View source for Locket

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[[Category:Locket|1]]
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<div id="Srimad-Bhagavatam" class="section" sec_index="1" parent="compilation" text="Srimad-Bhagavatam"><h2>Srimad-Bhagavatam</h2>
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<div id="SB_Canto_3" class="sub_section" sec_index="3" parent="Srimad-Bhagavatam" text="SB Canto 3"><h3>SB Canto 3</h3>
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<div id="SB31539_0" class="quote" parent="SB_Canto_3" book="SB" index="619" link="SB 3.15.39" link_text="SB 3.15.39">
<span class="link">[[Vanisource:SB 3.15.39|SB 3.15.39, Purport]]: </span><div style="display: inline;" class="purport text"><p style="display: inline;">Generally a human being has no idea of what the constitutional position is in the higher material planets, which are far better constituted in regard to all paraphernalia, yet the Vaikuṇṭha planet is so pleasing and so celestial that it is compared to the middle jewel or locket in a necklace of jewels.</p>
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<div id="SB32331_1" class="quote" parent="SB_Canto_3" book="SB" index="932" link="SB 3.23.31" link_text="SB 3.23.31">
<span class="link">[[Vanisource:SB 3.23.31|SB 3.23.31, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">Her entire body, including her head, was completely bathed, and she was decorated all over with ornaments. She wore a special necklace with a locket. There were bangles on her wrists and tinkling anklets of gold about her ankles.</p>
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<div id="SB_Canto_4" class="sub_section" sec_index="4" parent="Srimad-Bhagavatam" text="SB Canto 4"><h3>SB Canto 4</h3>
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<div id="SB4357_0" class="quote" parent="SB_Canto_4" book="SB" index="99" link="SB 4.3.5-7" link_text="SB 4.3.5-7">
<span class="link">[[Vanisource:SB 4.3.5-7|SB 4.3.5-7, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">The chaste lady Satī, the daughter of Dakṣa, heard the heavenly denizens flying in the sky conversing about the great sacrifice being performed by her father. When she saw that from all directions the beautiful wives of the heavenly denizens, their eyes very beautifully glittering, were near her residence and were going to the sacrifice dressed in fine clothing and ornamented with earrings and necklaces with lockets, she approached her husband, the master of the bhūtas, in great anxiety, and spoke as follows.</p>
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<div id="SB4357_1" class="quote" parent="SB_Canto_4" book="SB" index="99" link="SB 4.3.5-7" link_text="SB 4.3.5-7">
<span class="link">[[Vanisource:SB 4.3.5-7|SB 4.3.5-7, Purport]]: </span><div style="display: inline;" class="purport text"><p style="display: inline;">It appears that the residence of Lord Śiva was not on this planet but somewhere in outer space, otherwise how could Sati have seen the airplanes coming from different directions towards this planet and heard the passengers talking about the great sacrifice being performed by Dakṣa? Satī is described here as Dākṣāyaṇī because she was the daughter of Dakṣa. The mention of upadeva-vara refers to inferior demigods like the Gandharvas, Kinnaras and Uragas, who are not exactly demigods but between the demigods and human beings. They were also coming in planes. The word sva-nilayābhyāśe indicates that they were passing right near her residential quarters. The dresses and bodily features of the wives of the heavenly denizens are very nicely described here. Their eyes moved, their earrings and other ornaments glittered and glared, their dresses were the nicest possible, and all of them had special lockets on their necklaces. Each woman was accompanied by her husband. Thus they looked so beautiful that Satī, Dākṣāyaṇī, was impelled to dress similarly and go to the sacrifice with her husband. That is the natural inclination of a woman.</p>
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<div id="SB_Canto_8" class="sub_section" sec_index="8" parent="Srimad-Bhagavatam" text="SB Canto 8"><h3>SB Canto 8</h3>
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<div id="SB887_0" class="quote" parent="SB_Canto_8" book="SB" index="241" link="SB 8.8.7" link_text="SB 8.8.7">
