View source for When Krsna was lying down flat, sometimes sucking the toes of His feet, sometimes throwing His legs upwards

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[[Category:When]]
[[Category:Krsna's Laying Down]]
[[Category:Flat]]
[[Category:Sometimes]]
[[Category:Krsna's Sucking]]
[[Category:Krsna's Toes]]
[[Category:Krsna's Lotus Feet]]
[[Category:Krsna's Throwing]]
[[Category:Leg]]
[[Category:Upward]]
[[Category:The Nectar of Devotion Chapter 43 - Parenthood]]
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<h2>Other Books by Srila Prabhupada</h2>
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<h3>Nectar of Devotion</h3>
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When Kṛṣṇa was lying down flat, sometimes sucking the toes of His feet, sometimes throwing His legs upwards, sometimes crying and sometimes smiling, Mother Yaśodā, seeing her son in such pastimes, did not show any sign of restricting Him, but rather began to watch her child with eagerness, enjoying these childhood pastimes.
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[[Vanisource:NOD 43 (1970)|Nectar of Devotion, 43]]
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There is the following description of Mother Yaśodā's affection for Kṛṣṇa: After rising early in the morning, Mother Yaśodā first of all offered her breast milk to Kṛṣṇa, and then she began to chant various mantras for His protection. Then she would decorate His forehead very nicely and bind His arms with protective talismans. By all of these activities, it is definitely understood that she is the emblem of all maternal affection for Kṛṣṇa.

The description of Nanda Mahārāj's bodily features is as follows. The hairs on his head are generally black, but some of them are grey. His garments are of greenish color, like the new-grown leaves of a banyan tree. His belly is fatty, his complexion is exactly like the full moon, and he has a beautiful moustache. When Kṛṣṇa was a baby, one day He was walking in the courtyard, capturing the finger of His father, and because He could not walk steadily He appeared to be almost falling down. While Nanda Mahārāj was giving protection to His transcendental son in this way, all of a sudden there were drops of tears in his eyes, and he became overwhelmed with joy. Let us all offer our respectful obeisances unto the lotus feet of King Nanda!

Childhood age, childish dress, movements by the child, sweet words spoken by the child, nice smiling and various forms of childish play are considered provocations for increasing the parental love for Kṛṣṇa. The childhood ages of Kṛṣṇa are divided into three periods: the beginning of kaumāra age, the middle of kaumāra age, and the end of kaumāra age. During the beginning and middle of the kaumāra age, Kṛṣṇa's thighs are fatty, and the inner part of His eyes are whitish. There are signs of teeth coming out, and He is very mild and gentle. He is described as follows: "When Kṛṣṇa had only three or four teeth coming out of His gums, His thighs were fatty, His body was very, very short, and He began to enhance the parental love of Nanda Mahārāj and Mother Yaśodā with the activities of His childish body. He was sometimes stepping with His legs again and again, sometimes crying, sometimes smiling, sometimes sucking His thumb and sometimes lying down flat. These are some of the different activities of the child Kṛṣṇa. When Kṛṣṇa was lying down flat, sometimes sucking the toes of His feet, sometimes throwing His legs upwards, sometimes crying and sometimes smiling, Mother Yaśodā, seeing her son in such pastimes, did not show any sign of restricting Him, but rather began to watch her child with eagerness, enjoying these childhood pastimes." In the beginning of Kṛṣṇa's kaumāra age, there were the nails of tigers set in a golden necklace about His neck. There was protective tilaka on His forehead, black mascara around His eyes and silk thread around His waist. These are the descriptions of Kṛṣṇa's dress at the beginning of the kaumāra age.

When Nanda Mahārāj saw the beauty of child Kṛṣṇa with tiger nails on His chest, a complexion like the new-grown tāmala tree, beautifully decorated tilaka made with cow's urine, arm decorations of nice silk thread and silk clothes tied around His waist—when Nanda Mahārāj saw his child like this, he never became satiated by the child's beauty.

