View source for Sari

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[[Category:Sari|1]]
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<div id="Srimad-Bhagavatam" class="section" sec_index="1" parent="compilation" text="Srimad-Bhagavatam"><h2>Srimad-Bhagavatam</h2>
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<div id="SB_Canto_2" class="sub_section" sec_index="2" parent="Srimad-Bhagavatam" text="SB Canto 2"><h3>SB Canto 2</h3>
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<div id="SB2820_0" class="quote" parent="SB_Canto_2" book="SB" index="269" link="SB 2.8.20" link_text="SB 2.8.20">
<div class="heading">At the time of Draupadī's precarious position, when she was attacked by the Kurus who wanted to see her naked in the open assembly of the royal order, the Lord saved her from being stripped by supplying an unlimited length of sari to cover her.
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<span class="link">[[Vanisource:SB 2.8.20|SB 2.8.20, Purport]]: </span><div style="display: inline;" class="purport text"><p style="display: inline;">Lord Śiva is the greatest yogī, and he can perform such wonderful things, far beyond the ordinary living beings. The devotees of the Lord, the Supreme Personality of Godhead, do not directly practice the process of mystic powers, but, by the grace of the Lord, His devotee can defeat even a great yogeśvara like Durvāsā Muni, who picked a quarrel with Mahārāja Ambarīṣa and wanted to show the wonderful achievements of his mystic powers. Mahārāja Ambarīṣa was a pure devotee of the Lord, and thus without any effort on his part the Lord saved him from the wrath of Yogeśvara Durvāsā Muni, and the latter was obliged to beg pardon from the King. Similarly, at the time of Draupadī's precarious position, when she was attacked by the Kurus who wanted to see her naked in the open assembly of the royal order, the Lord saved her from being stripped by supplying an unlimited length of sari to cover her. And Draupadī knew nothing of mystic powers. Therefore the devotees are also yogeśvaras by the unlimited power of the Lord, just as a child is powerful by the strength of the parents. They do not try to protect themselves by any artificial means, but are saved by the mercy of the parents.</p>
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<div id="SB_Canto_4" class="sub_section" sec_index="4" parent="Srimad-Bhagavatam" text="SB Canto 4"><h3>SB Canto 4</h3>
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<div id="SB42411_0" class="quote" parent="SB_Canto_4" book="SB" index="992" link="SB 4.24.11" link_text="SB 4.24.11">
<div class="heading">According to the Vedic system, when a girl is married, she is very profusely and gorgeously decorated with costly saris and jewelry, and during the marriage ceremony the bride circumambulates the bridegroom seven times. After this, the bridegroom and bride look at one another and become attracted for life.
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<span class="link">[[Vanisource:SB 4.24.11|SB 4.24.11, Translation and Purport]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">Mahārāja Barhiṣat—henceforward known as Prācīnabarhi—was ordered by the supreme demigod Lord Brahmā to marry the daughter of the ocean named Śatadruti. Her bodily features were completely beautiful, and she was very young. She was decorated with the proper garments, and when she came into the marriage arena and began circumambulating it, the fire-god Agni became so attracted to her that he desired her company, exactly as he had formerly desired to enjoy Śukī.</p>
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<div class="purport text"><p>In this verse the word suṣṭhv-alaṅkṛtām is significant. According to the Vedic system, when a girl is married, she is very profusely and gorgeously decorated with costly saris and jewelry, and during the marriage ceremony the bride circumambulates the bridegroom seven times. After this, the bridegroom and bride look at one another and become attracted for life. When the bridegroom finds the bride very beautiful, the attraction between them immediately becomes very strongly fixed. As stated in Śrīmad-Bhāgavatam, men and women are naturally attracted to one another, and when they are united by marriage that attraction becomes very strong. Being so strongly attracted, the bridegroom attempts to set up a nice homestead and eventually a good field for producing grains. Then children come, then friends and then wealth. In this way the male becomes more and more entangled in the material conceptions of life, and he begins to think, "This is mine," and "it is I who am acting." In this way the illusion of material existence is perpetuated.</p>
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<div id="SB42412_1" class="quote" parent="SB_Canto_4" book="SB" index="993" link="SB 4.24.12" link_text="SB 4.24.12">
<div class="heading">The demigods became captivated by her simply by hearing the tinkling of her ankle bells. They did not have to see her complete beauty. It is sometimes understood that a person becomes lusty just by hearing the tinkling of bangles on the hands of women or the tinkling of ankle bells, or just by seeing a woman's sari.
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<span class="link">[[Vanisource:SB 4.24.12|SB 4.24.12, Translation and Purport]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">While Śatadruti was thus being married, the demons, the denizens of Gandharvaloka, the great sages, and the denizens of Siddhaloka, the earthly planets and Nāgaloka, although highly exalted, were all captivated by the tinkling of her ankle bells.</p>
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<div class="purport text"><p>Generally a woman becomes more beautiful when, after an early marriage, she gives birth to a child. To give birth to a child is the natural function of a woman, and therefore a woman becomes more and more beautiful as she gives birth to one child after another. In the case of Śatadruti, however, she was so beautiful that she attracted the whole universe at her marriage ceremony. Indeed, she attracted all the learned and exalted demigods simply by the tinkling of her ankle bells. This indicates that all the demigods wanted to see her beauty completely, but they were not able to see it because she was fully dressed and covered with ornaments. Since they could only see the feet of Śatadruti, they became attracted by her ankle bells, which tinkled as she walked. In other words, the demigods became captivated by her simply by hearing the tinkling of her ankle bells. They did not have to see her complete beauty. It is sometimes understood that a person becomes lusty just by hearing the tinkling of bangles on the hands of women or the tinkling of ankle bells, or just by seeing a woman's sari. Thus it is concluded that woman is the complete representation of māyā. Although Viśvāmitra Muni was engaged in practicing mystic yoga with closed eyes, his transcendental meditation was broken when he heard the tinkling of bangles on the hands of Menakā. In this way Viśvāmitra Muni became a victim of Menakā and fathered a child who is universally celebrated as Śakuntalā. The conclusion is that no one can save himself from the attraction of woman, even though he be an exalted demigod or an inhabitant of the higher planets. Only a devotee of the Lord, who is attracted by Kṛṣṇa, can escape the lures of woman. Once one is attracted by Kṛṣṇa, the illusory energy of the world cannot attract him.</p>
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<div id="SB42523_2" class="quote" parent="SB_Canto_4" book="SB" index="1080" link="SB 4.25.23" link_text="SB 4.25.23">
<div class="heading">This verse expresses the joyfulness of the mind upon seeing a woman with raised hips and breasts dressed in an attractive sārī and bedecked with ornaments.
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<span class="link">[[Vanisource:SB 4.25.23|SB 4.25.23, Translation and Purport]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">The waist and hips of the woman were very beautiful. She was dressed in a yellow sārī with a golden belt. While she walked, her ankle bells rang. She appeared exactly like a denizen of the heavens.</p>
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<div class="purport text"><p>This verse expresses the joyfulness of the mind upon seeing a woman with raised hips and breasts dressed in an attractive sārī and bedecked with ornaments.</p>
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<div id="SB42524_3" class="quote" parent="SB_Canto_4" book="SB" index="1081" link="SB 4.25.24" link_text="SB 4.25.24">
<span class="link">[[Vanisource:SB 4.25.24|SB 4.25.24, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">With the end of her sārī the woman was trying to cover her breasts, which were equally round and well placed side by side. She again and again tried to cover them out of shyness while she walked exactly like a great elephant.</p>
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<div id="SB_Canto_5" class="sub_section" sec_index="5" parent="Srimad-Bhagavatam" text="SB Canto 5"><h3>SB Canto 5</h3>
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<div id="SB51624_0" class="quote" parent="SB_Canto_5" book="SB" index="395" link="SB 5.16.24" link_text="SB 5.16.24">
<div class="heading">The products of nature are sufficient. When there is a profuse supply of milk, yogurt, honey, food grains, ghee, molasses, dhotis, saris, bedding, sitting places and ornaments, the residents are actually opulent.
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<span class="link">[[Vanisource:SB 5.16.24|SB 5.16.24, Translation and Purport]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">Similarly, on Kumuda Mountain there is a great banyan tree, which is called Śatavalśa because it has a hundred main branches. From those branches come many roots, from which many rivers are flowing. These rivers flow down from the top of the mountain to the northern side of Ilāvṛta-varṣa for the benefit of those who live there. Because of these flowing rivers, all the people have ample supplies of milk, yogurt, honey, clarified butter (ghee), molasses, food grains, clothes, bedding, sitting places and ornaments. All the objects they desire are sufficiently supplied for their prosperity, and therefore they are very happy.</p>
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<div class="purport text"><p>The prosperity of humanity does not depend on a demoniac civilization that has no culture and no knowledge but has only gigantic skyscrapers and huge automobiles always rushing down the highways. The products of nature are sufficient. When there is a profuse supply of milk, yogurt, honey, food grains, ghee, molasses, dhotis, saris, bedding, sitting places and ornaments, the residents are actually opulent. When a profuse supply of water from the river inundates the land, all these things can be produced, and there will not be scarcity.</p>
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<div id="SB_Canto_6" class="sub_section" sec_index="6" parent="Srimad-Bhagavatam" text="SB Canto 6"><h3>SB Canto 6</h3>
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<div id="SB61736_0" class="quote" parent="SB_Canto_6" book="SB" index="675" link="SB 6.17.36" link_text="SB 6.17.36">
<div class="heading">When Pārvatī remembered her former behavior in cursing Citraketu, she became very much ashamed and covered her face with the skirt of her sari, admitting that she was wrong in cursing Citraketu.
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<span class="link">[[Vanisource:SB 6.17.36|SB 6.17.36, Translation and Purport]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">Śrī Śukadeva Gosvāmī said: O King, after hearing this speech by her husband, the demigoddess (Umā, the wife of Lord Śiva) gave up her astonishment at the behavior of King Citraketu and became steady in intelligence.</p>
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<div class="purport text"><p>Śrīla Viśvanātha Cakravartī Ṭhākura remarks that the word śānta-dhīḥ means svīya-pūrva-svabhāva-smṛtyā. When Pārvatī remembered her former behavior in cursing Citraketu, she became very much ashamed and covered her face with the skirt of her sari, admitting that she was wrong in cursing Citraketu.</p>
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<div id="SB_Canto_8" class="sub_section" sec_index="8" parent="Srimad-Bhagavatam" text="SB Canto 8"><h3>SB Canto 8</h3>
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<div id="SB884146_0" class="quote" parent="SB_Canto_8" book="SB" index="274" link="SB 8.8.41-46" link_text="SB 8.8.41-46">
<span class="link">[[Vanisource:SB 8.8.41-46|SB 8.8.41-46, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">The Supreme Personality of Godhead, Viṣṇu, who can counteract any unfavorable situation, then assumed the form of an extremely beautiful woman. This incarnation as a woman, Mohinī-mūrti, was most pleasing to the mind. Her complexion resembled in color a newly grown blackish lotus, and every part of Her body was beautifully situated. Her ears were equally decorated with earrings, Her cheeks were very beautiful, Her nose was raised and Her face full of youthful luster. Her large breasts made Her waist seem very thin. Attracted by the aroma of Her face and body, bumblebees hummed around Her, and thus Her eyes were restless. Her hair, which was extremely beautiful, was garlanded with mallikā flowers. Her attractively constructed neck was decorated with a necklace and other ornaments, Her arms were decorated with bangles, Her body was covered with a clean sari, and Her breasts seemed like islands in an ocean of beauty. Her legs were decorated with ankle bells. Because of the movements of Her eyebrows as She smiled with shyness and glanced over the demons, all the demons were saturated with lusty desires, and every one of them desired to possess Her.</p>
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<div id="SB891617_1" class="quote" parent="SB_Canto_8" book="SB" index="290" link="SB 8.9.16-17" link_text="SB 8.9.16-17">
<span class="link">[[Vanisource:SB 8.9.16-17|SB 8.9.16-17, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">O King, as the demigods and demons sat facing east in an arena fully decorated with flower garlands and lamps and fragrant with the smoke of incense, that woman, dressed in a most beautiful sari, Her ankle bells tinkling, entered the arena, walking very slowly because of Her big, low hips. Her eyes were restless due to youthful pride, Her breasts were like water jugs, Her thighs resembled the trunks of elephants, and She carried a waterpot in Her hand.</p>
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<div id="SB8918_2" class="quote" parent="SB_Canto_8" book="SB" index="291" link="SB 8.9.18" link_text="SB 8.9.18">
<span class="link">[[Vanisource:SB 8.9.18|SB 8.9.18, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">Her attractive nose and cheeks and Her ears, adorned with golden earrings, made Her face very beautiful. As She moved, Her sari's border on Her breasts moved slightly aside. When the demigods and demons saw these beautiful features of Mohinī-mūrti, who was glancing at them and slightly smiling, they were all completely enchanted.</p>
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<div id="SB81218_3" class="quote" parent="SB_Canto_8" book="SB" index="413" link="SB 8.12.18" link_text="SB 8.12.18">
<span class="link">[[Vanisource:SB 8.12.18|SB 8.12.18, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">Thereafter, in a nice forest nearby, full of trees with reddish-pink leaves and varieties of flowers, Lord Śiva saw a beautiful woman playing with a ball. Her hips were covered with a shining sari and ornamented with a belt.</p>
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<div id="SB81221_4" class="quote" parent="SB_Canto_8" book="SB" index="416" link="SB 8.12.21" link_text="SB 8.12.21">
<span class="link">[[Vanisource:SB 8.12.21|SB 8.12.21, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">As She played with the ball, the sari covering Her body became loose, and Her hair scattered. She tried to bind Her hair with Her beautiful left hand, and at the same time She played with the ball by striking it with Her right hand. This was so attractive that the Supreme Lord, by His internal potency, in this way captivated everyone.</p>
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<div id="SB_Canto_101_to_1013" class="sub_section" sec_index="10" parent="Srimad-Bhagavatam" text="SB Canto 10.1 to 10.13"><h3>SB Canto 10.1 to 10.13</h3>
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<div id="SB1093_0" class="quote" parent="SB_Canto_10.1_to_10.13" book="SB" index="346" link="SB 10.9.3" link_text="SB 10.9.3">
<span class="link">[[Vanisource:SB 10.9.3|SB 10.9.3, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">Dressed in a saffron-yellow sari, with a belt tied about her full hips, mother Yaśodā pulled on the churning rope, laboring considerably, her bangles and earrings moving and vibrating and her whole body shaking. Because of her intense love for her child, her breasts were wet with milk. Her face, with its very beautiful eyebrows, was wet with perspiration, and mālatī flowers were falling from her hair.</p>
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<div id="SB_Cantos_1014_to_12_Translations_Only" class="sub_section" sec_index="11" parent="Srimad-Bhagavatam" text="SB Cantos 10.14 to 12 (Translations Only)"><h3>SB Cantos 10.14 to 12 (Translations Only)</h3>
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<div id="SB10608_0" class="quote" parent="SB_Cantos_10.14_to_12_(Translations_Only)" book="SB" index="1822" link="SB 10.60.8" link_text="SB 10.60.8">
<span class="link">[[Vanisource:SB 10.60.8|SB 10.60.8, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">Her hand adorned with rings, bangles and the cāmara fan, Queen Rukmiṇī looked resplendent standing near Lord Kṛṣṇa. Her jeweled ankle-bells tinkled, and her necklace glittered, reddened by the kuṅkuma from her breasts, which were covered by the end of her sāri. On her hips she wore a priceless belt.</p>
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<div id="SB108448_1" class="quote" parent="SB_Cantos_10.14_to_12_(Translations_Only)" book="SB" index="2781" link="SB 10.84.48" link_text="SB 10.84.48">
<span class="link">[[Vanisource:SB 10.84.48|SB 10.84.48, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">Vasudeva received initiation along with his wives, who wore silk sārīs and were adorned with bangles, necklaces, ankle bells and earrings. With his body wrapped in a deerskin, Vasudeva shone splendidly.</p>
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<div id="Sri_Caitanya-caritamrta" class="section" sec_index="2" parent="compilation" text="Sri Caitanya-caritamrta"><h2>Sri Caitanya-caritamrta</h2>
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<div id="CC_Adi-lila" class="sub_section" sec_index="1" parent="Sri_Caitanya-caritamrta" text="CC Adi-lila"><h3>CC Adi-lila</h3>
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<div id="CCAdi13113_0" class="quote" parent="CC_Adi-lila" book="CC" index="1683" link="CC Adi 13.113" link_text="CC Adi 13.113">
<span class="link">[[Vanisource:CC Adi 13.113|CC Adi 13.113, Translation and Purport]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">There were also tiger nails set in gold, waist decorations of silk and lace, ornaments for the hands and legs, nicely printed silken saris, and a child's garment, also made of silk. Many other riches, including gold and silver coins, were also presented to the child.</p>
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<div class="purport text"><p>From the gifts presented by Sītā Ṭhākurāṇī, Advaita Ācārya's wife, it appears that Advaita Ācārya was at that time a very rich man. Although brāhmaṇas are not the rich men of society, Advaita Ācārya, being the leader of the brāhmaṇas in Śāntipura, was considerably well-to-do. Therefore He presented many ornaments to the baby, Lord Caitanya Mahāprabhu. But Kamalākānta Viśvāsa's asking for three hundred rupees from the King of Jagannātha Purī, Mahārāja Pratāparudra, on the plea that Advaita Ācārya was in debt for that amount, indicates that such a rich man, who could present many valuable ornaments, saris, etc., thought it difficult to repay three hundred rupees. Therefore the value of a rupee at that time was many thousands of times what it is now. At present, no one feels difficulty over a debt of three hundred rupees, nor can an ordinary man accumulate such valuable ornaments to present to a friend's son. Probably the value of three hundred rupees at that time was equal to the present value of thirty thousand rupees.</p>
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<div id="CC_Madhya-lila" class="sub_section" sec_index="2" parent="Sri_Caitanya-caritamrta" text="CC Madhya-lila"><h3>CC Madhya-lila</h3>
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<div id="CCMadhya8166_0" class="quote" parent="CC_Madhya-lila" book="CC" index="1571" link="CC Madhya 8.166" link_text="CC Madhya 8.166">
<div class="heading">Śrīmatī Rādhārāṇī’s transcendental breasts are covered by Her sari in the form of affection and anger toward Kṛṣṇa.