<span class="link">[[Vanisource:SB 8.8.7|SB 8.8.7, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">Next there appeared the Apsarās (who are used as prostitutes on the heavenly planets). They were fully decorated with golden ornaments and lockets and were dressed in fine and attractive clothing. The Apsarās move very slowly in an attractive style that bewilders the inhabitants of the heavenly planets.</p>
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<div id="SB_Canto_101_to_1013" class="sub_section" sec_index="10" parent="Srimad-Bhagavatam" text="SB Canto 10.1 to 10.13"><h3>SB Canto 10.1 to 10.13</h3>
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<div id="SB10511_0" class="quote" parent="SB_Canto_10.1_to_10.13" book="SB" index="204" link="SB 10.5.11" link_text="SB 10.5.11">
<span class="link">[[Vanisource:SB 10.5.11|SB 10.5.11, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">In the ears of the gopīs were brilliantly polished jeweled earrings, and from their necks hung metal lockets. Their hands were decorated with bangles, their dresses were of varied colors, and from their hair, flowers fell onto the street like showers. Thus while going to the house of Mahārāja Nanda, the gopīs, their earrings, breasts and garlands moving, were brilliantly beautiful.</p>
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<div id="SB_Cantos_1014_to_12_Translations_Only" class="sub_section" sec_index="11" parent="Srimad-Bhagavatam" text="SB Cantos 10.14 to 12 (Translations Only)"><h3>SB Cantos 10.14 to 12 (Translations Only)</h3>
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<div id="SB10609_0" class="quote" parent="SB_Cantos_10.14_to_12_(Translations_Only)" book="SB" index="1823" link="SB 10.60.9" link_text="SB 10.60.9">
<span class="link">[[Vanisource:SB 10.60.9|SB 10.60.9, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">As He contemplated her, the goddess of fortune herself, who desires only Him, Lord Kṛṣṇa smiled. The Lord assumes various forms to enact His pastimes, and He was pleased that the form the goddess of fortune had assumed was just suitable for her to serve as His consort. Her charming face was adorned with curling hair, earrings, a locket on her neck, and the nectar of her bright, happy smile. The Lord then spoke to Her as follows.</p>
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<div id="SB10685051_1" class="quote" parent="SB_Cantos_10.14_to_12_(Translations_Only)" book="SB" index="2173" link="SB 10.68.50-51" link_text="SB 10.68.50-51">
<span class="link">[[Vanisource:SB 10.68.50-51|SB 10.68.50-51, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">Duryodhana, being very affectionate to his daughter, gave as her dowry 1,200 sixty-year-old elephants, 120,000 horses, 6,000 golden chariots shining like the sun, and 1,000 maidservants with jeweled lockets on their necks.</p>
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<div id="SB1069912_2" class="quote" parent="SB_Cantos_10.14_to_12_(Translations_Only)" book="SB" index="2180" link="SB 10.69.9-12" link_text="SB 10.69.9-12">
<span class="link">[[Vanisource:SB 10.69.9-12|SB 10.69.9-12, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">Supporting the palace were coral pillars decoratively inlaid with vaidūrya gems. Sapphires bedecked the walls, and the floors glowed with perpetual brilliance. In that palace Tvaṣṭā had arranged canopies with hanging strands of pearls; there were also seats and beds fashioned of ivory and precious jewels. In attendance were many well-dressed maidservants bearing lockets on their necks, and also armor-clad guards with turbans, fine uniforms and jeweled earrings. The glow of numerous jewel-studded lamps dispelled all darkness in the palace. My dear King, on the ornate ridges of the roof danced loudly crying peacocks, who saw the fragrant aguru incense escaping through the holes of the latticed windows and mistook it for a cloud.</p>
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<div id="SB108127_3" class="quote" parent="SB_Cantos_10.14_to_12_(Translations_Only)" book="SB" index="2648" link="SB 10.81.27" link_text="SB 10.81.27">
<span class="link">[[Vanisource:SB 10.81.27|SB 10.81.27, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">Sudāmā was amazed to see his wife. Shining forth in the midst of maidservants adorned with jeweled lockets, she looked as effulgent as a demigoddess in her celestial airplane.</p>
