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	<id>https://dev.vaniquotes.org/w/index.php?action=history&amp;feed=atom&amp;title=Mohini_means</id>
	<title>Mohini means - Revision history</title>
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	<updated>2026-09-29T13:54:43Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://dev.vaniquotes.org/w/index.php?title=Mohini_means&amp;diff=780097&amp;oldid=prev</id>
		<title>Vanibot: Vanibot #0019: LinkReviser - Revised links and redirected them to the de facto address when redirect exists</title>
		<link rel="alternate" type="text/html" href="https://dev.vaniquotes.org/w/index.php?title=Mohini_means&amp;diff=780097&amp;oldid=prev"/>
		<updated>2018-05-18T11:10:14Z</updated>

		<summary type="html">&lt;p&gt;Vanibot #0019: LinkReviser - Revised links and redirected them to the de facto address when redirect exists&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:10, 18 May 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{total|1}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{total|1}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{toc right}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{toc right}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Mohini]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Mohini&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|3&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Vaniquotes Sanskrit Dictionary A to Z]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Vaniquotes Sanskrit Dictionary A to Z]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Vaniquotes Sanskrit Dictionary M-N-O]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Vaniquotes Sanskrit Dictionary M-N-O]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot;&gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div class=&amp;quot;heading&amp;quot;&amp;gt;Mohinī means the most enchanting, beautiful womanly form.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div class=&amp;quot;heading&amp;quot;&amp;gt;Mohinī means the most enchanting, beautiful womanly form.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;span class=&quot;link&quot;&amp;gt;[[Vanisource:Lecture on BG 2.62-72 -- Los Angeles, December 19, 1968|Lecture on BG 2.62-72 -- Los Angeles, December 19, 1968]]: &amp;lt;/span&amp;gt;&amp;lt;div class=&quot;text&quot;&amp;gt;&amp;lt;p style=&quot;display: inline;&quot;&amp;gt;Prabhupāda: It is learned from Vedic literature that... Of course, they are showing us, Lord Śiva, Lord Brahmā. They were also sometimes attracted by sense objects. Just like Lord Brahmā, his daughter Sarasvatī... Sarasvatī is considered to be the most perfect form of beauty, womanly beauty, Sarasvatī. So Lord Brahmā became enchanted by the beauty of his daughter just to show us the example that even personalities like Lord Brahmā sometimes become enchanted. This māyā is so strong. He forgot that &quot;She&#039;s my daughter.&quot; Then to penance this, Brahmā had to quit the body. These stories are there in the Śrīmad-Bhāgavatam. Similarly, Lord Śiva also, when Kṛṣṇa appeared before him in Mohinī-mūrti... Mohinī means the most enchanting, beautiful womanly form. Lord Śiva also became mad after Her. So wherever She was going, Lord Śiva was chasing. And it is stated that while chasing Mohinī-mūrti, Lord Śiva had discharges. So these examples are there. As it is stated in the Bhagavad-gītā, daivī hy eṣā guṇamayī mama māyā duratyayā ([[Vanisource:BG 7.14|BG 7.14]]). The whole material energy is enchanting every one of us by this beauty, the womanly beauty. Actually, there is no beauty. It is illusion. Śaṅkarācārya says that &quot;You are after this beauty, but have you analyzed this beauty? What is the beauty?&quot; Etad rakta-māṁsa-vikāram. It is just like our student(s) Govinda dāsī and Nara-nārāyaṇa molding plaster of paris. At this time, there is no attraction. But this plaster of paris when it will be nicely painted, it will be so attractive. Similarly, this body is combination of blood and muscles and veins. If you cut the upper portion of your body, as soon as you see inside, it is all obnoxious horrible things. But outwardly so painted by the illusory color of māyā, oh, it looks very attractive. And that is attracting our senses. This is the cause of our bondage. We are being bound up by some false illusory beauty of this world. Mirage. The exact example is the mirage. What is mirage? Reflection of the sunlight on the desert appears like water. Where is water there? There is no water. The animal, thirsty animal, is after the mirage. &quot;Oh, here is water. I&#039;ll be satisfied.