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<span class="link">[[Vanisource:CC Madhya 8.166|CC Madhya 8.166, Translation and Purport]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">“Śrīmatī Rādhārāṇī’s transcendental body is brilliant in luster and full of all transcendental fragrances. Lord Kṛṣṇa's affection for Her is like a perfumed massage.</p>
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<div class="purport text"><p>Sugandhi udvartana refers to a paste made of several perfumes and fragrant oils. This paste is massaged all over the body, and in this way the body's dirt and perspiration are removed. Śrīmatī Rādhārāṇī’s body is automatically perfumed, but when Her body is massaged with the scented paste of Lord Kṛṣṇa's affection, Her entire body is doubly perfumed and made brilliant and lustrous. This is the beginning of Kṛṣṇadāsa Kavirāja Gosvāmī’s description of Śrīmatī Rādhārāṇī’s transcendental body. This description (found in verses 165–181) is based on a book by Śrīla Raghunātha dāsa Gosvāmī known as Premāmbhoja-maranda. Śrīla Bhaktivinoda Ṭhākura's translation of the original Sanskrit reads as follows:</p>
<p>“The love of the gopīs for Kṛṣṇa is full of transcendental ecstasy. It appears to be a brilliant jewel, and enlightened by such a transcendental jewel, Rādhārāṇī’s body is further perfumed and decorated with kuṅkuma. In the morning Her body is bathed in the nectar of compassion, in the afternoon in the nectar of youth, and in the evening in the nectar of luster itself. In this way the bathing is performed, and Her body becomes as brilliant as the cintāmaṇi jewel. She is dressed in various kinds of silken garments, one of which is Her natural shyness.</p>
<p>“Her beauty is more and more enhanced, being decorated with the red kuṅkuma of beauty itself and the blackish musk of conjugal love. Thus Her body is decorated with different colors. Her ornaments embody the natural symptoms of ecstasy—trembling, tears, jubilation, stunning, perspiration, faltering of the voice, bodily redness, madness and dullness. In this way Her entire body is bedecked with these nine different jewels. Over and above this, the beauty of Her body is enhanced by Her transcendental qualities, which constitute the flower garland hanging on Her body. The ecstasy of love for Kṛṣṇa is known as dhīrā and adhīrā, sober and restless. Such ecstasy constitutes the covering of Śrīmatī Rādhārāṇī’s body, and it is adorned by camphor. Her transcendental anger toward Kṛṣṇa is embodied as the arrangement of the hair on Her head, and the tilaka of Her great fortune shines on Her beautiful forehead. Śrīmatī Rādhārāṇī’s earrings are the holy names of Kṛṣṇa, as well as the hearing of His name and fame. Her lips are always reddish due to the betel nut of ecstatic affection for Kṛṣṇa. The black ointment around Her eyes is Her tricky behavior with Kṛṣṇa brought about by love. Her joking with Kṛṣṇa and gentle smiling constitute the camphor with which She is perfumed. She sleeps in Her room with the aroma of pride, and when She lies down in Her bed, the transcendental variety of Her loving ecstasies is like a jeweled locket in the midst of Her necklace of separation. Her transcendental breasts are covered by Her sari in the form of affection and anger toward Kṛṣṇa. She has a stringed instrument known as a kacchapī-vīṇā, which is the fame and fortune that actually dries up the faces and breasts of the other gopīs. She always keeps Her hands on the shoulder of Her gopī friend, who represents Her youthful beauty, and although She is highly qualified with so many spiritual assets, She is nonetheless affected by the Cupid known as Kṛṣṇa. Thus She is defeated. Śrīla Raghunātha dāsa Gosvāmī offers his respectful obeisances to Śrīmatī Rādhārāṇī, taking a straw in his mouth. Indeed, he prays, "O Gāndharvikā, Śrīmatī Rādhārāṇī, just as Lord Kṛṣṇa never rejects a surrendered soul, please don"t reject me.’” This is a summary translation of the Premāmbhoja-maranda, which Kavirāja Gosvāmī quotes.</p>
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<div id="CCMadhya8168_1" class="quote" parent="CC_Madhya-lila" book="CC" index="1573" link="CC Madhya 8.168" link_text="CC Madhya 8.168">
<div class="heading">Rādhārāṇī then puts on two garments—a lower and an upper garment. The upper garment is pinkish and is Her affection and attraction for Kṛṣṇa, and the lower garment, a blackish silk sari, is Her shyness.
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<span class="link">[[Vanisource:CC Madhya 8.168|CC Madhya 8.168, Translation and Purport]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">“After Her midday bath, Rādhārāṇī takes another bath in the nectar of bodily luster, and She puts on the garment of shyness, which is Her black silk sari.</p>
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<div class="purport text"><p>Over and above the other baths, the bath taken in the afternoon is taken in the nectar of full beauty. This nectar represents the personal qualities of beauty and luster. Thus there are three baths in different kinds of water. Rādhārāṇī then puts on two garments—a lower and an upper garment. The upper garment is pinkish and is Her affection and attraction for Kṛṣṇa, and the lower garment, a blackish silk sari, is Her shyness.</p>
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<div id="CCMadhya14195_2" class="quote" parent="CC_Madhya-lila" book="CC" index="3134" link="CC Madhya 14.195" link_text="CC Madhya 14.195">
<span class="link">[[Vanisource:CC Madhya 14.195|CC Madhya 14.195, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">“When Kṛṣṇa comes forward and greedily snatches at the border of Her sari, Śrīmatī Rādhārāṇī is actually very pleased within, but still She tries to stop Him.</p>
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<div id="CCMadhya14197_3" class="quote" parent="CC_Madhya-lila" book="CC" index="3136" link="CC Madhya 14.197" link_text="CC Madhya 14.197">
<span class="link">[[Vanisource:CC Madhya 14.197|CC Madhya 14.197, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">“"When the border of Her sari and the cloth veiling Her face are caught, She externally appears offended and angry, but within Her heart She is very happy. Learned scholars call this attitude kuṭṭamita."</p>
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</div>
<div id="CCMadhya17214_4" class="quote" parent="CC_Madhya-lila" book="CC" index="3990" link="CC Madhya 17.214" link_text="CC Madhya 17.214">
<span class="link">[[Vanisource:CC Madhya 17.214|CC Madhya 17.214, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">The male parrot then said, "My dear śārī (female parrot), Śrī Kṛṣṇa carries a flute and enchants the hearts of all women throughout the universe. He is specifically the enjoyer of the beautiful gopīs, and He is the enchanter of Cupid also. Let Him be glorified!"</p>
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</div>
<div id="CC_Antya-lila" class="sub_section" sec_index="3" parent="Sri_Caitanya-caritamrta" text="CC Antya-lila"><h3>CC Antya-lila</h3>
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<div id="CCAntya1980_0" class="quote" parent="CC_Antya-lila" book="CC" index="3013" link="CC Antya 19.80" link_text="CC Antya 19.80">
<span class="link">[[Vanisource:CC Antya 19.80|CC Antya 19.80, Translation]]: </span><div style="display: inline;" class="trans text"><p style="display: inline;">In the garden were fully blossomed trees and creepers exactly like those in Vṛndāvana. Bumblebees and birds like the śuka, śārī and pika talked with one another.</p>
</div>
</div>
<div id="Other_Books_by_Srila_Prabhupada" class="section" sec_index="3" parent="compilation" text="Other Books by Srila Prabhupada"><h2>Other Books by Srila Prabhupada</h2>
</div>
<div id="Nectar_of_Devotion" class="sub_section" sec_index="1" parent="Other_Books_by_Srila_Prabhupada" text="Nectar of Devotion"><h3>Nectar of Devotion</h3>
</div>
<div id="NOD43_0" class="quote" parent="Nectar_of_Devotion" book="OB" index="288" link="NOD 43" link_text="Nectar of Devotion 43">
<div class="heading">When many very great sages were offering prayers to Lord Kṛṣṇa, glorifying His activities, the Queen of Gokula, mother Yaśodā, entered the Battlefield of Kurukṣetra, wetting the lower part of her sārī with the milk flowing from her breast.
</div>
<span class="link">[[Vanisource:NOD 43|Nectar of Devotion 43]]: </span><div style="display: inline;" class="text"><p style="display: inline;">The parental love of mother Yaśodā for Kṛṣṇa steadily increases, and her love and ecstasy are sometimes described as intense affection and sometimes as overwhelming attachment. An example of attachment for Kṛṣṇa with overwhelming affection is given in Śrīmad-Bhāgavatam, Tenth Canto, Sixth Chapter, verse 43, where Śukadeva Gosvāmī addresses Mahārāja Parīkṣit in this way: "My dear King, when magnanimous Nanda Mahārāja returned from Mathurā, he began to smell the head of his son, and he was merged in the ecstasy of parental love." A similar statement is there in connection with mother Yaśodā when she was too anxious to hear the sound of Kṛṣṇa's flute, expecting Him back from the pasturing ground. Because she thought that it was getting very late, her anxiety to hear the sound of Kṛṣṇa's flute became doubled, and milk began to flow from her breast. In that condition she was sometimes going within the house, sometimes coming out of the house. She was constantly looking to see if Govinda was coming back along the road. When many very great sages were offering prayers to Lord Kṛṣṇa, glorifying His activities, the Queen of Gokula, mother Yaśodā, entered the Battlefield of Kurukṣetra, wetting the lower part of her sārī with the milk flowing from her breast. This entrance of mother Yaśodā at Kurukṣetra was not during the Battle of Kurukṣetra. At other times Kṛṣṇa went to Kurukṣetra from His paternal home (Dvārakā) during the solar eclipse, and at these times the residents of Vṛndāvana also went to see Him there.</p>
</div>
</div>
<div id="NOD43_1" class="quote" parent="Nectar_of_Devotion" book="OB" index="288" link="NOD 43" link_text="Nectar of Devotion 43">
<div class="heading">When all the wives of Vasudeva were present in the arena of Kaṁsa, they saw the most pleasing bodily features of Kṛṣṇa, and immediately, out of parental affection, milk began to flow from their breasts, and the lower parts of their sārīs became wet.
</div>
<span class="link">[[Vanisource:NOD 43|Nectar of Devotion 43]]: </span><div style="display: inline;" class="text"><p style="display: inline;">When Nanda Mahārāja was accused by mother Yaśodā of being "hardhearted," he replied, "My dear Yaśodā, why are you becoming so agitated? Kindly look more carefully. Just see, your son Kṛṣṇa is standing before you! Don't become a madwoman like this. Please keep my home peaceful." And Kṛṣṇa was informed by some friend that His father Nanda was also in illusion in this way, in separation from Him.</p>
<p>When all the wives of Vasudeva were present in the arena of Kaṁsa, they saw the most pleasing bodily features of Kṛṣṇa, and immediately, out of parental affection, milk began to flow from their breasts, and the lower parts of their sārīs became wet. This symptom of ecstatic love is an example of the result of fulfillment of desire.</p>
</div>
</div>
<div id="Krsna_The_Supreme_Personality_of_Godhead" class="sub_section" sec_index="4" parent="Other_Books_by_Srila_Prabhupada" text="Krsna, The Supreme Personality of Godhead"><h3>Krsna, The Supreme Personality of Godhead</h3>
</div>
<div id="KB8_0" class="quote" parent="Krsna,_The_Supreme_Personality_of_Godhead" book="OB" index="12" link="KB 8" link_text="Krsna Book 8">
<div class="heading">As soon as Balarāma and Kṛṣṇa would come crawling to Their mothers, Yaśodā and Rohiṇī would take Them on their laps and, covering Them with the lower portion of their saris, allow Them to suck their breasts.
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<span class="link">[[Vanisource:KB 8|Krsna Book 8]]: </span><div style="display: inline;" class="text"><p style="display: inline;">A short time after this incident, both Balarāma and Kṛṣṇa began to crawl on Their hands and knees. When They were crawling like that, They pleased Their mothers. The bells tied to Their waist and ankles sounded fascinating, and They would move around very pleasingly. Sometimes, just like ordinary children, They would be frightened by others and would immediately hurry to Their mothers for protection. Sometimes They would fall into the clay and mud of Vṛndāvana and would approach Their mothers smeared with clay and saffron. They were actually smeared with saffron and sandalwood pulp by Their mothers, but due to crawling over muddy clay, They would simultaneously smear Their bodies with clay. As soon as They would come crawling to Their mothers, Yaśodā and Rohiṇī would take Them on their laps and, covering Them with the lower portion of their saris, allow Them to suck their breasts. When the babies were sucking their breasts, the mothers would see small teeth coming in. Thus their joy would be intensified to see their children grow. Sometimes the naughty babies would crawl up to the cowshed, catch the tail of a calf and stand up. The calves, being disturbed, would immediately begin running here and there, and the children would be dragged over clay and cow dung. To see this fun, Yaśodā and Rohiṇī would call all their neighborhood friends, the gopīs. Upon seeing these childhood pastimes of Lord Kṛṣṇa, the gopīs would be merged in transcendental bliss. In their enjoyment they would laugh very loudly.</p>
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</div>
<div id="KB9_1" class="quote" parent="Krsna,_The_Supreme_Personality_of_Godhead" book="OB" index="13" link="KB 9" link_text="Krsna Book 9">
<div class="heading">While mother Yaśodā churned butter, she sang the childhood pastimes of Kṛṣṇa and enjoyed thinking of her son. The end of her sari was tightly wrapped while she churned, and on account of her intense love for her son, milk automatically dripped from her breasts, which moved as she labored very hard, churning with two hands.
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<span class="link">[[Vanisource:KB 9|Krsna Book 9]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Once upon a time, seeing that her maidservant was engaged in different household duties, mother Yaśodā personally took charge of churning butter. And while she churned butter, she sang the childhood pastimes of Kṛṣṇa and enjoyed thinking of her son.</p>
<p>The end of her sari was tightly wrapped while she churned, and on account of her intense love for her son, milk automatically dripped from her breasts, which moved as she labored very hard, churning with two hands. The bangles and bracelets on her hands tinkled as they touched each other, and her earrings and breasts shook. There were drops of perspiration on her face, and the flower garland which was on her head scattered here and there. Before this picturesque sight, Lord Kṛṣṇa appeared as a child. He felt hungry, and to increase His mother's love, He wanted her to stop churning. He indicated that her first business was to let Him suck her breast, and then she could churn butter later.</p>
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</div>
<div id="KB11_2" class="quote" parent="Krsna,_The_Supreme_Personality_of_Godhead" book="OB" index="15" link="KB 11" link_text="Krsna Book 11">
<div class="heading">And who can describe the damsels of Vraja? They were all seated on the carts and were very beautifully dressed with ornaments and costly saris.
</div>
<span class="link">[[Vanisource:KB 11|Krsna Book 11]]: </span><div style="display: inline;" class="text"><p style="display: inline;">On hearing the statement of Upananda, all the cowherd men immediately agreed. "Let us immediately go there." Everyone then loaded all their household furniture and utensils onto the carts and prepared to go to Vṛndāvana. All the children, women and old men of the village were arranged on seats, and the cowherd men equipped themselves with bows and arrows to follow the carts. All the cows and bulls were placed in the front along with their calves, and the men, with their bows and arrows, surrounded the herds and carts and began to blow on their horns and bugles. In this way, with tumultuous sound, they started for Vṛndāvana.</p>
<p>And who can describe the damsels of Vraja? They were all seated on the carts and were very beautifully dressed with ornaments and costly saris. They chanted the pastimes of child Kṛṣṇa as usual. Mother Yaśodā and mother Rohiṇī were seated on a separate cart, and Kṛṣṇa and Balarāma were seated on their laps. While mother Rohiṇī and Yaśodā were riding on the cart, they talked to Kṛṣṇa and Balarāma, and feeling the pleasure of such talks, they looked very, very beautiful.</p>
</div>
</div>
<div id="KB60_3" class="quote" parent="Krsna,_The_Supreme_Personality_of_Godhead" book="OB" index="64" link="KB 60" link_text="Krsna Book 60">
<div class="heading">The handle of the cāmara was made of gold and bedecked with valuable jewels, and it became more beautiful when taken by Rukmiṇī because all of her fingers were beautifully set with jeweled rings. Her legs were decorated with jeweled ankle bells, which rang very softly between the pleats of her sari.
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<span class="link">[[Vanisource:KB 60|Krsna Book 60]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Rukmiṇī was very eager to get the opportunity to serve her husband, the Supreme Personality of Godhead. She therefore wanted to serve the Lord personally and took the handle of the cāmara from the hand of a maidservant and began to move the fan. The handle of the cāmara was made of gold and bedecked with valuable jewels, and it became more beautiful when taken by Rukmiṇī because all of her fingers were beautifully set with jeweled rings. Her legs were decorated with jeweled ankle bells, which rang very softly between the pleats of her sari. Rukmiṇī’s raised breasts were smeared with kuṅkuma and saffron; thus her beauty was enhanced by the reflection of the reddish color emanating from her covered breasts. Her high hips were decorated with a jeweled lace girdle, and a locket of great effulgence hung on her neck. Above all, because she was engaged in the service of Lord Kṛṣṇa—although at that time she was old enough to have grown-up sons—her beautiful body was beyond compare in the three worlds. When we take account of her beautiful face, it appears that the curling hair on her head, the beautiful earrings on her ears, her smiling mouth and her necklace of gold all combined to shower rains of nectar, and thus it was definitely proved that Rukmiṇī was none other than the original goddess of fortune, who is always engaged in the service of the lotus feet of Nārāyaṇa.</p>
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</div>
<div id="KB69_4" class="quote" parent="Krsna,_The_Supreme_Personality_of_Godhead" book="OB" index="73" link="KB 69" link_text="Krsna Book 69">
<div class="heading">There were many maidservants, all of whom were decorated with gold necklaces, bangles and beautiful saris. There were also many menservants, nicely dressed in cloaks and turbans and jeweled earrings. Beautiful as they were, the servants were all engaged in different household duties.