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<div id="SB10844445_4" class="quote" parent="SB_Cantos_10.14_to_12_(Translations_Only)" book="SB" index="2778" link="SB 10.84.44-45" link_text="SB 10.84.44-45">
<span class="link">[[Vanisource:SB 10.84.44-45|SB 10.84.44-45, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">When Mahārāja Vasudeva was about to be initiated for the sacrifice, O King, the Vṛṣṇis came to the initiation pavilion after bathing and putting on fine clothes and garlands of lotuses. The other kings also came, elaborately ornamented, as well as all their joyful queens, who wore jeweled lockets around their necks and were also clad in fine garments. The royal wives were anointed with sandalwood paste and carried auspicious items for the worship.</p>
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<div id="Sri_Caitanya-caritamrta" class="section" sec_index="2" parent="compilation" text="Sri Caitanya-caritamrta"><h2>Sri Caitanya-caritamrta</h2>
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<div id="CC_Madhya-lila" class="sub_section" sec_index="2" parent="Sri_Caitanya-caritamrta" text="CC Madhya-lila"><h3>CC Madhya-lila</h3>
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<div id="CCMadhya8166_0" class="quote" parent="CC_Madhya-lila" book="CC" index="1571" link="CC Madhya 8.166" link_text="CC Madhya 8.166">
<span class="link">[[Vanisource:CC Madhya 8.166|CC Madhya 8.166, Purport]]: </span><div style="display: inline;" class="purport text"><p style="display: inline;">Śrīmatī Rādhārāṇī’s earrings are the holy names of Kṛṣṇa, as well as the hearing of His name and fame. Her lips are always reddish due to the betel nut of ecstatic affection for Kṛṣṇa. The black ointment around Her eyes is Her tricky behavior with Kṛṣṇa brought about by love. Her joking with Kṛṣṇa and gentle smiling constitute the camphor with which She is perfumed. She sleeps in Her room with the aroma of pride, and when She lies down in Her bed, the transcendental variety of Her loving ecstasies is like a jeweled locket in the midst of Her necklace of separation. Her transcendental breasts are covered by Her sari in the form of affection and anger toward Kṛṣṇa. She has a stringed instrument known as a kacchapī-vīṇā, which is the fame and fortune that actually dries up the faces and breasts of the other gopīs.</p>
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<div id="CCMadhya8176_1" class="quote" parent="CC_Madhya-lila" book="CC" index="1581" link="CC Madhya 8.176" link_text="CC Madhya 8.176">
<span class="link">[[Vanisource:CC Madhya 8.176|CC Madhya 8.176, Translation]]: </span><div class="trans text">“The tilaka of good fortune is on Her beautiful broad forehead. Her various loving affairs are a gem, and Her heart is the locket."
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<div id="Other_Books_by_Srila_Prabhupada" class="section" sec_index="3" parent="compilation" text="Other Books by Srila Prabhupada"><h2>Other Books by Srila Prabhupada</h2>
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<div id="Teachings_of_Lord_Caitanya" class="sub_section" sec_index="0" parent="Other_Books_by_Srila_Prabhupada" text="Teachings of Lord Caitanya"><h3>Teachings of Lord Caitanya</h3>
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<div id="TLC31_0" class="quote" parent="Teachings_of_Lord_Caitanya" book="OB" index="37" link="TLC 31" link_text="Teachings of Lord Caitanya, Chapter 31">
<span class="link">[[Vanisource:TLC 31|Teachings of Lord Caitanya, Chapter 31]]: </span><div style="display: inline;" class="text"><p style="display: inline;">The tilaka of fortune is on the forehead of Śrīmatī Rādhārāṇī, and She also has a locket of prema-vaicittya. Prema-vaicittya is manifest when a lover and beloved meet and fear separation.</p>
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<div id="Krsna_The_Supreme_Personality_of_Godhead" class="sub_section" sec_index="4" parent="Other_Books_by_Srila_Prabhupada" text="Krsna, The Supreme Personality of Godhead"><h3>Krsna, The Supreme Personality of Godhead</h3>
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<div id="KB5_0" class="quote" parent="Krsna,_The_Supreme_Personality_of_Godhead" book="OB" index="9" link="KB 5" link_text="Krsna Book 5">
