View source for The two plays are called Vidagdha-madhava and Lalita-madhava. Both of them wonderfully describe ecstatic emotional love of God

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{{terms|"The two plays are called Vidagdha-mādhava and Lalita-mādhava. Both of them wonderfully describe ecstatic emotional love of God"}}
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[[Category:Two]]
[[Category:Play]]
[[Category:Call]]
[[Category:Vidagdha-madhava]]
[[Category:Lalita-madhava]]
[[Category:Both]]
[[Category:Wonderful]]
[[Category:Describe]]
[[Category:Ecstatic Love For Krsna]]
[[Category:Emotion]]
[[Category:Sri Caitanya-caritamrta, Antya-lila Chapter 01 - Srila Rupa Gosvami's Second Meeting With the Lord]]
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<h2>Sri Caitanya-caritamrta</h2>
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<h3>CC Antya-lila</h3>
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“The two plays are called Vidagdha-mādhava and Lalita-mādhava. Both of them wonderfully describe ecstatic emotional love of God.”.
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[[Vanisource:CC Antya 1.126|CC Antya 1.126, Translation and Purport]]
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“The two plays are called Vidagdha-mādhava and Lalita-mādhava. Both of them wonderfully describe ecstatic emotional love of God.”
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'''PURPORT'''

Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura informs us in this connection that Śrīla Rūpa Gosvāmī finished the drama known as Vidagdha-mādhava in the year Śakābda 1454 (A.D. 1532) and the Lalita-mādhava in Śakābda 1459 (A.D. 1537). The discussion between Rāmānanda Rāya and Śrīla Rūpa Gosvāmī at Jagannātha Purī took place in Śakābda 1437 (A.D. 1515).
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