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<span class="link">[[Vanisource:KB 69|Krsna Book 69]]: </span><div style="display: inline;" class="text"><p style="display: inline;">In this greatly beautiful city of Dvārakā, Lord Kṛṣṇa, the Supreme Personality of Godhead, had many residential quarters. The great kings and princes of the world used to visit these palaces just to worship Him. The architectural plans were made personally by Viśvakarmā, the engineer of the demigods, and in the construction of the palaces he exhibited all of his talents and ingenuity. These residential quarters numbered more than sixteen thousand, and a different queen of Lord Kṛṣṇa resided in each of them. The great sage Nārada entered one of these houses and saw that the pillars were made of coral and the ceilings were bedecked with jewels. The walls as well as the arches between the pillars glowed from the decorations of different kinds of sapphires. Throughout the palace were many canopies made by Viśvakarmā that were decorated with strings of pearls. The chairs and other furniture were made of ivory and bedecked with gold and diamonds, and jeweled lamps dissipated the darkness within the palace. There was so much incense and fragrant gum burning that the scented fumes were coming out of the windows. The peacocks sitting on the steps became illusioned by the fumes, mistaking them for clouds, and began dancing jubilantly. There were many maidservants, all of whom were decorated with gold necklaces, bangles and beautiful saris. There were also many menservants, nicely dressed in cloaks and turbans and jeweled earrings. Beautiful as they were, the servants were all engaged in different household duties.</p>
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</div>
<div id="KB71_5" class="quote" parent="Krsna,_The_Supreme_Personality_of_Godhead" book="OB" index="75" link="KB 71" link_text="Krsna Book 71">
<div class="heading">When the young girls in every house heard that Lord Kṛṣṇa, the only object worth seeing, was passing on the road, they were very eager to see this all-famous personality. Their hair loosened, and their tightened saris became slack due to their hastily rushing to see Him.
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<span class="link">[[Vanisource:KB 71|Krsna Book 71]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Lord Kṛṣṇa thus entered the city of the Pāṇḍavas, enjoyed the beautiful atmosphere and slowly proceeded ahead. When the young girls in every house heard that Lord Kṛṣṇa, the only object worth seeing, was passing on the road, they were very eager to see this all-famous personality. Their hair loosened, and their tightened saris became slack due to their hastily rushing to see Him. They gave up their household engagements, and those who were lying in bed with their husbands immediately left them and came directly down onto the street to see Lord Kṛṣṇa. The procession of elephants, horses, chariots and infantry was very crowded; some of the girls, being unable to see properly in the crowd, got up on the roofs of the houses. Pleased to see Lord Śrī Kṛṣṇa passing with His thousands of queens, they showered flowers on the procession, embraced Lord Kṛṣṇa within their minds and gave Him a hearty reception. When they saw Him in the midst of His many queens, like the full moon situated amidst many luminaries, they began to talk amongst themselves.</p>
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</div>
<div id="KB75_6" class="quote" parent="Krsna,_The_Supreme_Personality_of_Godhead" book="OB" index="79" link="KB 75" link_text="Krsna Book 75">
<div class="heading">The queens became bashful, but at the same time their beautiful smiling brightened their faces. Because of the liquids thrown on their bodies, the saris covering them became completely wet.
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<span class="link">[[Vanisource:KB 75|Krsna Book 75]]: </span><div style="display: inline;" class="text"><p style="display: inline;">In order to observe the great ceremony, many wives of the demigods had come in different airplanes, and they were visible in the sky. Similarly, the queens of the royal family, gorgeously decorated and surrounded by bodyguards, arrived on different palanquins. During this time, Lord Kṛṣṇa, the maternal cousin of the Pāṇḍavas, and His special friend Arjuna were both throwing the liquid substances on the bodies of the queens. The queens became bashful, but at the same time their beautiful smiling brightened their faces. Because of the liquids thrown on their bodies, the saris covering them became completely wet. The different parts of their beautiful bodies, particularly their breasts and their waists, became partially visible because of the wet cloth. The queens brought buckets of the same liquid substances and with syringes sprinkled them on the bodies of their brothers-in-law. As they engaged in such jubilant activities, their hair fell loose, and the flowers decorating their bodies began to fall. When Lord Kṛṣṇa, Arjuna and the queens were thus engaged in these jubilant activities, persons who were not clean in heart were agitated by lustful desires. In other words, such behavior between pure males and females is enjoyable, but it makes persons who are materially contaminated become lustful.</p>
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<div id="KB84_7" class="quote" parent="Krsna,_The_Supreme_Personality_of_Godhead" book="OB" index="88" link="KB 84" link_text="Krsna Book 84">
<div class="heading">While the ceremony was being observed strictly according to the principles of the scriptures, Vasudeva resembled the moon encircled by stars. Because he was being initiated for the sacrifice, he was dressed in a deerskin, but all his wives were dressed with very nice saris, bangles, necklaces, ankle bells, earrings and many other ornaments.
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<span class="link">[[Vanisource:KB 84|Krsna Book 84]]: </span><div style="display: inline;" class="text"><p style="display: inline;">When everything was complete, there was heard the vibration of mṛdaṅgas, conchshells, kettledrums and other musical instruments. Professional dancers, both male and female, began to dance. The sūtas and māgadhas, who were professional singers, began to offer prayers by singing. And the Gandharvas and their wives, whose voices were very sweet, began to sing many auspicious songs. Vasudeva anointed his eyes with black cosmetic, smeared butter over his body and then, along with his eighteen wives, headed by Devakī, sat before the priests to be purified by the abhiṣeka ceremony. While the ceremony was being observed strictly according to the principles of the scriptures, Vasudeva resembled the moon encircled by stars. Because he was being initiated for the sacrifice, he was dressed in a deerskin, but all his wives were dressed with very nice saris, bangles, necklaces, ankle bells, earrings and many other ornaments. Vasudeva looked very beautiful surrounded by his wives, exactly like the King of heaven when he performs such sacrifices.</p>
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</div>
<div id="Lectures" class="section" sec_index="4" parent="compilation" text="Lectures"><h2>Lectures</h2>
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<div id="Bhagavad-gita_As_It_Is_Lectures" class="sub_section" sec_index="0" parent="Lectures" text="Bhagavad-gita As It Is Lectures"><h3>Bhagavad-gita As It Is Lectures</h3>
</div>
<div id="LectureonBG136LondonJuly261973_0" class="quote" parent="Bhagavad-gita_As_It_Is_Lectures" book="Lec" index="22" link="Lecture on BG 1.36 -- London, July 26, 1973" link_text="Lecture on BG 1.36 -- London, July 26, 1973">
<div class="heading">So actually, they tried to insult. Not tried, it was fact. But Kṛṣṇa saved. You know, Draupadi's vastra-haraṇa. She was tried to become naked, but these people could not make her naked. The sārī was supplied by Kṛṣṇa, one after another, one after another, heaps of sārī. Then they become fed up, gave up that business, that "She cannot be made naked."
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<span class="link">[[Vanisource:Lecture on BG 1.36 -- London, July 26, 1973|Lecture on BG 1.36 -- London, July 26, 1973]]: </span><div style="display: inline;" class="text"><p style="display: inline;">There was betting. The wife was betting. So they defeated, they were defeated in the chess play, and the wife was taken by the other party. So Karṇa took the opportunity. Because during Draupadi's svayamvara, Karṇa was insulted by Draupadi. The piercing of the eyes of the fish, Karṇa was greater, what is called, arrowman. So when Karṇa came to touch the arrow for piercing the eyes of the fish, Draupadi objected, objected because she wanted Arjuna to become her husband. But she knew that "If Karṇa comes to this combat, he will be victorious. Then I will have to go to Karṇa." So she was also very intelligent daughter of kṣatriya king. So Karna, nobody knew that he is kṣatriya. He was supposed to be son of a carpenter. Karṇa was born before Kuntī's marriage. Therefore she... Karṇa remained hidden, whose son. But he was kṣatriya. So it was unknown. So Draupadi took this opportunity that "This competition is meant for the kṣatriyas, not for the non-kṣatriyas." Because he was supposed to be son of a carpenter, śūdra. So he was not given the opportunity to gain Draupadi. But if he was given the opportunity, he would have come out victorious. So now Karṇa took this opportunity. When Draupadi was lost in the game, so he immediately... Karṇa was Duryodhana's friend. He immediately advised, "Now she is our property. We can do whatever we like with. Arjuna has lost his wife." So he advised that "Make her naked in this assembly." To become naked in the, so many people, that is a great insult for woman. So actually, they tried to insult. Not tried, it was fact. But Kṛṣṇa saved. You know, Draupadi's vastra-haraṇa. She was tried to become naked, but these people could not make her naked. The sārī was supplied by Kṛṣṇa, one after another, one after another, heaps of sārī. Then they become fed up, gave up that business, that "She cannot be made naked."</p>
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</div>
<div id="Srimad-Bhagavatam_Lectures" class="sub_section" sec_index="1" parent="Lectures" text="Srimad-Bhagavatam Lectures"><h3>Srimad-Bhagavatam Lectures</h3>
</div>
<div id="LectureonSB129HyderabadApril231974_0" class="quote" parent="Srimad-Bhagavatam_Lectures" book="Lec" index="55" link="Lecture on SB 1.2.9 -- Hyderabad, April 23, 1974" link_text="Lecture on SB 1.2.9 -- Hyderabad, April 23, 1974">
<div class="heading">If you go to the city, you will find all the shops, cinema, hotel and wine shop and this shop or that shop. What are these, big, big, nice sāri, displayed, demonstrated? Everything is for sense gratification. So this is not meant for... You require money. People are hankering after money. "How I shall get money to purchase this nice sāri for my wife or for my beloved, for my...?"
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<span class="link">[[Vanisource:Lecture on SB 1.2.9 -- Hyderabad, April 23, 1974|Lecture on SB 1.2.9 -- Hyderabad, April 23, 1974]]: </span><div style="display: inline;" class="text"><p style="display: inline;">So execution of dharma, religion—never mind, Hindu religion or Christian religion or—the purpose is not for any material gain. Na upakalpate. Dharmasya hy āpavargyasya na arthāya upakalpate. Then what about our sense gratification? We must have. We have got this body. We must have some facility. So that is also described here, na arthasya dharma ekāntasya. Arthasya, one who is actually a student of dharma, ekāntasya. Na arthasya dharma ekāntasya kāmo lābhāya hi smṛtaḥ. Not for sense gratification. You require some money. So by your profession, either as a brāhmaṇa or as kṣatriya or as a vaiśya or as a śūdra... A brahmacārī, gṛhastha, vānaprastha, that is for spiritual advancement. And for material—this brāhmaṇa, kṣatriya, vaiśya, śūdra. So you require some money. Because without money, without source of income, how you can live? But that is not meant for sense gratification. Therefore it is said, na arthasya dharmaikāntasya kāmo lābhāya hi smṛtaḥ.</p>
<p>Just like everyone is earning money simply for sense gratification. And there are so many advertisement for sense gratification. If you go to the city, you will find all the shops, cinema, hotel and wine shop and this shop or that shop. What are these, big, big, nice sāri, displayed, demonstrated? Everything is for sense gratification. So this is not meant for... You require money. People are hankering after money. "How I shall get money to purchase this nice sāri for my wife or for my beloved, for my...?" Then "How I shall purchase wine? How I shall purchase this car, this?" Everything is that. Everything is meant for kāma, for sense gratification. Naturally, one should be inclined to earn money, more money, more money, and more sense gratification. That means he is becoming implicated. That he does not know. Nūnaṁ pramattaḥ kurute vikarma ([[Vanisource:SB 5.5.4|SB 5.5.4]]). Pramattaḥ. Because they have become mad after sense gratification, they are doing everything which should not be done, vikarma. Karma vikarma akarma. So people are generally doing vikarma. Vikarma means forbidden, sinful activities. They are called vikarma. Karma is not sinful. Karma means according to the direction of the Vedas. That is called karma-kāṇḍa. But vikarma means against the principle of dharma. That is called vikarma.</p>
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</div>
<div id="LectureonSB1711VrndavanaSeptember101976_1" class="quote" parent="Srimad-Bhagavatam_Lectures" book="Lec" index="169" link="Lecture on SB 1.7.11 -- Vrndavana, September 10, 1976" link_text="Lecture on SB 1.7.11 -- Vrndavana, September 10, 1976">
<div class="heading">So the idea is that the man's body can be transformed into woman's body, and a woman's body can be transformed into man's body. Because we are not this body, dress. Suppose I have got this dress. This man's dress I can transform into woman's dress with a sari; but that does not mean I am woman.
</div>
<span class="link">[[Vanisource:Lecture on SB 1.7.11 -- Vrndavana, September 10, 1976|Lecture on SB 1.7.11 -- Vrndavana, September 10, 1976]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Actually, if we want to be advanced in Kṛṣṇa consciousness, it is our duty to keep ourself dry from material wetness. That is our duty. Yeṣāṁ tv anta-gataṁ pāpam. Therefore Caitanya Mahāprabhu said, especially two things: viṣayiṇāṁ sandarśanam atha yoṣitāṁ ca ([[Vanisource:CC Madhya 11.8|CC Madhya 11.8]]). Two things: woman and money. If we become attracted... Woman means for man the woman is woman, and for the woman the man is woman. Not that woman means a particular class. Woman means which are enjoyable. So in this material world, the man is enjoyable by the woman, and the woman is enjoyable by the man. For both of them, viṣayiṇāṁ sandarśanam atha yoṣitām. Yoṣit means enjoyable. This body is superfluous. The bodily structure, it can be changed. Perhaps you know, now in medical science they can change the woman's body into man's body, and the man's body into woman's body. It was formerly being also changed. In Bhāgavata you'll find that in a garden—I forget the name—in a garden where Lord Śiva was engaged with Umā, husband and wife, all of a sudden many saintly persons entered to see Lord Śiva. At that time Umā, Pārvatī, became very much ashamed. She was not very properly dressed. So immediately the saintly persons, they left, that "Lord Śiva is now in his private affairs." So Lord Śiva, to please Pārvatī, he immediately said, "Hence forward, anyone who will enter this forest, he'll become woman." So one king, I forget the name, with his party, without the knowledge he entered the forest, and all of them became women.</p>
<p>So the idea is that the man's body can be transformed into woman's body, and a woman's body can be transformed into man's body. Because we are not this body, dress. Suppose I have got this dress. This man's dress I can transform into woman's dress with a sari; but that does not mean I am woman. So every one of us living entities, we are part and parcel of the Supreme Lord. The outward dress, man and woman, that is dress. Vāsāṁsi jīrṇāni yathā vihāya ([[Vanisource:BG 2.22 (1972)|BG 2.22]]). We are changing this dress. So in this material world, because our mentality is to enjoy, therefore he is called puruṣa. Puruṣaḥ prakṛti-stho hi bhuṅkte prakṛti-jān guṇān ([[Vanisource:BG 13.22 (1972)|BG 13.22]]). Puruṣa, here puruṣa, the living entities... It is said puruṣa. Puruṣa means both men and women because everyone has got the spirit, "I shall enjoy." Therefore he is described as puruṣa. Puruṣaḥ prakṛti-stho hi. In this material world, bhuṅkte prakṛti-jān guṇān, kāraṇaṁ guṇa-saṅgo 'sya sad-asad-yoni-janmasu. We are getting different types of bodies on account of our different desires.</p>
</div>
</div>
<div id="LectureonSB1711VrndavanaSeptember101976_2" class="quote" parent="Srimad-Bhagavatam_Lectures" book="Lec" index="169" link="Lecture on SB 1.7.11 -- Vrndavana, September 10, 1976" link_text="Lecture on SB 1.7.11 -- Vrndavana, September 10, 1976">
<div class="heading">Because these rascals wanted to see Draupadī naked in that great assembly, so they were all rascals, asat. Sat means gentle, and asat means rude. So asat sabhāyāḥ, "In that assembly of rudes, You saved"—Kṛṣṇa saved. Draupadī was being naked, her sari was being taken away, and the sari would not be finished. Kṛṣṇa was supplying sari.
</div>
<span class="link">[[Vanisource:Lecture on SB 1.7.11 -- Vrndavana, September 10, 1976|Lecture on SB 1.7.11 -- Vrndavana, September 10, 1976]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Now, when Draupadī was lost in the game, he was first of all forward. He was Duryodhana's great friend. "Now we want to see naked beauty of Draupadī." So there were elderly persons in the meeting. Dhṛtarāṣṭra was. Bhīṣma was there, Droṇācārya. Still, they did not protest, "Oh, what is this, that you are going to make naked one lady in this assembly?" They did not protest. Therefore asat-sabhāyāḥ, "assembly of uncultured men." Uncultured man wants to see a woman naked. But that has become a fashion nowadays. A woman is not to be, supposed not to be naked in anyone's, before except her husband. This is Vedic culture. But because these rascals wanted to see Draupadī naked in that great assembly, so they were all rascals, asat. Sat means gentle, and asat means rude. So asat sabhāyāḥ, "In that assembly of rudes, You saved"—Kṛṣṇa saved. Draupadī was being naked, her sari was being taken away, and the sari would not be finished. Kṛṣṇa was supplying sari.</p>
</div>
</div>
<div id="LectureonSB1840MayapuraOctober201974_3" class="quote" parent="Srimad-Bhagavatam_Lectures" book="Lec" index="241" link="Lecture on SB 1.8.40 -- Mayapura, October 20, 1974" link_text="Lecture on SB 1.8.40 -- Mayapura, October 20, 1974">
<div class="heading">If you have got metal utensils, if you are in need of money, you can get immediately in exchange some money. There are pawn shops. So they will keep anything, a gold Banarsi sari, or metal utensils or ornaments, if you are need of... Village bankers.