<span class="link">[[Vanisource:KB 5|Krsna Book 5]]: </span><div style="display: inline;" class="text"><p style="display: inline;">These beautiful gopīs took their different presentations and very soon reached the house of Mahārāja Nanda. Overburdened with their heavy hips and swollen breasts, the gopīs could not proceed very quickly toward the house of Nanda Mahārāja, but out of ecstatic love for Kṛṣṇa they proceeded as quickly as possible. Their ears were decorated with pearl rings, their necks were decorated with jeweled lockets, their lips and eyes were decorated with different kinds of lipstick and ointment, and their hands were decorated with nice golden bangles. As they were very hastily passing over the stone road, the flower garlands which were decorating their bodies fell to the ground, and it appeared that a shower of flowers was falling from the sky.</p>
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<div id="KB33_1" class="quote" parent="Krsna,_The_Supreme_Personality_of_Godhead" book="OB" index="37" link="KB 33" link_text="Krsna Book 33">
<span class="link">[[Vanisource:KB 33|Krsna Book 33]]: </span><div style="display: inline;" class="text"><p style="display: inline;">As the gopīs and Kṛṣṇa danced together, a very blissful musical sound was produced from the tinkling of their bells, ornaments and bangles. It appeared that Kṛṣṇa was a greenish sapphire locket in the midst of a golden necklace decorated with valuable stones. While Kṛṣṇa and the gopīs danced, they displayed extraordinary bodily features. The movements of their legs, their placing their hands on one another, the movements of their eyebrows, their smiling, the movements of the breasts of the gopīs and their clothes, their earrings, their cheeks, their hair with flowers—as they sang and danced these combined to appear like clouds, thunder, snow and lightning. Kṛṣṇa's bodily features appeared just like a group of clouds, the gopīs' songs were like thunder, their beauty appeared to be just like lightning in the sky, and the drops of perspiration visible on their faces appeared like falling snow. In this way, the gopīs and Kṛṣṇa fully engaged in dancing.</p>
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<div id="KB53_2" class="quote" parent="Krsna,_The_Supreme_Personality_of_Godhead" book="OB" index="57" link="KB 53" link_text="Krsna Book 53">
<span class="link">[[Vanisource:KB 53|Krsna Book 53]]: </span><div style="display: inline;" class="text"><p style="display: inline;">All the princes and visitors who came to Kuṇḍina for the marriage had assembled outside the temple to see Rukmiṇī. The princes were especially eager to see her because they all actually thought that they would have Rukmiṇī as their wife. Struck with wonder upon seeing Rukmiṇī, they thought she was especially manufactured by the Creator to bewilder all the great chivalrous princes. Her body was well constructed, the middle portion being thin. Her high hips were adorned with a jeweled locket, she had pink lips, and the beauty of her face was enhanced by her slightly scattered hair and by different kinds of earrings. The bodily luster and beauty of Rukmiṇī appeared as if painted by an artist perfectly presenting beauty following the descriptions of great poets.</p>
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<div id="KB56_3" class="quote" parent="Krsna,_The_Supreme_Personality_of_Godhead" book="OB" index="60" link="KB 56" link_text="Krsna Book 56">
<span class="link">[[Vanisource:KB 56|Krsna Book 56]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Since he was a great devotee of the sun-god, King Satrājit gradually entered into a very friendly relationship with him. The sun-god was pleased with him and delivered to him an exceptional jewel known as Syamantaka. When Satrājit wore this jewel in a locket around his neck, he appeared exactly like an imitation sun-god. Putting on this jewel, he entered the city of Dvārakā, and people thought that the sun-god had come into the city to see Kṛṣṇa. They knew that Kṛṣṇa, being the Supreme Personality of Godhead, was sometimes visited by the demigods, so while Satrājit was visiting the city of Dvārakā all the inhabitants except Kṛṣṇa took him to be the sun-god himself. Although King Satrājit was known to everyone, he could not be recognized because of the dazzling effulgence of the Syamantaka jewel.</p>
