View source for After entering the Sudharma assembly house, He used to sit on the exalted royal throne and would be seen to emanate glaring rays of transcendental effulgence

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{{terms|"After entering the assembly house, He used to sit on the exalted royal throne and would be seen to emanate glaring rays of transcendental effulgence"}}
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[[Category:After]]
[[Category:Enter]]
[[Category:Assembly]]
[[Category:House]]
[[Category:Sit]]
[[Category:Exalted]]
[[Category:Royal]]
[[Category:Throne]]
[[Category:Would]]
[[Category:Seen]]
[[Category:Emanate]]
[[Category:Glare]]
[[Category:Rays]]
[[Category:Transcendental]]
[[Category:Effulgence]]
[[Category:Krsna Book Chapter 70 - Lord Krsna's Daily Activities]]
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<h2>Other Books by Srila Prabhupada</h2>
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<h3>Krsna, The Supreme Personality of Godhead</h3>
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After entering the assembly house, He used to sit on the exalted royal throne and would be seen to emanate glaring rays of transcendental effulgence. In the midst of all the great heroes of the Yadu dynasty, Kṛṣṇa resembled the full moon in the sky surrounded by multiluminaries. In the assembly house were professional jokers, dancers, musicians and ballet girls, and as soon as the Lord sat on His throne they would begin their respective functions to please the Lord and put Him in a happy mood.
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[[Vanisource:KB 70|Krsna Book, 70]]
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His next duty was to please all kinds of men belonging to the different castes, both in the city and within the palace compound. He made them happy by fulfilling their different desires, and when the Lord saw them happy He also became very much pleased. The flower garlands, betel nuts, sandalwood pulp and other fragrant cosmetic articles offered to the Lord would be distributed by Him, first to the brāhmaṇas and elderly members of the family, then to the queens, and then to the ministers, and if there were still some balance He would engage it for His own personal use. By the time the Lord finished all these daily duties and activities, His charioteer Dāruka would come with His wonderful chariot to stand before the Lord with folded hands, intimating that the chariot was ready, and the Lord would come out of the palace to travel. Then the Lord, accompanied by Uddhava and Sātyaki, would ride on the chariot just as the sun-god rides on his chariot in the morning, appearing with his blazing rays on the surface of the world. When the Lord was about to leave His palaces, all the queens would look at Him with feminine gestures. The Lord would respond to their greetings with smiles, attracting their hearts so much that they would feel intense separation from Him.

Then the Lord would go to the assembly house known as Sudharmā. It may be remembered that the Sudharmā assembly house was taken away from the heavenly planets and established in the city of Dvārakā. The specific significance of the assembly house was that anyone who entered it would be freed from the six kinds of material pangs, namely hunger, thirst, lamentation, illusion, old age and death. These are the whips of material existence, and as long as one remained in that Sudharmā assembly house he would not be affected by these six material whips. The Lord would say good-bye in all the sixteen thousand palaces, and again He would become one and enter the Sudharmā assembly house in procession with other members of the Yadu dynasty. After entering the assembly house, He used to sit on the exalted royal throne and would be seen to emanate glaring rays of transcendental effulgence. In the midst of all the great heroes of the Yadu dynasty, Kṛṣṇa resembled the full moon in the sky surrounded by multiluminaries. In the assembly house were professional jokers, dancers, musicians and ballet girls, and as soon as the Lord sat on His throne they would begin their respective functions to please the Lord and put Him in a happy mood. First of all the jokers would talk in such a way that the Lord and His associates would enjoy their humor, which would refresh the morning mood. The dramatic actors would then play their parts, and the dancing ballet girls would separately display their artistic movements. All these functions would be accompanied by the beating of mṛdaṅga drums and the sounds of the vīṇā, flutes and bells, followed by the sound of the muraja, another type of drum. To these musical vibrations, the auspicious sound of the conchshell would be added. The professional singers called sūtas and māgadhas would sing, and others would perform their dancing art. In this way, as devotees, they would offer respectful prayers to the Supreme Personality of Godhead. Sometimes the learned brāhmaṇas present in that assembly would chant Vedic hymns and explain them to the audience to the best of their knowledge, and sometimes some of them would recite old historical accounts of the activities of prominent kings. The Lord, accompanied by His associates, would be very much pleased to hear them.

Once upon a time, a person arrived at the gateway of the assembly house who was unknown to all the members of the assembly, and with the permission of Lord Kṛṣṇa he was admitted into the assembly by the doorkeeper. The doorkeeper was ordered to present him before the Lord, and the man appeared and offered his respectful obeisances unto the Lord with folded hands. It had happened that when King Jarāsandha conquered all other kingdoms, many kings did not bow their heads before Jarāsandha, and consequently all of them, numbering twenty thousand, were arrested and made his prisoners. The man brought before Lord Kṛṣṇa by the doorkeeper was a messenger from all these imprisoned kings. Being duly presented before the Lord, the man began to relay a message from the kings, as follows.
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