</div>
<span class="link">[[Vanisource:Lecture on SB 1.8.40 -- Mayapura, October 20, 1974|Lecture on SB 1.8.40 -- Mayapura, October 20, 1974]]: </span><div class="text"><p style="display: inline;">(reading:) "The gigantic industrial enterprises are products of a godless civilization." Godless civilization, they no more can depend on the natural gifts. They think by industrial enterprises, they will get more money and they'll be happy. And to remain satisfied with the food grains, vegetables and natural gifts, that is primitive idea. They say, "It is primitive." When men were not civilized, they would depend on nature, but when they are advanced in civilization, they must discover industrial enterprises. So instead of eating on metal dishes, the civilized men should eat on, what is that called, plastic. That's all. Now plastic utensils, not even metal. Still, according to Vedic civilization, these Hindus, they would not touch this china, clay utensils, or this plastic utensils. Never they'll... Or glass utensils, they'll never touch. Especially in South India they are very strict. A poor man would prefer to eat on the plantain leaf. And the rich men, they eat on silver utensils. They do not even like to, I mean to say, brass or other base metals.</p>
<p>So this is very good economy also. If you... If you have got metal utensils, if you are in need of money, you can get immediately in exchange some money. There are pawn shops. So they will keep anything, a gold Banarsi sari, or metal utensils or ornaments, if you are need of... Village bankers. Immediately. Poor man... Suppose if you require five rupees, ten rupees. You haven't got, but what..., how to get the money? You take something from your household paraphernalia and go to the pawn-maker. You get money. You are now relieved from the present anxiety. Then again you get back. But what is this china, clay, the china pots and this plastic pot will bring? No, nothing. From economic point of view, this is also very good. So depend on nature.</p>
</div>
</div>
<div id="LectureonSB192LosAngelesMay161973_4" class="quote" parent="Srimad-Bhagavatam_Lectures" book="Lec" index="263" link="Lecture on SB 1.9.2 -- Los Angeles, May 16, 1973" link_text="Lecture on SB 1.9.2 -- Los Angeles, May 16, 1973">
<div class="heading">And woman, they require also ornament. It is psychology. Manu-saṁhitā, it has been recommended that "If you want to keep satisfied your wife, then you must give her good food, good sari and good ornament." This is the system.
</div>
<span class="link">[[Vanisource:Lecture on SB 1.9.2 -- Los Angeles, May 16, 1973|Lecture on SB 1.9.2 -- Los Angeles, May 16, 1973]]: </span><div class="text"><p style="display: inline;">Pradyumna: Translation: "At that time all his brothers followed him on beautiful chariots drawn by first-class horses decorated with gold ornaments. With them were Vyāsa and ṛṣis like Dhaumya, the learned priest of the Pāṇḍavas, and others." ([[Vanisource:SB 1.9.2|SB 1.9.2]])</p>
<p>Prabhupāda: So one very important word is here: sadaśvaiḥ svarṇa-bhūṣitaiḥ. Formerly the horses were used in military division. Horses, chariot, elephants and then infantry. So not one or two, but one division of military phalanx required sixty thousand horses. Akṣauhiṇī. So many horses, so many elephants, so many chariot, and so many infantry soldiers—that will compose one division of soldiers. So "so many" means the, I exactly remember now, sixty thousand horses. So all the horses, when they are required for procession or for going to the fight, were well-decorated with golden ornaments, svarṇa-bhūṣitaiḥ. So just imagine the, all the saddles of the horse, if they are golden ornamented, how many ounces you will require to decorate the horse. And what is the price of gold now?</p>
<p>Dānavīr: One hundred and twenty-eight dollars an ounce.</p>
<p>Prabhupāda: Just see, at least fifty ounce will be required to decorate one horse. And one ounce is $120. So what is the price of fifty ounce?</p>
<p>Devotees: Five thousand dollars.</p>
<p>Prabhupāda: Such sixty-thousand horses, how much it comes? (laughter) Where is that gold? They are very much proud, advancement of material civilization, but instead of gold, we find plastic. (laughter) And the nonsense, they are very much proud of their wealth. Just see. Even they cannot decorate their wives. And woman, they require also ornament. It is psychology. Manu-saṁhitā, it has been recommended that "If you want to keep satisfied your wife, then you must give her good food, good sari and good ornament." This is the system. Therefore during marriage time, the girl is given by the father according to his means, as many saris, nice saris, beautiful costly saris, and as much as possible, golden ornaments. And those who are very rich, they, still in India, they give jewelries, means diamonds, pearls, sapphire, according to means. Those who are richer class, they don't touch gold. They must give jewelry. This is the system.</p>
</div>
</div>
<div id="LectureonSB615662SuratJanuary31971atAdubhaiPatelsHouse_5" class="quote" parent="Srimad-Bhagavatam_Lectures" book="Lec" index="693" link="Lecture on SB 6.1.56-62 -- Surat, January 3, 1971, at Adubhai Patel's House" link_text="Lecture on SB 6.1.56-62 -- Surat, January 3, 1971, at Adubhai Patel's House">
<div class="heading">A prostitute should, I mean to say, comb her hair in that way so that people can understand she is prostitute and she is chaste woman. And this sindūra, the red, red lead, these were the signs. A vidava, one who has no husband, they should wear without any skirt, sari without any skirt, vidava, without any bangles.
</div>
<span class="link">[[Vanisource:Lecture on SB 6.1.56-62 -- Surat, January 3, 1971, at Adubhai Patel's House|Lecture on SB 6.1.56-62 -- Surat, January 3, 1971, at Adubhai Patel's House]]: </span><div style="display: inline;" class="text"><p style="display: inline;">So Ajāmila was being trained up. He was sufficiently educated in Vedic literature, his character was very nice, and he was offering respects to the elderly persons, spiritual master. He was offering oblations daily to the fire, sacrifice. Everything is described. But all these qualities became nullified simply by illicit sex life. Just see how it is dangerous. How it is dangerous. Therefore it is the greatest pillar of sinful life, illicit sex life. Here it is clearly said, stated, that... Ajāmila's qualities were stated at the same time. In the beginning it is stated that kānyakubje dvijaḥ kaścid dāsī-patir ajāmilaḥ. Dāsī-pati. He was attached to a prostitute, dāsī-pati. A prostitute is called dāsī, and wife is called dharma-patnī. These are distinction. There are distinction of dresses also, according to Vedic way of life. The prostitute would separate the hair here, not in the middle. Yes, what is called?</p>
<p>Guest (1): Part.</p>
<p>Prabhupāda: That is... A prostitute should, I mean to say, comb her hair in that way so that people can understand she is prostitute and she is chaste woman. And this sindūra, the red, red lead, these were the signs. A vidava, one who has no husband, they should wear without any skirt, sari without any skirt, vidava, without any bangles. So people will understand, "This woman is without husband," "This woman is prostitute," "This woman is chaste woman," "This woman is not married," "This woman's husband is away from home." So different dresses. Proṣita-bhartṛkā. Proṣita-bhartṛkā. The name was... A woman whose husband is away from home, she should not dress very nicely. She should not comb her hair. That is the system. There are so many systems.</p>
</div>
</div>
<div id="LectureonSB615662SuratJanuary31971atAdubhaiPatelsHouse_6" class="quote" parent="Srimad-Bhagavatam_Lectures" book="Lec" index="693" link="Lecture on SB 6.1.56-62 -- Surat, January 3, 1971, at Adubhai Patel's House" link_text="Lecture on SB 6.1.56-62 -- Surat, January 3, 1971, at Adubhai Patel's House">
<div class="heading">Because both of them were drunkard, their, I mean to say, dhotis and saris were slackened. Now it has become a fashion, to slacken, but this is not very good. To make more attractive for sex indulgence, of course, this has become a fashion, but it is not very good.
</div>
<span class="link">[[Vanisource:Lecture on SB 6.1.56-62 -- Surat, January 3, 1971, at Adubhai Patel's House|Lecture on SB 6.1.56-62 -- Surat, January 3, 1971, at Adubhai Patel's House]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Wine is made from madhu, sugar, and still, all spirit is made from molasses. This is old system. This is very intoxicating. Rectified spirits, you know, doctor may know, this is made from molasses. Because we were in the chemical line we know. So here it is also said that spirit made, liquor made, whiskey made from madhu... Pītvā ca madhu-maireyam. Maireyam. Another process of manufacturing wine is, from a flower, is called mahuyā, mahuyā flower. Perhaps you know. The jungle people, the kirātas, they take this mahuyā flower from the jungle, and they soak it in water, and when it is fermented, it becomes wine. So such kind of... Everything is there. If anyone wants to manufacture wine, that is also there in Bhāgavata. You see? (laughter) Because it is perfect knowledge, all knowledge you can get.</p>
<p>So pītvā ca. Pītvā means drinking. Madhu-maireyam. Pītvā ca madhu, mada āghūrṇita-netrayā. When one becomes a drunkard, his eyes are not set up in right position. These things he saw. Mattayā viślathan-nīvyā vyapetaṁ nirapatrapam. And because both of them were drunkard, their, I mean to say, dhotis and saris were slackened. Now it has become a fashion, to slacken, but this is not very good. To make more attractive for sex indulgence, of course, this has become a fashion, but it is not very good. Then mattayā viślathan-nīvyā vyapetaṁ nirapatrapam. And because they were so rascal, they had no, I mean to say, bashfulness. They were freely... Nirapatrapam. Nirapatrapa means one who does not care for any public criticism. Nirapatrapam, krīḍantam anugāyantaṁ hasantam anayāntike. And was laughing and smiling and singing and enjoying. And this boy, Ajāmila, when he was passing on that road he saw everything.</p>
</div>
</div>
<div id="LectureonSB631819GorakhpurFebruary121971_7" class="quote" parent="Srimad-Bhagavatam_Lectures" book="Lec" index="723" link="Lecture on SB 6.3.18-19 -- Gorakhpur, February 12, 1971" link_text="Lecture on SB 6.3.18-19 -- Gorakhpur, February 12, 1971">
<div class="heading">It doesn't matter what he has done in the past. It is called nagna-mati. Nagna-mati.(?) One's mother was naked in her childhood. So one is asking, "Mother, why you are putting on those saris? You were naked. You can remain naked." This kind of argument is no argument. Whatever one may be in his past, that's all right. As soon as he is situated in pure devotee, devotional state, that's all.
</div>
<span class="link">[[Vanisource:Lecture on SB 6.3.18-19 -- Gorakhpur, February 12, 1971|Lecture on SB 6.3.18-19 -- Gorakhpur, February 12, 1971]]: </span><div class="text"><p style="display: inline;">Devotee (1): What I was wondering about was the four Kumāras were... And I wanted to ask about Lord Kapila.</p>
<p>Prabhupāda: Kapilo manuḥ.</p>
<p>Devotee (1): They weren't pure devotees right from..., they weren't devotees right from the first. The Nectar of Devotion says that the four Kumāras were first situated in the...</p>
<p>Prabhupāda: Right from the... What do you mean by "right from the first"? What do you mean by that? Just like Rūpa Gosvāmī. Rūpa Gosvāmī was a minister of Muhammadan government. So what is his position? He was minister, he was working under government service, and he was rejected by the brāhmaṇa community. Then how he became gosvāmī?</p>
<p>Devotee (1): From the beginning of their...</p>
<p>Prabhupāda: Beginning... Bhaktivinoda Ṭhākura was a magistrate. What do you mean by "beginning"? As soon as he is situated in his own original position, then he is pure devotee. That's all. It doesn't matter what he has done in the past. It is called nagna-mati. Nagna-mati.(?) One's mother was naked in her childhood. So one is asking, "Mother, why you are putting on those saris? You were naked. You can remain naked." This kind of argument is no argument. Whatever one may be in his past, that's all right. As soon as he is situated in pure devotee, devotional state, that's all. One hasn't got to inquire, "from the beginning" or "from the end." There is no need of such inquiry. As soon as he is situated in his original position, hitvā anyathā-rūpaṁ svarūpeṇa vyavasthitiḥ ([[Vanisource:SB 2.10.6|SB 2.10.6]]), gives up nondevotional activities, but is situated in devotional service, immediately he is all right, pure devotee. Doesn't matter whether he was in the beginning. Because even a person, ordinary person, ordinarily, he is not contaminated. He lives aloof from this material existence. But for sometimes, even if he is influenced, that doesn't matter. As soon as he comes to his real position, he is a pure devotee. There is no question of tracing his past history. There is no question. You be situated in pure devotional service; you are pure devotee. That's all. There is no question of inquiring what he was in the past. That doesn't matter. Is it clear? Yes. Just like Ajāmila. In the past history he, simply sinful, Jagāi-Mādhāi, simply sinful, but as soon as they come to the position of pure devotional life, he is pure. That's all.</p>
</div>
</div>
<div id="LectureonSB632023GorakhpurFebruary141971_8" class="quote" parent="Srimad-Bhagavatam_Lectures" book="Lec" index="724" link="Lecture on SB 6.3.20-23 -- Gorakhpur, February 14, 1971" link_text="Lecture on SB 6.3.20-23 -- Gorakhpur, February 14, 1971">
<div class="heading">Bhaktivinoda Ṭhākura says, nāma saya sari tako apana karya.(?) So this, our process, first of all, we give the chanting process. Sixteen rounds. That whole process of bhakti-yoga begins from that point. And the more you become experienced and more you relish the chanting, the more you become advanced.
</div>
<span class="link">[[Vanisource:Lecture on SB 6.3.20-23 -- Gorakhpur, February 14, 1971|Lecture on SB 6.3.20-23 -- Gorakhpur, February 14, 1971]]: </span><div style="display: inline;" class="text"><p style="display: inline;">So if somebody says, "If everything is Bhagavān, why not worshiping the Goddess Kālī and Durgā becomes bhakti?" No. That is not. Here it is distinctly stated, bhakti-yogaḥ bhagavati. Bhakti-yogaḥ bhagavati. And that bhakti-yoga, how it begins? Tan-nāma-grahaṇādibhiḥ. Tan-nāma, His name, His holy name, grahaṇa, chanting. The method is very simple. Tan-nāma-grahaṇa-ādibhiḥ. Ādibhiḥ means beginning is chanting. There are other processes. Chanting, śravaṇaṁ kīrtanaṁ viṣṇoḥ smaraṇaṁ pāda-sevanam, arcanaṁ vandanaṁ dāsyam... ([[Vanisource:SB 7.5.23-24|SB 7.5.23]]). There are different processes, but the beginning is chanting and hearing. Tan-nāma-grahaṇādibhiḥ. Nāma-grahaṇa. Bhaktivinoda Ṭhākura says, nāma saya sari tako apana karya.(?) So this, our process, first of all, we give the chanting process. Sixteen rounds. That whole process of bhakti-yoga begins from that point. And the more you become experienced and more you relish the chanting, the more you become advanced. Other things will automatically come and make you perfect. Tan-nāma. Therefore we should be very much, I mean to say, strict in the principle of following the regulative principles and avoiding offenses and chant the mantra faithfully. That is the beginning of religion, and that is the beginning of liberation. And Caitanya Mahāprabhu blesses that ihā haite sarva-siddhi haibe tomāra. If you chant the holy name of Kṛṣṇa in faith and according to rules and regulations... Even rules and regulation fails, but chanting may not be stopped. Even sometimes we fail. There is possibility of failing, because we are conditioned, and there is every chance of falling down. So despite you are fallen down, still, you should go on chanting.</p>
</div>
</div>
<div id="LectureonSB7923MayapurMarch11976_9" class="quote" parent="Srimad-Bhagavatam_Lectures" book="Lec" index="831" link="Lecture on SB 7.9.23 -- Mayapur, March 1, 1976" link_text="Lecture on SB 7.9.23 -- Mayapur, March 1, 1976">
<div class="heading">Maintain the children very nicely. Dehāpatya-kalatra, wife. Decorate the wife very nicely. "In this way I shall be happy. Let me keep my body fit, let my children grow very nicely, wife be decorated with ornaments, with sari, and I will see and will be happy."
</div>
<span class="link">[[Vanisource:Lecture on SB 7.9.23 -- Mayapur, March 1, 1976|Lecture on SB 7.9.23 -- Mayapur, March 1, 1976]]: </span><div style="display: inline;" class="text"><p style="display: inline;">We are making our plan that "I shall be happy in this way. I have got this body, so let me make this body very strong, go in the beach and run on the beach to make the body very strong." There are so many other methods to keep the body very strong. Deha, apatya. Maintain the children very nicely. Dehāpatya-kalatra, wife. Decorate the wife very nicely. "In this way I shall be happy. Let me keep my body fit, let my children grow very nicely, wife be decorated with ornaments, with sari, and I will see and will be happy." No. You cannot remain. Even if you arrange like that, you cannot remain. Kṛṣṇa says, "One day I shall come as death, and not only I shall take you out of the scene, but I shall take away all your possessions." Mṛtyuḥ sarva-haraś cāham ([[Vanisource:BG 10.34 (1972)|BG 10.34]]).</p>
</div>
</div>
<div id="Initiation_Lectures" class="sub_section" sec_index="8" parent="Lectures" text="Initiation Lectures"><h3>Initiation Lectures</h3>
</div>
<div id="DeityInstallationandInitiationMelbourneApril61972_0" class="quote" parent="Initiation_Lectures" book="Lec" index="43" link="Deity Installation and Initiation -- Melbourne, April 6, 1972" link_text="Deity Installation and Initiation -- Melbourne, April 6, 1972">
<div class="heading">Cover her head.