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<div id="KB60_4" class="quote" parent="Krsna,_The_Supreme_Personality_of_Godhead" book="OB" index="64" link="KB 60" link_text="Krsna Book 60">
<span class="link">[[Vanisource:KB 60|Krsna Book 60]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Rukmiṇī’s raised breasts were smeared with kuṅkuma and saffron; thus her beauty was enhanced by the reflection of the reddish color emanating from her covered breasts. Her high hips were decorated with a jeweled lace girdle, and a locket of great effulgence hung on her neck. Above all, because she was engaged in the service of Lord Kṛṣṇa—although at that time she was old enough to have grown-up sons—her beautiful body was beyond compare in the three worlds. When we take account of her beautiful face, it appears that the curling hair on her head, the beautiful earrings on her ears, her smiling mouth and her necklace of gold all combined to shower rains of nectar, and thus it was definitely proved that Rukmiṇī was none other than the original goddess of fortune, who is always engaged in the service of the lotus feet of Nārāyaṇa.</p>
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<div id="KB87_5" class="quote" parent="Krsna,_The_Supreme_Personality_of_Godhead" book="OB" index="91" link="KB 87" link_text="Krsna Book 87">
<span class="link">[[Vanisource:KB 87|Krsna Book 87]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Samādhi, or meditation, means that one has to find the Supersoul within himself. One who is not free from sinful reactions cannot see the Supersoul. If a person has a jeweled locket in his necklace but forgets the jewel, it is almost as though he does not possess it. Similarly, if an individual soul meditates but does not actually perceive the presence of the Supersoul within himself, his meditation is useless.” Persons who have taken to the path of self-realization must therefore be very careful to avoid contamination by the influence of māyā. Śrīla Rūpa Gosvāmī says that a devotee should be completely free from all sorts of material desires.</p>
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<div id="Conversations_and_Morning_Walks" class="section" sec_index="5" parent="compilation" text="Conversations and Morning Walks"><h2>Conversations and Morning Walks</h2>
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<div id="1977_Conversations_and_Morning_Walks" class="sub_section" sec_index="10" parent="Conversations_and_Morning_Walks" text="1977 Conversations and Morning Walks"><h3>1977 Conversations and Morning Walks</h3>
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<div id="RoomConversationwithRatanSinghRajdaMPNationalismandCheatingApril151977Bombay_0" class="quote" parent="1977_Conversations_and_Morning_Walks" book="Con" index="138" link="Room Conversation with Ratan Singh Rajda M.P. 'Nationalism and Cheating' -- April 15, 1977, Bombay" link_text="Room Conversation with Ratan Singh Rajda M.P. 'Nationalism and Cheating' -- April 15, 1977, Bombay">
<span class="link">[[Vanisource:Room Conversation with Ratan Singh Rajda M.P. 'Nationalism and Cheating' -- April 15, 1977, Bombay|Room Conversation with Ratan Singh Rajda M.P. 'Nationalism and Cheating' -- April 15, 1977, Bombay]]: </span><div class="text"><p style="display: inline;">Prabhupāda: It is universal, science. It is science. So why this science is kept locket up and distorted by the leaders? If you understand one line of Bhagavad-gītā, your life becomes successful. Now our leaders are supposed to read Bhagavad-gītā, but who understands this one line, tathā dehāntara-prāptir dhīras tatra na muhyati ([[Vanisource:BG 2.13 (1972)|BG 2.13]])? Nobody understands. And they are scholars of Bhagavad-gītā. They cannot understand this one line in the beginning. This is going on. So I would request you to take this matter seriously and... And it is being responded. I am writing these books on Bhagavad-gītā, Śrīmad-Bhāgavatam, and we are selling daily five to six lakhs' worth of books. In a foreign country, where their religious system is different, and during Christmas festival we are selling our books, large quantity.</p>
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