ruciḥ. We have to increase our taste for singing and chanting. Nāma-gāne sadā ruciḥ prītis tad vasati-sthale. And we should increase our inclination to live in the place where Kṛṣṇa is living. Kṛṣṇa is living everywhere—that is, that is the vision of the higher devotees. Actually He's living, but still, because we are in the lower condition, we should know that "Here is Kṛṣṇa in the temple." Kṛṣṇa is everywhere, but for us, because we have no such vision to see Kṛṣṇa anywhere and everywhere, therefore we should come here in the temple and see Kṛṣṇa, "Here is Kṛṣṇa. Kṛṣṇa has kindly appeared here in a manner in which I can see Him. That is Kṛṣṇa's mercy."

That is temple. We cannot see . . . Kṛṣṇa has complete spiritual body, but we have no eyes to see what is that spiritual body. Sac-cid-ānanda-vigraha (Bs. 5.1). We are accustomed to see this material, jaḍa, gross things. We can see stone, we can see metal, we can see wood. We can see all these material elements. But Kṛṣṇa is everything. Therefore to be visible to our imperfect eyes, Kṛṣṇa has appeared in the stone form, but Kṛṣṇa is not stone. It is not that we are worshiping stone; we are worshiping Kṛṣṇa. But because we cannot see except stone, therefore Kṛṣṇa has kindly appeared in the form carved from the stone. This is the conclusion.
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