</div>
<span class="link">[[Vanisource:Deity Installation and Initiation -- Melbourne, April 6, 1972|Deity Installation and Initiation -- Melbourne, April 6, 1972]]: </span><div class="text"><p style="display: inline;">Śyāmasundara: Sanaka dāsa.</p>
<p>Prabhupāda: Sanaka dāsa. Know rules and regulations? What is that?</p>
<p>Sanaka: No meat-eating, no illicit sex, no gambling and no intoxication.</p>
<p>Prabhupāda: That's good. And how many rounds?</p>
<p>Sanaka: Minimum of sixteen.</p>
<p>Prabhupāda: Yes, minimum. Now get them promised. You sit down here and ask him to... "I, such and such..."</p>
<p>Śyāmasundara: Henceforward from this day...</p>
<p>Prabhupāda: Let him promise. You promise, "I..."</p>
<p>Śyāmasundara: You, Sanaka dāsa...</p>
<p>Prabhupāda: Say, "I, Sanaka dāsa..."</p>
<p>Sanaka: I, Sanaka dāsa...</p>
<p>Prabhupāda: "...take charge of you..."</p>
<p>Śyāmasundara: "...take charge of you..." (girl laughs)</p>
<p>Prabhupāda: Why you are laughing? It is laughing thing? I told you first. Don't take anything very lenient. Very serious.</p>
<p>Śyāmasundara: "I, Sanaka dāsa, (Sanaka dāsa repeating) do hereby promise from this day henceforward to always protect and take for my wife Devadarśana dāsī."</p>
<p>Prabhupāda: Yes. And you say that "I shall serve you..."</p>
<p>Śyāmasundara: Now, "I, Devadarśana dāsī, (Devadarśana repeating) do from this day henceforward, I do promise to always serve and obey my husband, Sanaka dāsa."</p>
<p>Prabhupāda: Now change the garland. Now give her the vermillion, red powder. Cover her head.</p>
<p>Śyāmasundara: Cover her head with the sari.</p>
<p>Prabhupāda: Do like that. Now you come this side.</p>
<p>Śyāmasundara: Now you change places.</p>
<p>Prabhupāda: So you have agreed that there is no question of divorce in your life? In any circumstances you cannot separate. Is that all right? You also agree? You cannot separate. There is no question of divorce. Even if you fight, you can remain in one temple, he can remain, but there is no question of divorce. So take in mind. That's all.</p>
</div>
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<div id="Conversations_and_Morning_Walks" class="section" sec_index="5" parent="compilation" text="Conversations and Morning Walks"><h2>Conversations and Morning Walks</h2>
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<div id="1968_Conversations_and_Morning_Walks" class="sub_section" sec_index="1" parent="Conversations_and_Morning_Walks" text="1968 Conversations and Morning Walks"><h3>1968 Conversations and Morning Walks</h3>
</div>
<div id="RoomConversationOctober271968MontrealWithFirstDevoteesGoingtoLondonOnEveningofTheirDeparture_0" class="quote" parent="1968_Conversations_and_Morning_Walks" book="Con" index="21" link="Room Conversation -- October 27, 1968, Montreal, With First Devotees Going to London On Evening of Their Departure" link_text="Room Conversation -- October 27, 1968, Montreal, With First Devotees Going to London On Evening of Their Departure">
<div class="heading">Oh. (chuckles) You are converting your mother to this cult.
</div>
<span class="link">[[Vanisource:Room Conversation -- October 27, 1968, Montreal, With First Devotees Going to London On Evening of Their Departure|Room Conversation -- October 27, 1968, Montreal, With First Devotees Going to London On Evening of Their Departure]]: </span><div class="text"><p style="display: inline;">Śāradīyā: (break) Simply by Your Divine Grace, on Kṛṣṇa's appearance day in San Francisco my mother came to the temple and she wore a sari and a tilaka.</p>
<p>Prabhupāda: Oh. (chuckles) You are converting your mother to this cult.</p>
<p>Yamunā: A very nice mother she has.</p>
<p>Prabhupāda: Unless mother is good, how the children are good?</p>
</div>
</div>
<div id="1969_Conversations_and_Morning_Walks" class="sub_section" sec_index="2" parent="Conversations_and_Morning_Walks" text="1969 Conversations and Morning Walks"><h3>1969 Conversations and Morning Walks</h3>
</div>
<div id="DiscussionwithBTGStaffDecember241969Boston_0" class="quote" parent="1969_Conversations_and_Morning_Walks" book="Con" index="24" link="Discussion with BTG Staff -- December 24, 1969, Boston" link_text="Discussion with BTG Staff -- December 24, 1969, Boston">
<div class="heading">Sari?
</div>
<span class="link">[[Vanisource:Discussion with BTG Staff -- December 24, 1969, Boston|Discussion with BTG Staff -- December 24, 1969, Boston]]: </span><div class="text"><p style="display: inline;">Kīrtanānanda: What about Mādhava-lati?</p>
<p>Prabhupāda: Yes. She is good painter.</p>
<p>Kīrtanānanda: She's exhibiting a much nicer atti... She had a sari on today, Prabhupāda.</p>
<p>Prabhupāda: Huh?</p>
<p>Kīrtanānanda: She had a sari on today.</p>
<p>Prabhupāda: Sari?</p>
<p>Kīrtanānanda: Yes. She was wearing a sari at the temple. She looks very nice.</p>
<p>Prabhupāda: No, she is nice. She is talented.</p>
<p>Satsvarūpa: She could be an assistant painter.</p>
<p>Prabhupāda: And why not somebody marry her? If somebody want to marry, then she will be all right.</p>
<p>Brahmānanda: Nayanābhirāma wanted to marry her.</p>
<p>Prabhupāda: Then why not ask and get her married? Yes. Then she will be fixed up. I think she requires to be married. Then she will be satisfied.</p>
<p>Satsvarūpa: One more question from art was...</p>
<p>Prabhupāda: She is here. I recommend that just ask her to get married. If she agrees, that, what is that boy?</p>
<p>Brahmānanda: Nayanābhirāma.</p>
<p>Prabhupāda: Let them marry and live here.</p>
</div>
</div>
<div id="1971_Conversations_and_Morning_Walks" class="sub_section" sec_index="4" parent="Conversations_and_Morning_Walks" text="1971 Conversations and Morning Walks"><h3>1971 Conversations and Morning Walks</h3>
</div>
<div id="RoomConversationAugust251971London_0" class="quote" parent="1971_Conversations_and_Morning_Walks" book="Con" index="23" link="Room Conversation -- August 25, 1971, London" link_text="Room Conversation -- August 25, 1971, London">
<div class="heading">Conch, from conchshell? It is especially used in Bengal. A woman... that is an auspicious sign that she is with her husband, to have conchshell bangle. Śaṅkha-sari. A woman dressed śaṅkha and sari, śaṅkha-sari. They don't require any other ornament. One nice sari and śaṅkha. That is Indian conception of woman having husband.
</div>
<span class="link">[[Vanisource:Room Conversation -- August 25, 1971, London|Room Conversation -- August 25, 1971, London]]: </span><div class="text"><p style="display: inline;">Prabhupāda: That is Indian śaṅkha? That in your hand, bangle, white bangle.</p>
<p>Woman: Ah, elephant?</p>
<p>Prabhupāda: It is called śaṅkha. From conchshell, it is made from conchshell. Where you have purchased it?</p>
<p>Woman: I'm afraid this is ivory.</p>
<p>Prabhupāda: Ivory? Oh. There is similar made from conchshell.</p>
<p>Woman: Yes, I had those in Allahabad. I was going there to...</p>
<p>Prabhupāda: Allahabad? Conch, from conchshell? It is especially used in Bengal. A woman... that is an auspicious sign that she is with her husband, to have conchshell bangle. Śaṅkha-sari. A woman dressed śaṅkha and sari, śaṅkha-sari. They don't require any other ornament. One nice sari and śaṅkha. That is Indian conception of woman having husband. That is distinction between widow and a woman having husband. Widow will not accept sari. All finished. Vedic culture, widow should finish her life after having the husband. Saha-gamana. Satī. Yes. (break) ...have got enough to preach. People will like it.</p>
</div>
</div>
<div id="1972_Conversations_and_Morning_Walks" class="sub_section" sec_index="5" parent="Conversations_and_Morning_Walks" text="1972 Conversations and Morning Walks"><h3>1972 Conversations and Morning Walks</h3>
</div>
<div id="RoomConversationApril181972HongKong_0" class="quote" parent="1972_Conversations_and_Morning_Walks" book="Con" index="13" link="Room Conversation -- April 18, 1972, Hong Kong" link_text="Room Conversation -- April 18, 1972, Hong Kong">
<div class="heading">Now my students, they are giving up coat-pant. And girls, they are taking to saris. There is now good demand for saris in Europe and America.
</div>
<span class="link">[[Vanisource:Room Conversation -- April 18, 1972, Hong Kong|Room Conversation -- April 18, 1972, Hong Kong]]: </span><div class="text"><p style="display: inline;">Prabhupāda: So many Indian swamis, they requested me to dress myself with coat-pants. I never agreed. You see all my pictures. They are all foreign pictures. So I never (indistinct) this dress also. Why shall I take to coat-pant? What is use? Now my students, they are giving up coat-pant. And girls, they are taking to saris. There is now good demand for saris in Europe and America.</p>
</div>
</div>
<div id="RoomConversationsApril221972Japan_1" class="quote" parent="1972_Conversations_and_Morning_Walks" book="Con" index="15" link="Room Conversations -- April 22, 1972, Japan" link_text="Room Conversations -- April 22, 1972, Japan">
<div class="heading">She holds the sari, skirt. Give me some cloth.
</div>
<span class="link">[[Vanisource:Room Conversations -- April 22, 1972, Japan|Room Conversations -- April 22, 1972, Japan]]: </span><div class="text"><p style="display: inline;">Sudāmā: Tamāla Kṛṣṇa sent these from Los Angeles three years ago.</p>
<p>Cintāmaṇi: They're staying in closet. (?)</p>
<p>Prabhupāda: So who will paint?</p>
<p>Sudāmā: Cintāmaṇi will paint.</p>
<p>Prabhupāda: So take note. So eyes are all right. Eyes are all right. It is all right. Simply you have to, all the hairs to make black up to the...It is all right?</p>
<p>Cintāmaṇi: Yes.</p>
<p>Prabhupāda: Then His hands should be red.</p>
<p>Cintāmaṇi: What about this? She's holding?</p>
<p>Prabhupāda: She holds the sari, skirt. Give me some cloth.</p>
<p>Sudāmā: Some cloth.</p>
<p>Prabhupāda: Like this.</p>
<p>Cintāmaṇi: Oh.</p>
<p>Prabhupāda: This is the... Do it. And this hand is betel nut.</p>
<p>Cintāmaṇi: Betel.</p>
<p>Prabhupāda: Yes.</p>
<p>Cintāmaṇi: What color should it be?</p>
<p>Prabhupāda: Green.</p>
<p>Cintāmaṇi: Green.</p>
<p>Prabhupāda: Yes. Green. Green. In dancing mood, She is offering a betel nut to Kṛṣṇa. And Kṛṣṇa is dancing and playing with flute. So this should be white and red. These are petals. It should be red. And this should be white. And a little black line. Is that all right? Then this. They should be all red. And the nails should be white, nails.</p>
<p>Cintāmaṇi: Also...</p>
<p>Prabhupāda: Hands red and nails, yes, you can make white. You can... Go on. So any other?</p>
</div>
</div>
<div id="1973_Conversations_and_Morning_Walks" class="sub_section" sec_index="6" parent="Conversations_and_Morning_Walks" text="1973 Conversations and Morning Walks"><h3>1973 Conversations and Morning Walks</h3>
</div>
<div id="MorningWalkApril301973LosAngeles_0" class="quote" parent="1973_Conversations_and_Morning_Walks" book="Con" index="19" link="Morning Walk -- April 30, 1973, Los Angeles" link_text="Morning Walk -- April 30, 1973, Los Angeles">
<div class="heading">At the time of marriage, the dowry by ornaments, saris. Hundred pieces of sari. If one is rich man. All Benarsee sari, costly. And woman's nature is that if she gets good ornaments, saris, good food, she's satisfied. She doesn't want anything. She'll never become faithless to her husband.
</div>
<span class="link">[[Vanisource:Morning Walk -- April 30, 1973, Los Angeles|Morning Walk -- April 30, 1973, Los Angeles]]: </span><div class="text"><p style="display: inline;">Prabhupāda: In India, we have seen still, they are going on. People stock metal utensils. You know.</p>
<p>Svarūpa Dāmodara: Yes, we use.</p>
<p>Prabhupāda: Never use this china clay. Never. No respectable gentleman will use china clay. Still. So if a poor family is in need of money, immediately he can take one Benarsee sari, or some metal utensils to the pawn maker. He'll immediately offer some money. "Yes." So these are conveniences. Investment was in gold ornaments. Still we have seen that so many jewelry shop, silver dishes shop, ornament shop. Still. Every marriage, the father must give at least fifty tolās. I was not a rich man. Still I had to give to my daughter fifty tolās of gold during marriage. Fifty tolās. Two and a half tolās makes one ounce. So what is the value of fifty tolās?</p>
<p>Karandhara: Twenty-five ounces? Right now that's worth about two thousand, three hundred dollars.</p>
<p>Prabhupāda: Just see. So that is her stock. Strī-dhana. The husband cannot touch. Then it is criminal. So in case of need, she can convert the ornaments into money. Sometimes there is disagreement with the husband. So she has got some stock. The father gives some ornaments. The father-in-law gives some ornament. The relatives also, during marriage, they present some ornaments. So if he, if she gets hundred tolās of gold, that means at least five hundred...?</p>
<p>Karandhara: Almost five thousand.</p>
<p>Prabhupāda: Oh, five thousand dollars. She has got some assets. That is called strī-dhana. Strī-dhana means "woman's property." Nobody can touch it. Only, according to Manu-saṁhitā law, strī-dhana... Now they are changing. Strī-dhana, the son cannot touch, the husband cannot touch. Nobody can touch. But, after her death, the daughters will share that money. Because formerly, the daughters could not get share of the father's estate. Only the dowry which is given by the father at the time of her marriage. That much. But she could not claim any estate share. Therefore at the time of marriage, the dowry by ornaments, saris. Hundred pieces of sari. If one is rich man. All Benarsee sari, costly. And woman's nature is that if she gets good ornaments, saris, good food, she's satisfied. She doesn't want anything. She'll never become faithless to her husband. So these things are disappearing. Now rich man, rich man's wife, no ornament. (indistinct). Only the widows, they were without ornaments. Any woman who has got husband must have ornaments. Otherwise, insult. So individual liberty, individual prosperity, everything is disappearing. By the scientific improvement. That's all.</p>
</div>
</div>
<div id="InterviewswithMacmillanandvariousEnglishReportersSeptember121973London_1" class="quote" parent="1973_Conversations_and_Morning_Walks" book="Con" index="74" link="Interviews with Macmillan and various English Reporters -- September 12, 1973, London" link_text="Interviews with Macmillan and various English Reporters -- September 12, 1973, London">
<div class="heading">We don't try to convert. Just like one gentlemen was asking, "Why these ladies, girls, they are putting Indian sari?" I never said that "You do that." But they're doing out of their own accord. So I never canvassed to become a Hindu, or like that, no. Our propaganda is, "Just become God conscious."
</div>
<span class="link">[[Vanisource:Interviews with Macmillan and various English Reporters -- September 12, 1973, London|Interviews with Macmillan and various English Reporters -- September 12, 1973, London]]: </span><div class="text"><p style="display: inline;">Prof. Gombrich: But do you think for instance, in this country, if somebody is a Protestant, or I mean a Christian and goes to church, this is also, you don't try to convert them away from that?</p>
<p>Prabhupāda: No, no. We have no such process (indistinct).</p>
<p>Prof. Gombrich: Because your movement is extremely distinctive.</p>
<p>Prabhupāda: Yes. We don't try to convert. Just like one gentlemen was asking, "Why these ladies, girls, they are putting Indian sari?" I never said that "You do that." But they're doing out of their own accord. So I never canvassed to become a Hindu, or like that, no. Our propaganda is, "Just become God conscious." (end)</p>
</div>
</div>
<div id="1974_Conversations_and_Morning_Walks" class="sub_section" sec_index="7" parent="Conversations_and_Morning_Walks" text="1974 Conversations and Morning Walks"><h3>1974 Conversations and Morning Walks</h3>
</div>
<div id="MorningWalkApril101974Bombay_0" class="quote" parent="1974_Conversations_and_Morning_Walks" book="Con" index="59" link="Morning Walk -- April 10, 1974, Bombay" link_text="Morning Walk -- April 10, 1974, Bombay">
<div class="heading">Even the richest man, their wife has no bangles. You see? And they are jewelries. Jewelries. Cow, butter, throwing butter like anything, and silk sari and enough food grains. What is more want for material advancement? That is real material ad... You have got everything, material needs.