&quot; Similarly we are hankering after, running after the mirage. There is no peace, there is no happiness. Therefore we have to divert our attention back to Godhead. Don&#039;t run after this mirage. Just turn back to Godhead, back to Kṛṣṇa. That is our propaganda. Don&#039;t divert your... Don&#039;t engage your senses in the illusory material beauty. Just apply your senses to Kṛṣṇa, the real beautiful. That is Kṛṣṇa consciousness. Go on.&amp;lt;/p&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;span class=&quot;link&quot;&amp;gt;[[Vanisource:Lecture on BG 2.62-72 -- Los Angeles, December 19, 1968|Lecture on BG 2.62-72 -- Los Angeles, December 19, 1968]]: &amp;lt;/span&amp;gt;&amp;lt;div class=&quot;text&quot;&amp;gt;&amp;lt;p style=&quot;display: inline;&quot;&amp;gt;Prabhupāda: It is learned from Vedic literature that... Of course, they are showing us, Lord Śiva, Lord Brahmā. They were also sometimes attracted by sense objects. Just like Lord Brahmā, his daughter Sarasvatī... Sarasvatī is considered to be the most perfect form of beauty, womanly beauty, Sarasvatī. So Lord Brahmā became enchanted by the beauty of his daughter just to show us the example that even personalities like Lord Brahmā sometimes become enchanted. This māyā is so strong. He forgot that &quot;She&#039;s my daughter.&quot; Then to penance this, Brahmā had to quit the body. These stories are there in the Śrīmad-Bhāgavatam. Similarly, Lord Śiva also, when Kṛṣṇa appeared before him in Mohinī-mūrti... Mohinī means the most enchanting, beautiful womanly form. Lord Śiva also became mad after Her. So wherever She was going, Lord Śiva was chasing. And it is stated that while chasing Mohinī-mūrti, Lord Śiva had discharges. So these examples are there. As it is stated in the Bhagavad-gītā, daivī hy eṣā guṇamayī mama māyā duratyayā ([[Vanisource:BG 7.14 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(1972)&lt;/ins&gt;|BG 7.14]]). The whole material energy is enchanting every one of us by this beauty, the womanly beauty. Actually, there is no beauty. It is illusion. Śaṅkarācārya says that &quot;You are after this beauty, but have you analyzed this beauty? What is the beauty?&quot; Etad rakta-māṁsa-vikāram. It is just like our student(s) Govinda dāsī and Nara-nārāyaṇa molding plaster of paris. At this time, there is no attraction. But this plaster of paris when it will be nicely painted, it will be so attractive. Similarly, this body is combination of blood and muscles and veins. If you cut the upper portion of your body, as soon as you see inside, it is all obnoxious horrible things. But outwardly so painted by the illusory color of māyā, oh, it looks very attractive. And that is attracting our senses. This is the cause of our bondage. We are being bound up by some false illusory beauty of this world. Mirage. The exact example is the mirage. What is mirage? Reflection of the sunlight on the desert appears like water. Where is water there? There is no water. The animal, thirsty animal, is after the mirage. &quot;Oh, here is water. I&#039;ll be satisfied.&quot; Similarly we are hankering after, running after the mirage. There is no peace, there is no happiness. Therefore we have to divert our attention back to Godhead. Don&#039;t run after this mirage. Just turn back to Godhead, back to Kṛṣṇa. That is our propaganda. Don&#039;t divert your... Don&#039;t engage your senses in the illusory material beauty. Just apply your senses to Kṛṣṇa, the real beautiful. That is Kṛṣṇa consciousness. Go on.&amp;lt;/p&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Vanibot</name></author>
	</entry>
	<entry>
		<id>https://dev.vaniquotes.org/w/index.php?title=Mohini_means&amp;diff=443283&amp;oldid=prev</id>
		<title>Rishab: Created page with &#039;&lt;div id=&quot;compilation&quot;&gt; &lt;div id=&quot;facts&quot;&gt; {{terms|&quot;Mohini means&quot;}} {{notes|}} {{compiler|Rishab}} {{complete|ALL}} {{first|25Oct12}} {{last|25Oct12}} {{totals_by_section|BG=0|SB=0|…&#039;</title>
		<link rel="alternate" type="text/html" href="https://dev.vaniquotes.org/w/index.php?title=Mohini_means&amp;diff=443283&amp;oldid=prev"/>
		<updated>2012-10-25T11:00:49Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;#039;&amp;lt;div id=&amp;quot;compilation&amp;quot;&amp;gt; &amp;lt;div id=&amp;quot;facts&amp;quot;&amp;gt; {{terms|&amp;quot;Mohini means&amp;quot;}} {{notes|}} {{compiler|Rishab}} {{complete|ALL}} {{first|25Oct12}} {{last|25Oct12}} {{totals_by_section|BG=0|SB=0|…&amp;#039;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;div id=&amp;quot;compilation&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div id=&amp;quot;facts&amp;quot;&amp;gt;&lt;br /&gt;
{{terms|&amp;quot;Mohini means&amp;quot;}}&lt;br /&gt;
{{notes|}}&lt;br /&gt;
{{compiler|Rishab}}&lt;br /&gt;
{{complete|ALL}}&lt;br /&gt;
