View source for Whenever there is a recitation of poetry or a dramatic play on the different pastimes of Krsna, the audience develops different kinds of transcendental loving service for the Lord. They enjoy different types of vibhava, anubhava and sancari-bhava

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{{terms|"Whenever there is a recitation of poetry or a dramatic play on the different pastimes of Kṛṣṇa, the audience develops different kinds of transcendental loving service for the Lord. They enjoy different types of vibhāva, anubhāva and sañcāri-bhāva"}}
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[[Category:Whenever]]
[[Category:There Is]]
[[Category:Recite]]
[[Category:Poetry]]
[[Category:Drama]]
[[Category:Play]]
[[Category:Different]]
[[Category:Krsna's Pastimes]]
[[Category:Audience]]
[[Category:Develop]]
[[Category:Different Kinds Of...]]
[[Category:Transcendental Loving Service of the Lord]]
[[Category:They]]
[[Category:Enjoy]]
[[Category:Vibhava]]
[[Category:Anubhava]]
[[Category:The Nectar of Devotion Chapter 34 - The Nectar of Devotion]]
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<h2>Other Books by Srila Prabhupada</h2>
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<h3>Nectar of Devotion</h3>
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Whenever there is a recitation of poetry or a dramatic play on the different pastimes of Kṛṣṇa, the audience develops different kinds of transcendental loving service for the Lord. They enjoy different types of vibhāva, anubhāva and sañcāri-bhāva. No one, while remaining on the material platform, should discuss these different descriptions of bhāva and anubhāva by quoting different statements of transcendental literatures. Such manifestations are displays of the transcendental pleasure potency of the Lord.
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[[Vanisource:NOD 34 (1970)|Nectar of Devotion, 34]]
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The particular type of ecstatic loving sentiment that develops within the heart of a particular devotee is considered to be vibhāva. And the resultant manifestations such as moving the eyebrows, fear, astonishment and smiling, which have been explained hereinbefore, are called anubhāva. The different causes for developing anubhāva and vibhāva are called steady ecstasy, or sañcāri-bhāva.

Whenever there is a recitation of poetry or a dramatic play on the different pastimes of Kṛṣṇa, the audience develops different kinds of transcendental loving service for the Lord. They enjoy different types of vibhāva, anubhāva and sañcāri-bhāva.

No one, while remaining on the material platform, should discuss these different descriptions of bhāva and anubhāva by quoting different statements of transcendental literatures. Such manifestations are displays of the transcendental pleasure potency of the Lord. One should simply try to understand that on the spiritual platform, there are many varieties of reciprocal love. Such loving exchanges should never be considered to be material. In the Mahābhārata Udyama-parva it is warned that things which are inconceivable should not be subjected to arguments. Actually, the transactions of the spiritual world are inconceivable to us in our present state of life. Great liberated souls like Rūpa Gosvāmī and others have tried to give us some hints of transcendental activities in the spiritual world, but on the whole these transactions will remain inconceivable to us at the present moment. Understanding the exchanges of transcendental loving service with Kṛṣṇa is possible only when one is actually in touch with the pleasure potency of the Supreme Lord.
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