</div>
<span class="link">[[Vanisource:Morning Walk -- April 10, 1974, Bombay|Morning Walk -- April 10, 1974, Bombay]]: </span><div class="text"><p style="display: inline;">Prabhupāda: ...even the richest man, their wife has no bangles. You see? And they are jewelries. Jewelries. Cow, butter, throwing butter like anything, and silk sari and enough food grains. What is more want for material advancement? That is real material ad... You have got everything, material needs. (break) If a man can feed his wife and children, then he is successful. There is no question of charity. There is no question of charity. But here it is said they were also giving in charity. (break) ...stopped to become real brāhmaṇa and give instruction to the society, and they also stopped giving charity to the brāhmaṇas. So therefore the society is so fallen. There is no instruction from the brāhmaṇas and no charity from the kṣatriya and vaiśya. (break) ...proṣita bhārtṛkā. By the dress a woman is recognized. When she does not dress very nicely, it is to be understood that her husband is out of home. When there is the vermillion, that means she is married. When the, what is called, division? Siti. Siti is in this side, then she is prostitute. The dress, when the woman dresses with white dress, they are widow, no husband. Yes, in this way by dress...</p>
<p>Indian man: Yes. You can recognize here. But now they are changed completely.</p>
<p>Prabhupāda: Yes. When the girl has no this covering, that means she is virgin. She is not married. In this way all the signs are there. This is prosita bhartrka. Prosita-bhartrka means one whose husband is not at home, outside. Then she will not dress, she will not take regular bath, so that people may know that her husband is not at home.</p>
<p>Śrīdhara: She won't take bath?</p>
<p>Prabhupāda: Not, take bath not with any oil. Yes. Means she wanted to avoid very good looking. Yes, that is the idea.</p>
</div>
</div>
<div id="1975_Conversations_and_Morning_Walks" class="sub_section" sec_index="8" parent="Conversations_and_Morning_Walks" text="1975 Conversations and Morning Walks"><h3>1975 Conversations and Morning Walks</h3>
</div>
<div id="MorningWalkDecember31975Vrndavana_0" class="quote" parent="1975_Conversations_and_Morning_Walks" book="Con" index="253" link="Morning Walk -- December 3, 1975, Vrndavana" link_text="Morning Walk -- December 3, 1975, Vrndavana">
<div class="heading">That I am speaking, that sa yadi krīyate rāja. Sakrn nasnuta pahanam. That is the difficulty. It will be very bad example. People will think... They already thinking that "These are all hippies." That will minimize the prestige of the temple.
</div>
<span class="link">[[Vanisource:Morning Walk -- December 3, 1975, Vrndavana|Morning Walk -- December 3, 1975, Vrndavana]]: </span><div style="display: inline;" class="text"><p style="display: inline;">(break)</p>
<p>Prabhupāda: ...our guest. Because somebody is guest, paying guest, therefore we shall admit anyone in any kind of dress?</p>
<p>Akṣayānanda: No.</p>
<p>Gopāla Kṛṣṇa: We don't admit people who look like hippies or something.</p>
<p>Akṣayānanda: That girl, I told her she had to wear a sari. And she did for some time, but then again she stopped.</p>
<p>Prabhupāda: That I am speaking, that sa yadi krīyate rāja.</p>
<p>Akṣayānanda: Due to habit.</p>
<p>Prabhupāda: Sakrn nasnuta pahanam (?) That is the difficulty. It will be very bad example. People will think... They already thinking that "These are all hippies." That will minimize the prestige of the temple. (break)</p>
</div>
</div>
<div id="1976_Conversations_and_Morning_Walks" class="sub_section" sec_index="9" parent="Conversations_and_Morning_Walks" text="1976 Conversations and Morning Walks"><h3>1976 Conversations and Morning Walks</h3>
</div>
<div id="RoomConversationAboutMayapuraConstructionAugust191976Hyderabad_0" class="quote" parent="1976_Conversations_and_Morning_Walks" book="Con" index="273" link="Room Conversation About Mayapura Construction -- August 19, 1976, Hyderabad" link_text="Room Conversation About Mayapura Construction -- August 19, 1976, Hyderabad">
<div class="heading">Now you can make Indian style. You keep great stock?
</div>
<span class="link">[[Vanisource:Room Conversation About Mayapura Construction -- August 19, 1976, Hyderabad|Room Conversation About Mayapura Construction -- August 19, 1976, Hyderabad]]: </span><div class="text"><p style="display: inline;">Jayapatākā: Up to now we've been making according to the devotee's specification. To make for Indian to make a different type. We can also make Indian sari and other thing. They'll be cheaper one. but previously we were making because we thought that all the foreign branches...</p>
<p>Prabhupāda: So whatever... Now you can make Indian style. You keep great stock?</p>
<p>Jayapatākā: Well, we are hearing that they are buying the cloth elsewhere.</p>
<p>Gargamuni: All right. Come on.</p>
<p>Prabhupāda: Eh? They are buying elsewhere?</p>
<p>Gargamuni: Yes. They are buying sometimes from other. (to JP) All right. Let's go and chant, come back tomorrow.</p>
</div>
</div>
<div id="RoomConversationAugust201976Hyderabad_1" class="quote" parent="1976_Conversations_and_Morning_Walks" book="Con" index="274" link="Room Conversation -- August 20, 1976, Hyderabad" link_text="Room Conversation -- August 20, 1976, Hyderabad">
<div class="heading">Parsees are well known for saris.
</div>
<span class="link">[[Vanisource:Room Conversation -- August 20, 1976, Hyderabad|Room Conversation -- August 20, 1976, Hyderabad]]: </span><div class="text"><p style="display: inline;">Prabhupāda: Yes. Mahāṁśa Swami is nicely doing (?).</p>
<p>Hari-śauri: He's very sincere.</p>
<p>Prabhupāda: And everyone likes him.</p>
<p>Hari-śauri: Yes. He's very popular with the life members.</p>
<p>Prabhupāda: He has no enemy. Nobody has complained against him.</p>
<p>Hari-śauri: He's very even-tempered.</p>
<p>Prabhupāda: (chuckles) Neither he has complained against anybody. He does not complain, and nobody complains against him. His mother was very much sorry. Now she is very happy.</p>
<p>Hari-śauri: He joined in the West?</p>
<p>Prabhupāda: He is Parsee.</p>
<p>Hari-śauri: He's not Indian.</p>
<p>Prabhupāda: No, he is Indian. India, there is Parsee community. Indian Parsee means that originally they come from Iran. They are Iranian. But on account of Muhammadans forcibly standing within way... Aurangzeb came. Muhammadans they came, they fled from Iran and took shelter in the western part of India. They took shelter in Gujarat. Persia... I think Iran was known as Persia.</p>
<p>Hari-śauri: Yes. At least that area, anyway.</p>
<p>Prabhupāda: Therefore they are known as Parsee. In their ritualistic ceremonies some (indistinct) do with women... (?)</p>
<p>Hari-śauri: Yes. I saw all the women, they keep themselves covered and everything.</p>
<p>Prabhupāda: Sari?</p>
<p>Hari-śauri: Most of them were wearing trousers.</p>
<p>Prabhupāda: No. Parsees are well known for saris.</p>
<p>Hari-śauri: In Iran, though, I saw most of the women wear... Under those black veils they were actually wearing trousers.</p>
<p>Prabhupāda: Not wearing saris?</p>
</div>
</div>
<div id="RoomConversationSeptember61976Vrndavana_2" class="quote" parent="1976_Conversations_and_Morning_Walks" book="Con" index="299" link="Room Conversation -- September 6, 1976, Vrndavana" link_text="Room Conversation -- September 6, 1976, Vrndavana">
<div class="heading">By outward attraction they attract. Nice sari, nice,—one becomes attracted. Therefore this is psychology, that if the woman does not dress very nicely, she will not be attractive. Unnecessarily attraction she will avoid. But a woman is naturally, her psychology is dress very nicely so that man may be attracted. Because they want shelter. This is the whole psychology.
</div>
<span class="link">[[Vanisource:Room Conversation -- September 6, 1976, Vrndavana|Room Conversation -- September 6, 1976, Vrndavana]]: </span><div class="text"><p style="display: inline;">Prabhupāda: By training we can find so many brahmacārīs. Just like by training you have given up so many things. You were accustomed to this illicit sex and meat-eating and... But you have given up. But why? By training. So if we request the government, "Let us open this brahmacārī..." They'll not help. But they'll make the other propaganda. They'll make contraceptive method, and naturally one Hindu widow is trained up not to marry again. Once she got a husband, that's all right. Now you convert your, you divert your attention to Kṛṣṇa. They'll make propaganda. "Why stop her sense gratification? Let her marry again, widow marriage." Why widow marriage? If there is voluntarily giving up begetting any more child, to avoid husband, why the widow marriage bill is introduced? Everything was natural, brahmacārī. The sterilization is already there. That will not be accepted. Widow, she's remaining refrained from. Just like we have now asked our girls not to dress attractively, widow. They should dress not attractively. Because after all, what is this sex enjoyment? It is not very good thing. By outward attraction they attract. Nice sari, nice,—one becomes attracted. Therefore this is psychology, that if the woman does not dress very nicely, she will not be attractive. Unnecessarily attraction she will avoid. But a woman is naturally, her psychology is dress very nicely so that man may be attracted. Because they want shelter. This is the whole psychology. They, although they declare independence, they cannot live independently. That is not possible. Therefore they are by nature accustomed to dress attractively so that one may accept her and give her shelter. This is psychology. Otherwise, why the woman are naturally inclined to dress herself nice. Man does not. This is the psychology. A boy, sixteen years old boy, he does not... He is roughly dressed, he does not... But a sixteen year old girl will never remain roughly. She'll always try to decorate herself very nicely and utilize her youthful beauty for attracting. Why attracting? Because she wants shelter. Therefore it is the duty of the father and mother that she is young girl, she wants shelter, and out of passion, lusty desires, her selection may be wrong. So before she selects out of her own way, let me, it is my duty, I am guardian. Give her some good shelter. This is Hindu process.</p>
</div>
</div>
<div id="RoomConversationDecember291976Bombay_3" class="quote" parent="1976_Conversations_and_Morning_Walks" book="Con" index="362" link="Room Conversation -- December 29, 1976, Bombay" link_text="Room Conversation -- December 29, 1976, Bombay">
<div class="heading">First of all, try to understand Bhagavad-gītā. Then go to the sari of gopī. You do not know what is Kṛṣṇa and you are going to His gopīs. This is another malinterpretation. You are studying Bhagavad-gītā, talk of that. In the Bhagavad-gītā the gopīs' saris are not mentioned. So why you are bringing gopīs' saris now? This is our fault.
</div>
<span class="link">[[Vanisource:Room Conversation -- December 29, 1976, Bombay|Room Conversation -- December 29, 1976, Bombay]]: </span><div class="text"><p style="display: inline;">Guest (2): How you explain the act of Kṛṣṇa taking away the saris of the gopīs?</p>
<p>Prabhupāda: First of all, try to understand Bhagavad-gītā. Then go to the sari of gopī. You do not know what is Kṛṣṇa and you are going to His gopīs. This is another malinterpretation. You are studying Bhagavad-gītā, talk of that. In the Bhagavad-gītā the gopīs' saris are not mentioned. So why you are bringing gopīs' saris now? This is our fault.</p>
<p>Guest (2): Normally, you know our people...</p>
<p>Prabhupāda: No, no. This is our fault There is no mention of gopīs' saris. We are talking of Bhagavad-gītā, why you are bringing gopīs' saris?</p>
<p>Guest (2): Because that...</p>
<p>Prabhupāda: Again because. There is no subject matter there. You have no right to bring that. That is our fault. To bring a horse before a cart. We are talking of Bhagavad-gītā. There is no mention of Kṛṣṇa and gopīs' saris there. So let us talk. Finish that.</p>
<p>Guest (3): So you clearly said that interpretation is wrong.</p>
<p>Prabhupāda: Interpretation means lost.</p>
<p>Guest (3): No, no. You clearly said that interpretation is wrong.</p>
<p>Prabhupāda: Yes.</p>
</div>
</div>
<div id="1977_Conversations_and_Morning_Walks" class="sub_section" sec_index="10" parent="Conversations_and_Morning_Walks" text="1977 Conversations and Morning Walks"><h3>1977 Conversations and Morning Walks</h3>
</div>
<div id="RoomConversationJanuary51977Bombay_0" class="quote" parent="1977_Conversations_and_Morning_Walks" book="Con" index="11" link="Room Conversation -- January 5, 1977, Bombay" link_text="Room Conversation -- January 5, 1977, Bombay">
<div class="heading">Here also, in Gujarat, they wear black, black sari.
</div>
<span class="link">[[Vanisource:Room Conversation -- January 5, 1977, Bombay|Room Conversation -- January 5, 1977, Bombay]]: </span><div class="text"><p style="display: inline;">Prabhupāda: They take it trifle. Husband and wife who are fighting, dam-pate kalahe caiva bambharambhe laghu kriya.(?) If there is fight between husband and..., it will be... The show will be very big, and the result will be nil. Bambharambhe laghu-kriya. "Never come to me! I shall not see your face! If you come, I shall kill you!" So on, so on. Then next moment they are talking. Bambharambhe laghu-kriya. These are taken very lightly, no seriously. Now they are going... Nowadays, in the court case, fifty percent of cases are divorce in India.</p>
<p>Hari-śauri: Same in the West.</p>
<p>Prabhupāda: And that is also younger age, no old. Old age, they are never... There is no such case. Only younger generation, within thirties, twenty to thirty, they are fighting.</p>
<p>Hari-śauri: Even in the West, the Roman Catholic Church wouldn't allow divorce. The Church of England was started on that because Henry VIII didn't like his wife, and he wanted to divorce, and the Roman Catholic Church wouldn't let him. So then he did do, so they excommunicated him. So then he started his own church and made up his own laws. Otherwise, now there's a big push in Italy for divorce and everything, but even in the last ten years there's been no divorce. They don't allow it. And chastity of the woman was still very greatly appreciated too.</p>
<p>Prabhupāda: Woman infidel, they are stoned among the Muhammadans. Christian also. "You have done..." Woman proved unchaste, she was punished. Is it not? The public would stone and kill. You know that punishment? Stoning?</p>
<p>Hari-śauri: Stoning, yes. It's mentioned a lot in early Christian times. They used to stone.</p>
<p>Prabhupāda: Everyone will throw a stone. Very tortuous death, stoning.</p>
<p>Hari-śauri: I remember my auntie's mother. She was Italian, and she used to wear black all the time. Just like the widows here, they wear white, so she was wearing black. She was a widow. So all the widows, even I saw some young women...</p>
<p>Prabhupāda: Here also, in Gujarat, they wear black, black sari.</p>
<p>Hari-śauri: Yes, right. And they wear black, and they don't dress attractively at all, and there's no question of marrying again.</p>
<p>Prabhupāda: And Russia also, respectable widows, they used to live in widow's home. They would never marry.</p>
<p>Hari-śauri: And they would wear black too.</p>
<p>Prabhupāda: I have seen that house when I was in Moscow. That was one of the... What is called...? They go to see, especially tourists.</p>
<p>Hari-śauri: Red Square?</p>
<p>Prabhupāda: Red Square. No, I mean to say what is that called when they go to see specially something? Foreign Mecca(?).</p>
<p>Hari-śauri: Sightseeing.</p>
<p>Prabhupāda: That, no. Sightseeing. So anyway, they took us to a house.</p>
<p>Hari-śauri: Oh, you went on a sightseeing tour.</p>
<p>Prabhupāda: Ah, yes, that "Here, respectable widows." In Russia, after being widow, they used to live along with other respectable widows. They would never marry. Widow house. Live with queens and other respectable ladies. This was...</p>
<p>Hari-śauri: Now I think about seven or eight marriages out of every ten in Russia end up in divorce.</p>
<p>Prabhupāda: Everywhere.</p>
<p>Hari-śauri: Yeah.</p>
</div>
</div>
<div id="ConversationonRoofFebruary141977Mayapura_1" class="quote" parent="1977_Conversations_and_Morning_Walks" book="Con" index="86" link="Conversation on Roof -- February 14, 1977, Mayapura" link_text="Conversation on Roof -- February 14, 1977, Mayapura">
<div class="heading">This widow life is also brahmacārī life.
</div>
<span class="link">[[Vanisource:Conversation on Roof -- February 14, 1977, Mayapura|Conversation on Roof -- February 14, 1977, Mayapura]]: </span><div class="text"><p style="display: inline;">Brahmānanda: In New York I met one man who knew you from many years ago. He also saw you, I think, Mr. Chakravarti. He was associated with Gauḍīya Maṭha as a young boy, and he said you would come to... There's one Puruṣottama Mahārāja, or Paramahaṁsa Mahārāja.</p>
<p>Prabhupāda: Paramahaṁsa Mahārāja? Where he was?</p>
<p>Brahmānanda: He was in New York. He was coming to our temple regularly.</p>
<p>Prabhupāda: Now what he is?</p>
<p>Brahmānanda: He's studying some...</p>
<p>Prabhupāda: Inference...?</p>
<p>Brahmānanda: ...conservation. He studied in London. He met you... You had invited him to come and stay in the temple. Sometimes he comes and stays overnight.</p>
<p>Prabhupāda: I don't remember. He stays in New York? Oh, yes, yes. I remember. Hm.</p>
<p>Brahmānanda: Our devotee stayed with him, this one girl who was kidnapped. The police were looking for her. So they arranged... He lives out on Long Island, he made arrangement for them to stay. The police were looking all over, but they couldn't find.</p>
<p>Prabhupāda: She gave shelter, he gave?</p>
<p>Brahmānanda: He gave shelter, Yes. Mother Śīlavatī and this girl, they stayed with him. He very much admired mother Śīlavatī's austerity, how she was just taking a little milk, little vegetable and nothing else but always engaged. He was impressed.</p>
<p>Prabhupāda: Śīlavatī is in New York?</p>
<p>Tamāla Kṛṣṇa: Oh, yes.</p>
<p>Prabhupāda: Where are her sons?</p>
<p>Tamāla Kṛṣṇa: They are in māyā. (Prabhupāda chuckles) She now engages in book distribution also.</p>
<p>Prabhupāda: No, she is very nice woman. From the beginning she is devotee. She is about fifty years old? Hm?</p>
<p>Tamāla Kṛṣṇa: Yes, at least fifty years old. Yes, her hair is gray.</p>
<p>Brahmānanda: She wears all white sari. Other women that age, they would be looking for another husband, another husband, another husband.</p>
<p>Prabhupāda: This widow life is also brahmacārī life.</p>
</div>
</div>
<div id="TalkAboutVarnasramaSB2115June281977Vrndavana_2" class="quote" parent="1977_Conversations_and_Morning_Walks" book="Con" index="199" link="Talk About Varnasrama, S.B. 2.1.1-5 -- June 28, 1977, Vrndavana" link_text="Talk About Varnasrama, S.B. 2.1.1-5 -- June 28, 1977, Vrndavana">
<div class="heading">It is golden, gold border. You can... When you want to..., mean an old Benarsi sari..., you can go. There are persons, they'll take it, and they'll burn it, and the borders will take care, either silver or gold. Still in Delhi we find.