{{first|25Oct12}}&lt;br /&gt;
{{last|25Oct12}}&lt;br /&gt;
{{totals_by_section|BG=0|SB=0|CC=0|OB=0|Lec=1|Con=0|Let=0}}&lt;br /&gt;
{{total|1}}&lt;br /&gt;
{{toc right}}&lt;br /&gt;
[[Category:Mohini]]&lt;br /&gt;
[[Category:Vaniquotes Sanskrit Dictionary A to Z]]&lt;br /&gt;
[[Category:Vaniquotes Sanskrit Dictionary M-N-O]]&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;div id=&amp;quot;Lectures&amp;quot; class=&amp;quot;section&amp;quot; sec_index=&amp;quot;4&amp;quot; parent=&amp;quot;compilation&amp;quot; text=&amp;quot;Lectures&amp;quot;&amp;gt;&amp;lt;h2&amp;gt;Lectures&amp;lt;/h2&amp;gt;&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;div id=&amp;quot;Bhagavad-gita_As_It_Is_Lectures&amp;quot; class=&amp;quot;sub_section&amp;quot; sec_index=&amp;quot;0&amp;quot; parent=&amp;quot;Lectures&amp;quot; text=&amp;quot;Bhagavad-gita As It Is Lectures&amp;quot;&amp;gt;&amp;lt;h3&amp;gt;Bhagavad-gita As It Is Lectures&amp;lt;/h3&amp;gt;&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;div id=&amp;quot;LectureonBG26272LosAngelesDecember191968_0&amp;quot; class=&amp;quot;quote&amp;quot; parent=&amp;quot;Bhagavad-gita_As_It_Is_Lectures&amp;quot; book=&amp;quot;Lec&amp;quot; index=&amp;quot;114&amp;quot; link=&amp;quot;Lecture on BG 2.62-72 -- Los Angeles, December 19, 1968&amp;quot; link_text=&amp;quot;Lecture on BG 2.62-72 -- Los Angeles, December 19, 1968&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;heading&amp;quot;&amp;gt;Mohinī means the most enchanting, beautiful womanly form.&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;span class=&amp;quot;link&amp;quot;&amp;gt;[[Vanisource:Lecture on BG 2.62-72 -- Los Angeles, December 19, 1968|Lecture on BG 2.62-72 -- Los Angeles, December 19, 1968]]: &amp;lt;/span&amp;gt;&amp;lt;div class=&amp;quot;text&amp;quot;&amp;gt;&amp;lt;p style=&amp;quot;display: inline;&amp;quot;&amp;gt;Prabhupāda: It is learned from Vedic literature that... Of course, they are showing us, Lord Śiva, Lord Brahmā. They were also sometimes attracted by sense objects. Just like Lord Brahmā, his daughter Sarasvatī... Sarasvatī is considered to be the most perfect form of beauty, womanly beauty, Sarasvatī. So Lord Brahmā became enchanted by the beauty of his daughter just to show us the example that even personalities like Lord Brahmā sometimes become enchanted. This māyā is so strong. He forgot that &amp;quot;She&amp;#039;s my daughter.&amp;quot; Then to penance this, Brahmā had to quit the body. These stories are there in the Śrīmad-Bhāgavatam. Similarly, Lord Śiva also, when Kṛṣṇa appeared before him in Mohinī-mūrti... Mohinī means the most enchanting, beautiful womanly form. Lord Śiva also became mad after Her. So wherever She was going, Lord Śiva was chasing. And it is stated that while chasing Mohinī-mūrti, Lord Śiva had discharges. So these examples are there. As it is stated in the Bhagavad-gītā, daivī hy eṣā guṇamayī mama māyā duratyayā ([[Vanisource:BG 7.14|BG 7.14]]). The whole material energy is enchanting every one of us by this beauty, the womanly beauty. Actually, there is no beauty. It is illusion. Śaṅkarācārya says that &amp;quot;You are after this beauty, but have you analyzed this beauty? What is the beauty?&amp;quot; Etad rakta-māṁsa-vikāram. It is just like our student(s) Govinda dāsī and Nara-nārāyaṇa molding plaster of paris. At this time, there is no attraction. But this plaster of paris when it will be nicely painted, it will be so attractive. Similarly, this body is combination of blood and muscles and veins. If you cut the upper portion of your body, as soon as you see inside, it is all obnoxious horrible things. But outwardly so painted by the illusory color of māyā, oh, it looks very attractive. And that is attracting our senses. This is the cause of our bondage. We are being bound up by some false illusory beauty of this world. Mirage. The exact example is the mirage. What is mirage? Reflection of the sunlight on the desert appears like water. Where is water there? There is no water. The animal, thirsty animal, is after the mirage. &amp;quot;Oh, here is water. I&amp;#039;ll be satisfied.&amp;quot; Similarly we are hankering after, running after the mirage. There is no peace, there is no happiness. Therefore we have to divert our attention back to Godhead. Don&amp;#039;t run after this mirage. Just turn back to Godhead, back to Kṛṣṇa. That is our propaganda. Don&amp;#039;t divert your... Don&amp;#039;t engage your senses in the illusory material beauty. Just apply your senses to Kṛṣṇa, the real beautiful. That is Kṛṣṇa consciousness. Go on.&amp;lt;/p&amp;gt;&lt;br /&gt;
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		<author><name>Rishab</name></author>
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