View source for The Vedic literature, which is sung by Lord Brahma or Siva or a devotee, even that is broken language presented, tad grnanti srnvanti sadhavah: "They'll be accepted by saintly person. They'll sing it and they'll accept it." That is the secret of success

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[[Category:Vedic Literature]]
[[Category:Which Is]]
[[Category:Sung]]
[[Category:Lord]]
[[Category:Brahma]]
[[Category:Siva]]
[[Category:Devotees of God]]
[[Category:That Is]]
[[Category:Broken Language]]
[[Category:They Will]]
[[Category:Will Be]]
[[Category:Accept]]
[[Category:Saintly Personalities]]
[[Category:Singing]]
[[Category:Secret of Success]]
[[Category:Pages Needing Audio - SHARMISTHA]]
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<h2>Lectures</h2>
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<h3>Srimad-Bhagavatam Lectures</h3>
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The Vedic literature, which is sung by Lord Brahmā or Lord Śiva or a devotee, even that is broken language presented, tad gṛṇanti śṛṇvanti sādhavaḥ: "They'll be accepted by saintly person. They'll sing it and they'll accept it." That is the secret of success. If your literature is exactly following the mahājano yena sa gataḥ, then it will be liked by highly advanced saintly person.
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[[Vanisource:760225 - Lecture SB 07.09.18 - Mayapur|760225 - Lecture SB 07.09.18 - Mayapur]]
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Prahlāda Mahārāja is giving warning that "I shall recite the narration of Your pastime which is composed by Brahmā." Viriñci. Viriñci means . . . Śiva-viriñci-nutam ([[Vanisource:SB 11.5.33|SB 11.5.33]]). That is the secret of success. You cannot compose by whimsical way. No. That is not. That will not be possible. Therefore the next word is very important, when he says, pada-yugālaya-haṁsa-saṅgaḥ. Pada-yugālaya-haṁsa-saṅgaḥ. This is possible when we associate, saṅgaḥ . . . Saṅgaḥ means association. Whose association? Pada-yugālaya-haṁsa. One who is . . . Because Kṛṣṇa's feet is compared as lotus—"lotus feet," we say—so where there is lotus, there is haṁsa, swan, swan, you'll find. That is the difference between the crows and the swan. Crows gather in a place, filthy place, where all rotten things are kept. The crows come there. Where all rotten things are there, all the crows will come. But when there is lotus, the crows will not go there; the haṁsa, swan, they'll go there. Even in the bird society there are classes: crow society, swan society, pigeon society, sparrow society. Everyone has got society. But one society is different from another society. Similarly, where there is kṛṣṇa-kathā, the crowslike men will not come. Where there is cinema, where there is prostitute dance, where there is drinking, the crowslike men will gather. Tad vāyasa-tīrtham. Tad vāyasa . . . Vāyasa means crows.

So, na tad vacaś citra-padaṁ harer yaśo pragṛṇīta karhicit, tad vāyasaṁ tīrtham ([[Vanisource:SB 1.5.10|SB 1.5.10]]). Any literature very nicely written, just like Shakespeare writing or some other, big, big mundane writers, their writing, it is very nicely written, grammatically very correct, and metaphorically very nicely meant . . . Na tad vacaś citra-padam. Citra-padam means very artistically written. There are literatures very artistical—na tad vacaś citra-padaṁ harer yaśo pragṛṇīta na karhicit—but there is no glorification of the Lord, simply literary presentation, such kind of literature is described, tad vāyasa-tīrtham: "This kind of literature is preferred by the class of men who are like crows." Crows. But the Vedic literature, which is sung by Lord Brahmā or Lord Śiva or a devotee, even that is broken language presented, tad gṛṇanti śṛṇvanti sādhavaḥ: "They'll be accepted by saintly person. They'll sing it and they'll accept it." That is the secret of success. If your literature is exactly following the mahājano yena sa gataḥ, then it will be liked by highly advanced saintly person. And if it is a presentation of mundane literary career . . . Therefore that gentleman has rejected even Aurobindo and Dr . . . Others he has rejected: "They are useless." Other commentation on Bhāgavata, he has . . . But he has rejected even Aurobindo and Dr. Radhakrishnan. Dr. Radhakrishnan is well known as a big philosopher, and Aurobindo, he's also known as great speculator, but he rejected. Yes, they should be rejected because it is vāyasa-tīrtha. What is the use, jugglery of words? It has no fact; all imaginary. All imaginary.
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