</div>
<span class="link">[[Vanisource:Talk About Varnasrama, S.B. 2.1.1-5 -- June 28, 1977, Vrndavana|Talk About Varnasrama, S.B. 2.1.1-5 -- June 28, 1977, Vrndavana]]: </span><div class="text"><p style="display: inline;">Tamāla Kṛṣṇa: But how do you save enough money to get the house if you have all ornaments?</p>
<p>Prabhupāda: You keep it. Don't deposit in bank.</p>
<p>Tamāla Kṛṣṇa: They don't trust this banking system.</p>
<p>Prabhupāda: No, formerly there was no bank practically. Now they... Generally, ordinary man, whatever little saving is there, they will invest in metal utensils, in ornament, in Benarsi sari, like that.</p>
<p>Tamāla Kṛṣṇa: Benarsi sari also considered very valuable.</p>
<p>Prabhupāda: It is golden, gold border. You can... When you want to..., mean an old Benarsi sari..., you can go. There are persons, they'll take it, and they'll burn it, and the borders will take care, either silver or gold. Still in Delhi we find. Any investment were... Not this plastic plate and paper plate.</p>
<p>Tamāla Kṛṣṇa: Oh. Whenever they buy something, it must have value.</p>
<p>Prabhupāda: Must have value. That is Indian investment.</p>
</div>
</div>
<div id="RoomConversationduringlunchtimeJuly81977Vrndavana_3" class="quote" parent="1977_Conversations_and_Morning_Walks" book="Con" index="221" link="Room Conversation during lunchtime -- July 8, 1977, Vrndavana" link_text="Room Conversation during lunchtime -- July 8, 1977, Vrndavana">
<div class="heading">Can you object if a girl dresses like Indian with ladies' sari? Can you object? It is something like that. "Oh, why you have become Indian-like? Why you are imitating?"
</div>
<span class="link">[[Vanisource:Room Conversation during lunchtime -- July 8, 1977, Vrndavana|Room Conversation during lunchtime -- July 8, 1977, Vrndavana]]: </span><div class="text"><p style="display: inline;">Tamāla Kṛṣṇa: Everything he's preparing is very nectarine. I think this year, Christmastime, if we again put on our Santa Claus suits, eventually people will only give to our Santa Clauses. At first there was a reaction, last year. And this year there may be again a reaction, but after a few years no one will want to give to the other Santa Clauses. We will completely take over the Santa Claus costume. I don't think we should give it up.</p>
<p>Prabhupāda: Why? It is our choice.</p>
<p>Tamāla Kṛṣṇa: Right.</p>
<p>Prabhupāda: If I dress myself in a particular way, who can check it? They cannot check. I like this dress. That's all. That is not violation of law.</p>
<p>Upendra: Do they wear tilaka? Santa Claus? No.</p>
<p>Tamāla Kṛṣṇa: They can't do that. They say, "You're misrepresenting yourselves because..."</p>
<p>Prabhupāda: I'm not misrepresenting. I like this dress.</p>
<p>Tamāla Kṛṣṇa: They say this dress indicates a Christian...</p>
<p>Prabhupāda: Whatever indication, I like this. You cannot check my liking. Just like an Indian dresses like a European, or a European dresses like Indian. Does it mean that he has become Indian or he's American? He likes it. That's all. Can you object if a girl dresses like Indian with ladies' sari? Can you object? It is something like that. "Oh, why you have become Indian-like? Why you are imitating?"</p>
</div>
</div>
<div id="RoomConversationAugust81977Vrndavana_4" class="quote" parent="1977_Conversations_and_Morning_Walks" book="Con" index="232" link="Room Conversation -- August 8, 1977, Vrndavana" link_text="Room Conversation -- August 8, 1977, Vrndavana">
<div class="heading">So why you are bothering if you have no expert? You have to find out expert weaver. Why? We are not for industry. Why should we divert our attention unnecessarily?
</div>
<span class="link">[[Vanisource:Room Conversation -- August 8, 1977, Vrndavana|Room Conversation -- August 8, 1977, Vrndavana]]: </span><div class="text"><p style="display: inline;">Dhanañjaya: I also looked into this weaving of silk Benares saris.</p>
<p>Prabhupāda: Hm?</p>
<p>Dhanañjaya: You mentioned that we should encourage cottage industries here and...</p>
<p>Prabhupāda: What is that?</p>
<p>Gopāla Kṛṣṇa: Cottage industries.</p>
<p>Prabhupāda: Ha.</p>
<p>Dhanañjaya: And so these handlooms are available, but along with the looms you must have expert weavers, handloomers.</p>
<p>Prabhupāda: So why you are bothering if you have no expert? You have to find out expert weaver. Why? We are not for industry. Why should we divert our attention unnecessarily?</p>
<p>Dhanañjaya: But you did mention previously that our ISKCON ladies, if they so desire, they can learn.</p>
<p>Prabhupāda: If they are idle, then you can give engagement. Otherwise don't bring engagements. If they are idle—there is no work—give them. Not that you bring engagement and then... We want to be free from engagement, but if there is idle men, doing nothing, give them engagement.</p>
</div>
</div>
<div id="Correspondence" class="section" sec_index="6" parent="compilation" text="Correspondence"><h2>Correspondence</h2>
</div>
<div id="1967_Correspondence" class="sub_section" sec_index="2" parent="Correspondence" text="1967 Correspondence"><h3>1967 Correspondence</h3>
</div>
<div id="LettertoSriKrishnaPanditjiNewYork15April1967_0" class="quote" parent="1967_Correspondence" book="Let" index="65" link="Letter to Sri Krishna Panditji -- New York 15 April, 1967" link_text="Letter to Sri Krishna Panditji -- New York 15 April, 1967">
<div class="heading">If you can immediately arrange to supply from Delhi things like Aggarbatti, Dhupa, Musical instruments, Varanasi Sari, Bronze cymbals, Printed matters, Printed cloths from Agra and Farukhabad etc, you can do very good business and make profit not less than Rs 200/- per month or more.
</div>
<span class="link">[[Vanisource:Letter to Sri Krishna Panditji -- New York 15 April, 1967|Letter to Sri Krishna Panditji -- New York 15 April, 1967]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Regarding your introduction to my disciples here, you can immediately note down the following address. He is interested in importing musical instruments from India. If you can immediately arrange to supply from Delhi things like Aggarbatti, Dhupa, Musical instruments, Varanasi Sari, Bronze cymbals, Printed matters, Printed cloths from Agra and Farukhabad etc, you can do very good business and make profit not less than Rs 200/- per month or more. Add only 5% on the purchase price or sometimes less than 5% on purchase values and you will be do good business. But if you can not write in English how you will make correspondence with them. You must write in English or get it done by some one who knows English. Unless you write in English how can you deal with them. Please note down the following address immediately and correspond with him giving reference of my name.</p>
</div>
</div>
<div id="LettertoBrahmanandaCalcutta22October1967_1" class="quote" parent="1967_Correspondence" book="Let" index="190" link="Letter to Brahmananda -- Calcutta 22 October, 1967" link_text="Letter to Brahmananda -- Calcutta 22 October, 1967">
<div class="heading">If Indian Saris are required, that also can be arranged.
</div>
<span class="link">[[Vanisource:Letter to Brahmananda -- Calcutta 22 October, 1967|Letter to Brahmananda -- Calcutta 22 October, 1967]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I am very much appreciate your lecturing arrangements in different educational institutions &amp; I have full confidence in both you and Rayarama. Indian things may be exported but I do not know the varieties of goods that would be saleable there. For the time being I have arranged for musical instruments with Dvaraka &amp; sons, &amp; so also I am arranging for incense. If Indian Saris are required, that also can be arranged. But unless I definitely hear from Mr. Kallman what particular things he wants I can not guess what is to be done. The most important thing is that you let me know immediately whether or not I should start on the visitors visa. Visitors visa I've already got. I could start without delay but if you want me to apply for permanent visa it will take some time. So I shall await your immediate reply.</p>
</div>
</div>
<div id="LettertoMukundaCalcutta11November1967_2" class="quote" parent="1967_Correspondence" book="Let" index="212" link="Letter to Mukunda -- Calcutta 11 November, 1967" link_text="Letter to Mukunda -- Calcutta 11 November, 1967">
<div class="heading">Regarding your business, I have seen many merchants who will supply us incense, frankincense, saris, musical instruments, dancing ghungru (jingle bells for feet) etc.
</div>
<span class="link">[[Vanisource:Letter to Mukunda -- Calcutta 11 November, 1967|Letter to Mukunda -- Calcutta 11 November, 1967]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I am in due receipt of your letter dated Nov. 5, including the air waybill but before this, I had cleared the record player paying a duty of 120.oo Rs. So there is no more any chance of getting back this money. But your timely dispatching the machine is very much appreciated by Krishna and I thank you very much for this prompt service. Regarding your telegram; I may inform you that I am starting sometime next week. I shall inform you as soon as I book my ticket of my time of arrival (ETA). Regarding your business, I have seen many merchants who will supply us incense, frankincense, saris, musical instruments, dancing ghungru (jingle bells for feet) etc.</p>
</div>
</div>
<div id="LettertoBrahmanandaCalcutta12December1967_3" class="quote" parent="1967_Correspondence" book="Let" index="231" link="Letter to Brahmananda -- Calcutta 12 December, 1967" link_text="Letter to Brahmananda -- Calcutta 12 December, 1967">
<div class="heading">I have already made arrangements for supply of Saris, incense, musical instruments, mrdangams, karatalas, spices, etc.
</div>
<span class="link">[[Vanisource:Letter to Brahmananda -- Calcutta 12 December, 1967|Letter to Brahmananda -- Calcutta 12 December, 1967]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I've also noted down your program for European tour. I am very glad that you are preparing the ground work for starting our centers in London, Amsterdam and Berlin. It may be that we can add another in Tokyo. Yes, we must have hundreds of such branches for preaching Krishna Consciousness all over the world. I have already made arrangements for supply of Saris, incense, musical instruments, mrdangams, karatalas, spices, etc. I am also arranging to print 2 volumes of Srimad-Bhagavatam in Delhi. Acyutananda and Ramanuja are going back to Vrindaban on the 15th after sending me off for San Francisco.</p>
</div>
</div>
<div id="1968_Correspondence" class="sub_section" sec_index="3" parent="Correspondence" text="1968 Correspondence"><h3>1968 Correspondence</h3>
</div>
<div id="LettertoBrahmanandaLosAngeles1March1968_0" class="quote" parent="1968_Correspondence" book="Let" index="94" link="Letter to Brahmananda -- Los Angeles 1 March, 1968" link_text="Letter to Brahmananda -- Los Angeles 1 March, 1968">
<div class="heading">Regarding supplies from India: I have induced my younger son, Vrindaban De, to supply all kinds of Indian craftsmanship, namely ornaments, cloth, fine arts, dolls, saris, wooden slippers, linen shirts, or, anything that is sellable here, on 10% commission, and he has agreed.
</div>
<span class="link">[[Vanisource:Letter to Brahmananda -- Los Angeles 1 March, 1968|Letter to Brahmananda -- Los Angeles 1 March, 1968]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Regarding supplies from India: I have induced my younger son, Vrindaban De, to supply all kinds of Indian craftsmanship, namely ornaments, cloth, fine arts, dolls, saris, wooden slippers, linen shirts, or, anything that is sellable here, on 10% commission, and he has agreed. Mukunda and Gargamuni have agreed, and they are going to place orders to him. I think he may get 10% commission for his labor, and he can supply everything you may require from India. The terms is 25% should be advanced, and the balance paid on delivery of the documents. This arrangement, I think, will help to import all kinds of Indian art without any difficulty, and you can arrange for importing things that you may require.</p>
</div>
</div>
<div id="LettertoMadhaviLataMontreal20June1968_1" class="quote" parent="1968_Correspondence" book="Let" index="210" link="Letter to Madhavi Lata -- Montreal 20 June, 1968" link_text="Letter to Madhavi Lata -- Montreal 20 June, 1968">
<div class="heading">If you want you can cut your hairs, but there is no need of cutting. It would be nicer if you can put on sari, you can learn it from Jadurani. You must remain like a nice girl. The dress and appearance is social convention of the society.
</div>
<span class="link">[[Vanisource:Letter to Madhavi Lata -- Montreal 20 June, 1968|Letter to Madhavi Lata -- Montreal 20 June, 1968]]: </span><div style="display: inline;" class="text"><p style="display: inline;">If you want you can cut your hairs, but there is no need of cutting. It would be nicer if you can put on sari, you can learn it from Jadurani. You must remain like a nice girl. The dress and appearance is social convention of the society.</p>
</div>
</div>
<div id="1969_Correspondence" class="sub_section" sec_index="4" parent="Correspondence" text="1969 Correspondence"><h3>1969 Correspondence</h3>
</div>
<div id="LettertoDrSyamaSundardasBrahmacariHamburg5September1969_0" class="quote" parent="1969_Correspondence" book="Let" index="544" link="Letter to Dr. Syama Sundardas Brahmacari -- Hamburg 5 September, 1969" link_text="Letter to Dr. Syama Sundardas Brahmacari -- Hamburg 5 September, 1969">
<div class="heading">If you kindly send me quotations for the following goods, I would appreciate it very much: 1) Jagannatha Deity set—Lord Jagannatha, Balabhadra and Subhadra of all different sizes. 2) Silverwares made in Cuttack 3) brass utensils like jhanj, karatalas, and worshiping materials, 4) conchshells, and 5) saris made in Orissa and adjoining places.
</div>
<span class="link">[[Vanisource:Letter to Dr. Syama Sundardas Brahmacari -- Hamburg 5 September, 1969|Letter to Dr. Syama Sundardas Brahmacari -- Hamburg 5 September, 1969]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I beg to acknowledge receipt of your letter dated 22nd August 1969, addressed to New Vrindaban center and redirected here in West Germany. At the present moment I am preaching here in our German center, and next week I am going to our London center. If you reply me, you can do so at the following address: ISKCON, 7 Bury Place, WC1, London England. Regarding your remittance in connection with True Conception of Religion, I have already advised the New York center to send you some money. I understand that you will remain at Jagannatha Puri for some time, so if you like to supply us some goods from there, you can make some profit out of it. If you kindly send me quotations for the following goods, I would appreciate it very much: 1) Jagannatha Deity set—Lord Jagannatha, Balabhadra and Subhadra of all different sizes. 2) Silverwares made in Cuttack 3) brass utensils like jhanj, karatalas, and worshiping materials, 4) conchshells, and 5) saris made in Orissa and adjoining places. If you like to purchase these goods on our behalf, then I shall send you money, and if you desire, you can add some percentage for your profit on the purchase price. In this way, if you pack up these goods nicely and send to the nearest port for dispatching, then you can do very good business and make some profit. So I hope you will give me some price quotations immediately for the above things and let me know if you are interested in doing this business.</p>
</div>
</div>
<div id="LettertoDrShamSundarjiTittenhurst8October1969_1" class="quote" parent="1969_Correspondence" book="Let" index="608" link="Letter to Dr. Sham Sundarji -- Tittenhurst 8 October, 1969" link_text="Letter to Dr. Sham Sundarji -- Tittenhurst 8 October, 1969">
<div class="heading">Recently in our Detroit branch the son and daughter-in-law of Sriman J. Dalmia, one of the big industrialists of India, visited, and the daughter-in-law presented many saris to the devotees there. So the American and European boys and girls are taking to this cultural life more and more, and perhaps this will make history in the future how.
</div>
<span class="link">[[Vanisource:Letter to Dr. Sham Sundarji -- Tittenhurst 8 October, 1969|Letter to Dr. Sham Sundarji -- Tittenhurst 8 October, 1969]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I shall remind Brahmananda about your "True Conception of Religion", and you will be pleased to know that we are starting our own press in Boston in our own house. The house has cost $70,000, and the press will cost $20,00, which in Indian exchange comes to 9 lacs of rupees. So things are gradually improving. We have already opened our German center and are publishing our German Back To Godhead. From Montreal we are printing a French edition of Back To Godhead, and recently our men have gone to Japan. We have taken a house near Tokyo and our men are working there. There will be a great World Fair in Japan in 1970, and at that time we shall formally open our temple and probably issue our Back To Godhead in Japanese language. So at present moment we have got temples in six important countries: USA, England, France, Germany, Japan and Canada. All together there are 22 branches. Recently in our Detroit branch the son and daughter-in-law of Sriman J. Dalmia, one of the big industrialists of India, visited, and the daughter-in-law presented many saris to the devotees there. So the American and European boys and girls are taking to this cultural life more and more, and perhaps this will make history in the future how</p>
</div>
</div>
<div id="LettertoJagadisaTittenhurst11October1969_2" class="quote" parent="1969_Correspondence" book="Let" index="609" link="Letter to Jagadisa -- Tittenhurst 11 October, 1969" link_text="Letter to Jagadisa -- Tittenhurst 11 October, 1969">
<div class="heading">I am very glad that his daughter-in-law has presented some saris and the boy has presented some books.