In the middle kaumāra age, the upper portion of Kṛṣṇa's hair falls around His eyes. Sometimes He is covered with cloth around the lower part of His body, and sometimes He is completely naked. Sometimes He tries to walk, taking step by step, and sometimes He talks very sweetly, in broken language. These were some of the symptoms of His middle kaumāra age. He is thus described when Mother Yaśodā once saw Him in His middle kaumāra age: His scattered hairs were touching His eyebrows, and His eyes were restless, but He could not express His feelings with proper words; still, when He was talking, it was so nice and sweet to hear. When Mother Yaśodā looked at His little ears and saw Him naked, trying to run very quickly with His little legs, she was merged into the ocean of nectar. Kṛṣṇa's ornaments at this age are a pearl hanging from the septum of His nose, butter on His lotus-like palms and some small bells hanging from His waist. It is stated that when Mother Yaśodā saw that the child was moving, ringing the bells on His waist, smiling at her with a pearl between His nostrils and with butter on His hands, she became wonderfully pleased to see her little child in that fashion.

While Kṛṣṇa was in the middle of His kaumāra age, His waist became thinner, His chest became broader, and His head was decorated with His curly hairs, resembling the falling of the wings of a crow. These wonderful features of Kṛṣṇa's body never failed to astonish Mother Yaśodā. At the end of His kaumāra age, Kṛṣṇa carried a small stick in His hand, His clothing was a little longer, and He had a knot around His waist, resembling the hood of a snake. In that dress He used to take care of the calves near the house, and sometimes He played with cowherd boys of about the same age. He had a slender flute and a buffalo horn bugle, and sometimes He played on a flute made from the leaves of trees. These are some of the symptoms of the end of Kṛṣṇa's kaumāra age.

When Kṛṣṇa was a little grown up and was taking care of the small calves, He would often go near the forest. And when He was a little bit late returning home, Nanda Mahārāj would immediately get up on the candraśālikā (a small shed built on the roof for getting a bird's eye view all around), and he would watch for Him. Worrying about the late arrival of his little son, Nanda Mahārāj would remain on the candraśālikā until he could indicate to his wife that Kṛṣṇa, surrounded by His little cowherd friends, was coming back with the calves. Nanda Mahārāj would point out the peacock feather on his child's head and would inform his beloved wife how the child was pleasing his eyes.

Mother Yaśodā then addressed Nanda Mahārāj, "See my dear son, whose eyes are white, who has a turban on His head, a wrapper on His body and leg bells which tinkle very sweetly on His feet. He is coming near, along with His surabhi calves, and just see how He is wandering upon the sacred land of Vṛndāvana!"

Similarly, Mahārāj Nanda addressed his wife, "My dear Yaśodā, just look at your offspring, Kṛṣṇa! See His blackish bodily luster, His eyes tinged with red color, His broad chest and His nice golden necklace! How wonderful He looks, and how He is increasing my transcendental bliss more and more!"

When Kṛṣṇa, the beloved son of Nanda Mahārāj, steps into His kaiśora age, although He becomes more beautiful, His parents still consider Him as being in the paugaṇḍa age—even though He is between the ages of ten and fifteen. When Kṛṣṇa is in His paugaṇḍa age, some of His servants also accept Him as being in the kaiśora age. When Kṛṣṇa performs His childish pastimes, His general practice is to break the milk and yogurt pots, throw the yogurt in the courtyard and steal the cream from the milk. Sometimes He breaks the churning rod, and sometimes He throws butter on the fire. In this way, he increases the transcendental pleasure of His Mother Yaśodā.

In this connection Mother Yaśodā once told Mukharā, her maidservant, "Just look at Kṛṣṇa looking stealthily toward all sides and slowly stepping forward from the bushes. It appears that He is coming just to steal the butter. Don't expose yourself or He may understand that we are looking towards Him. I want to enjoy the sight of His eyebrows moving in this cunning way, and I want to see His fearful eyes and beautiful face.
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