</div>
<span class="link">[[Vanisource:Letter to Jagadisa -- Tittenhurst 11 October, 1969|Letter to Jagadisa -- Tittenhurst 11 October, 1969]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I am very glad that Jaya Hari Dalmia was in the temple, and I hope you received him well. His father is a great friend of my activities. When I was in India he helped me so many times with financial assistance, so he is sympathetic. I am very glad that his daughter-in-law has presented some saris and the boy has presented some books. Please keep the books nicely. None of you will be able to understand Hindi or Sanskrit, so when I return to USA I shall ask you for these books. Regarding the picture of Lord Caitanya which is outside of your temple, this is not good. We should not place our worshipable Deities as statues in the open atmosphere.</p>
</div>
</div>
<div id="1970_Correspondence" class="sub_section" sec_index="5" parent="Correspondence" text="1970 Correspondence"><h3>1970 Correspondence</h3>
</div>
<div id="LettertoRadhaMadhavaSharanLosAngeles6June1970_0" class="quote" parent="1970_Correspondence" book="Let" index="347" link="Letter to Radha Madhava Sharan -- Los Angeles 6 June, 1970" link_text="Letter to Radha Madhava Sharan -- Los Angeles 6 June, 1970">
<div class="heading">I understand that you have got business in Allahabad, so if your sons and grandsons there can supply us Banarasi dhoti and saris from Benares as well as some brass utensils from there, this is one thing.
</div>
<span class="link">[[Vanisource:Letter to Radha Madhava Sharan -- Los Angeles 6 June, 1970|Letter to Radha Madhava Sharan -- Los Angeles 6 June, 1970]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Regarding your cooperation, I have got many things to ask from you, but because you are a 70 year retired man I do not wish to overburden you. For the time being if you kindly help us by sending some goods from Vrndavana just like some chanting beads, some brass murtis, gopi-candana tilaka and similar other things. I understand that you have got business in Allahabad, so if your sons and grandsons there can supply us Banarasi dhoti and saris from Benares as well as some brass utensils from there, this is one thing.</p>
</div>
</div>
<div id="LettertoRadharamanaSharanjiLosAngeles25June1970_1" class="quote" parent="1970_Correspondence" book="Let" index="383" link="Letter to Radharamana Sharanji -- Los Angeles 25 June, 1970" link_text="Letter to Radharamana Sharanji -- Los Angeles 25 June, 1970">
<div class="heading">I have got my account with Punjab National Bank of Vrndavana, and as such, whenever you supply some goods you will be able to take payment from the bank without any difficulty. Similarly, if your friend supplies Benaras dhoti and sari that will be very nice arrangement.
</div>
<span class="link">[[Vanisource:Letter to Radharamana Sharanji -- Los Angeles 25 June, 1970|Letter to Radharamana Sharanji -- Los Angeles 25 June, 1970]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Regarding exporting Vrndavana articles, you may kindly let me know what will be the charges for sending 100 pieces of japa mala, ordinary, by surface mail parcel. So far I have calculated the price of 100 pieces of japa mala will not be more than Rs. 50, and for dispatching by surface post parcel maybe almost the same amount. So kindly let me know if this is correct. I have got my account with Punjab National Bank of Vrndavana, and as such, whenever you supply some goods you will be able to take payment from the bank without any difficulty. Similarly, if your friend supplies Benaras dhoti and sari that will be very nice arrangement.</p>
</div>
</div>
<div id="1971_Correspondence" class="sub_section" sec_index="6" parent="Correspondence" text="1971 Correspondence"><h3>1971 Correspondence</h3>
</div>
<div id="LettertoUpendraAllahabad27January1971_0" class="quote" parent="1971_Correspondence" book="Let" index="41" link="Letter to Upendra -- Allahabad 27 January, 1971" link_text="Letter to Upendra -- Allahabad 27 January, 1971">
<div class="heading">Generally Grhasthas wear white for the men and colorful saris for the women.
</div>
<span class="link">[[Vanisource:Letter to Upendra -- Allahabad 27 January, 1971|Letter to Upendra -- Allahabad 27 January, 1971]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I am a little concerned, however, that you are being somewhat harassed in your activities by these so-called swamis. But do not be discouraged by their foolish talkings, we have got more important business. We do not judge the man by his dress, so we are not concerned with the color of our cloth as much as we are concerned to keep our conduct on the plane of pure spiritual life. Our Krsna consciousness is practically being accepted by all kinds of persons all over the world and there is no discrimination of types of dress. Generally Grhasthas wear white for the men and colorful saris for the women. While performing sacrifices, etc. they may wear yellow cloth which is considered auspicious. But you are always engaged in such religious activity in direct service of the transcendental Lord, so yellow garments are not inappropriate. In India our householder devotee men are all wearing white cloths and they all look very, very nice. You can do also if you like.</p>
</div>
</div>
<div id="1973_Correspondence" class="sub_section" sec_index="8" parent="Correspondence" text="1973 Correspondence"><h3>1973 Correspondence</h3>
</div>
<div id="LettertoKirtananandaCalcutta6March1973_0" class="quote" parent="1973_Correspondence" book="Let" index="92" link="Letter to Kirtanananda -- Calcutta 6 March, 1973" link_text="Letter to Kirtanananda -- Calcutta 6 March, 1973">
<div class="heading">The graphic drawings of the Temples are very saris factory and the devotees working together is very encouraging.
</div>
<span class="link">[[Vanisource:Letter to Kirtanananda -- Calcutta 6 March, 1973|Letter to Kirtanananda -- Calcutta 6 March, 1973]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I shall secure gold Sesa and carry with me for the foundation and most propably while returning to L.A. through New York at that time if the ceremony is being held I shall attend. It will be a pleasure for me. Your vision of 7 Temples on 7 hills is very encouraging. May Krsna fulfill your transcendental desires. The graphic drawings of the Temples are very saris factory and the devotees working together is very encouraging. May Krsna help you in your noble endeavor to come out successful in the project of New Vrndavana. Your Krsna is most beautiful, just like an attractive boy. I hope this meets you in good health.</p>
</div>
</div>
<div id="LettertoJayapatakaBhavanandaLosAngeles9May1973_1" class="quote" parent="1973_Correspondence" book="Let" index="174" link="Letter to Jayapataka, Bhavananda -- Los Angeles 9 May, 1973" link_text="Letter to Jayapataka, Bhavananda -- Los Angeles 9 May, 1973">
<div class="heading">The summary is that our men must learn these four things: doll making, mrdanga making, karatala making and if possible making saris.
</div>
<span class="link">[[Vanisource:Letter to Jayapataka, Bhavananda -- Los Angeles 9 May, 1973|Letter to Jayapataka, Bhavananda -- Los Angeles 9 May, 1973]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I know there are many weavers who daily go from this side of the river to Navadvipa side for working in handweaving enterprise. So if we can employ some of them along with our own men for manufacturing first class saris we can purchase all these saris produced by you. Such small scale industries are also supported by the Bengal Government. Tarundada is in charge of such industry. I have consulted with Karandhara that we can purchase the saris and the government will be glad to cooperate with us for exporting Indian goods to outside of India. Similarly we can import nice dolls here. Gradually as our men become expert they can manufacture the same thing here. So Mayapur inhabitants can be engaged in such a small manufacturing enterprise as well as farming to become self sufficient. Side by side increase our spiritual consciousness by attending to the temple routine work, Deity worship sankirtana, attending class. The idea is we must have the necessities of our life as far as possible independently. But we should not be business minded. Our main business is to develop our dormant Krsna Consciousness. Side by side we may take to such enterprises as will maintain us very nicely. There is no need of sending the artisan to U.S.A. better send our disciples from here and learn the art there. In this connection manufacturing the mrdanga shells as well as the skin work on it is very essential. If possible our men may learn how to make karatalas also. At Navadvipa, there are many artisans for this purpose.</p>
<p>The summary is that our men must learn these four things: doll making, mrdanga making, karatala making and if possible making saris.</p>
</div>
</div>
<div id="1974_Correspondence" class="sub_section" sec_index="9" parent="Correspondence" text="1974 Correspondence"><h3>1974 Correspondence</h3>
</div>
<div id="LettertoGovindaBombay30April1974_0" class="quote" parent="1974_Correspondence" book="Let" index="163" link="Letter to Govinda -- Bombay 30 April, 1974" link_text="Letter to Govinda -- Bombay 30 April, 1974">
<div class="heading">There are many ideal young Hindu widows who do not dress nicely at all, do not comb the hair, and who take bath three times daily in the Ganges, wear white sari and are engaged 24 hours a day in chanting Hare Krsna Mantra.
</div>
<span class="link">[[Vanisource:Letter to Govinda -- Bombay 30 April, 1974|Letter to Govinda -- Bombay 30 April, 1974]]: </span><div style="display: inline;" class="text"><p style="display: inline;">To you my advice is, because you are very intelligent and educated girl, you forget your relationship with Gaurasundara. Now you become mixed up in Krsna business and live like a chaste Hindu widow woman. There are many ideal young Hindu widows who do not dress nicely at all, do not comb the hair, and who take bath three times daily in the Ganges, wear white sari and are engaged 24 hours a day in chanting Hare Krsna Mantra. The vivid example is Visnupriya devi, Lord Caitanya's wife. When Lord Caitanya left home accepting the renounced order of life, sannyasa, at that time Visnupriya was on the summit of youth, 16 years old, but when her husband became sannyasi she also became greater than sannyasa. She was chanting her rounds on the beads and after one round she was collecting one grain of rice. In this way all day and night, as many rounds as she could finish, that many grains she would cook and eat. Just she how much austerity she underwent! Visnupriya is the incarnation of the Goddess of Fortune but to teach us how much austerity and penance she underwent, I think you should follow the footsteps of Srimati Visnupriya. You have good writing capacity, and good artistic ability. Now devote your life to chanting Hare Krsna and if possible write articles on Krsna Consciousness, as many as possible with your own paintings and send it for publication to BTG. Forget this nonsense Gaurasundara. These are all material relationships and have nothing to do with spiritual advancement.</p>
</div>
</div>
<div id="LettertoISKCONArtistsBombay2May1974_1" class="quote" parent="1974_Correspondence" book="Let" index="172" link="Letter to ISKCON Artists -- Bombay 2 May, 1974" link_text="Letter to ISKCON Artists -- Bombay 2 May, 1974">
<div class="heading">Saci should wear a nice sari and nice ornaments, wearing vermillion on the part of her hair.
</div>
<span class="link">[[Vanisource:Letter to ISKCON Artists -- Bombay 2 May, 1974|Letter to ISKCON Artists -- Bombay 2 May, 1974]]: </span><div style="display: inline;" class="text"><p style="display: inline;">2. Saci should wear a nice sari and nice ornaments, wearing vermillion on the part of her hair. She is dressed not like a queen but a well to do householder.</p>
</div>
</div>
<div id="1975_Correspondence" class="sub_section" sec_index="10" parent="Correspondence" text="1975 Correspondence"><h3>1975 Correspondence</h3>
</div>
<div id="LettertoDinanathaVrindaban7September1975_0" class="quote" parent="1975_Correspondence" book="Let" index="517" link="Letter to Dinanatha -- Vrindaban 7 September, 1975" link_text="Letter to Dinanatha -- Vrindaban 7 September, 1975">
<div class="heading">I do not know why there should be opposition from her community for wearing sari. In Bengal many Moslem women, they wear sari and there is no objection. Similarly, in other parts of India Moslem women, they wear sari and there is no objection.
</div>
<span class="link">[[Vanisource:Letter to Dinanatha -- Vrindaban 7 September, 1975|Letter to Dinanatha -- Vrindaban 7 September, 1975]]: </span><div style="display: inline;" class="text"><p style="display: inline;">So I am coming there shortly and I will see how you are doing. I am glad to learn that one Moslem girl has joined. I do not know why there should be opposition from her community for wearing sari. In Bengal many Moslem women, they wear sari and there is no objection. Similarly, in other parts of India Moslem women, they wear sari and there is no objection. The fact that the Moslems are saying Hare Krsna to you on the street, that is your success. We do not care for Moslem, Christian, this or that. We see everyone as part and parcel of Krsna, and as such they should re-establish their loving relationship with Krsna.</p>
</div>
</div>
<div id="LettertoSaksiGopalaVrindaban6December1975_1" class="quote" parent="1975_Correspondence" book="Let" index="731" link="Letter to Saksi Gopala -- Vrindaban 6 December, 1975" link_text="Letter to Saksi Gopala -- Vrindaban 6 December, 1975">
<div class="heading">To chant dance, take prasadam and be happy. Marriage is not recommended. Are you prepared to get a job, live outside the temple in apartment, provide the wife with bangles saris and sex?
</div>
<span class="link">[[Vanisource:Letter to Saksi Gopala -- Vrindaban 6 December, 1975|Letter to Saksi Gopala -- Vrindaban 6 December, 1975]]: </span><div style="display: inline;" class="text"><p style="display: inline;">From your letter it appears that you are a little confused. This means that the consciousness is not clear, brahma-bhutah prasannatma, na socati na kanksati ([[Vanisource:BG 18.54 (1972)|BG 18.54]]), the clear stage of consciousness is free from hankering and lamentation. As long as we are on the material platform, bodily conception of life we will hanker for so many things required for material supremacy. Therefore to clear this cloudy consciousness Caitanya Mahaprabhu recommended that one should simply chant the Holy name of God sincerely and hear it with attention. To chant dance, take prasadam and be happy. Marriage is not recommended. Are you prepared to get a job, live outside the temple in apartment, provide the wife with bangles saris and sex? Better you concentrate on this chanting and hearing process, teach others and give them prasadam. So you and Bhumadeva are doing this already, now be steady and increase it more and more. Hamsaduta will guide you in this engagement, he is there to help you execute your program.</p>
</div>
</div>
<div id="1976_Correspondence" class="sub_section" sec_index="11" parent="Correspondence" text="1976 Correspondence"><h3>1976 Correspondence</h3>
</div>
<div id="LettertoYamunaDinatarineMayapur21February1976_0" class="quote" parent="1976_Correspondence" book="Let" index="164" link="Letter to Yamuna, Dinatarine -- Mayapur 21 February, 1976" link_text="Letter to Yamuna, Dinatarine -- Mayapur 21 February, 1976">
<div class="heading">A widow is forbidden to use ornaments, nice sari, decoration, combing the hair nicely. These are forbidden for the woman who is not with husband.
</div>
<span class="link">[[Vanisource:Letter to Yamuna, Dinatarine -- Mayapur 21 February, 1976|Letter to Yamuna, Dinatarine -- Mayapur 21 February, 1976]]: </span><div style="display: inline;" class="text"><p style="display: inline;">Don't try manual exertion, then again there is mixture and that is not desired. Simply keep yourself aloof from men—chanting, many more times as possible, read books, worship the deity. I am very much pleased with this girl Svati—she has adopted this white dress. She must not be attractive at all. A widow is forbidden to use ornaments, nice sari, decoration, combing the hair nicely. These are forbidden for the woman who is not with husband.</p>
</div>
</div>
<div id="LettertoBhurijanaMayapur25February1976_1" class="quote" parent="1976_Correspondence" book="Let" index="167" link="Letter to Bhurijana -- Mayapur 25 February, 1976" link_text="Letter to Bhurijana -- Mayapur 25 February, 1976">
<div class="heading">I would like to send Indian goods to you for sales to the devotees and others. In the beginning I can have cloth sent, especially saris. So many others are doing it successfully, we can also be successful.
</div>
<span class="link">[[Vanisource:Letter to Bhurijana -- Mayapur 25 February, 1976|Letter to Bhurijana -- Mayapur 25 February, 1976]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I have recently thought of a scheme to increase funds in our BBT account. I would like to send Indian goods to you for sales to the devotees and others. In the beginning I can have cloth sent, especially saris. So many others are doing it successfully, we can also be successful. I will have the papers sent through Lloyd's bank as I have an account with them in London. So you can find out the Lloyd's branch there. You can deposit all monies received from sales of the saris in the Lloyd's Bank. You may also keep a percentage of the sales for yourself. Please advise me if you are able to execute.</p>
</div>
</div>
<div id="LettertoVicitraviryaMayapur25February1976_2" class="quote" parent="1976_Correspondence" book="Let" index="170" link="Letter to Vicitravirya -- Mayapur 25 February, 1976" link_text="Letter to Vicitravirya -- Mayapur 25 February, 1976">
<div class="heading">I will have the papers sent through my personal account in Lloyd's Bank and you can deposit all monies received from sales of the saris in my account. You may also keep a percentage of the sales for the London temple.
</div>
<span class="link">[[Vanisource:Letter to Vicitravirya -- Mayapur 25 February, 1976|Letter to Vicitravirya -- Mayapur 25 February, 1976]]: </span><div style="display: inline;" class="text"><p style="display: inline;">I have recently thought of a scheme to increase funds in our BBT account. I would like to send Indian goods to you for sales to the devotees and others. In the beginning I can have cloth sent, especially saris. So many others are doing it successfully, we also can be successful. I will have the papers sent through my personal account in Lloyd's Bank and you can deposit all monies received from sales of the saris in my account. You may also keep a percentage of the sales for the London temple. Please advise my secretary if you are able to execute.</p>
</div>
</div>
</div>