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Latest revision as of 07:58, 30 August 2018
Subcategories
This category has the following 4 subcategories, out of 4 total.
Pages in category "Krsna's Playing"
The following 331 pages are in this category, out of 331 total.
A
- A devotee is simply interested in the supreme eternal, Sri Krsna. The Supreme Lord is the supreme leader of the nityas, the eternal living entities. We are all nityas, eternal, and Krsna guides and plays with us
- A friend of Krsna informed Him, "It is certainly astonishing how You could forget Your mother while You are off somewhere engaged in Your playful activities!" This is another instance of deep anxiety in ecstatic love"
- Accompanied by the cowherd boys and Balarama, Krsna brought forward the cows and played on His flute as He entered the forest of Vrndavana, which was full of flowers, vegetables and pasturing grass
- According to Srimad-Bhagavatam (SB 1.3.28), krsnas tu bhagavan svayam: “Krsna is the original Personality of Godhead.” Krsna means Syamasundara, who plays His flute in Vrndavana. Of all forms, this form is the best of all
- According to your capacity, you have to see God like that. You cannot see immediately Krsna, with dvi-bhuja murali, playing on flute. That you have no capacity. You have to see God like that
- Acting just like ordinary boys, They played like roaring bulls as They fought each other, and They imitated the calls of various animals
- Actually He (Krsna) descended for His pure devotees, to play as a child with mother Yasoda and Nanda Maharaja and to give pleasure to the inhabitants of Dvaraka
- Actually they are all saintly persons, but now they have taken the form of bees. Although You are playing like a human being, they could not forget that You are their worshipable Deity
- After a short time passed, both brothers, Rama and Krsna, began to crawl on the ground of Vraja with the strength of Their hands and knees and thus enjoy Their childhood play - SB 10.8.21
- After hearing the vibration of a flute, I went to Vrndavana, and there I saw that Krsna, the son of Maharaja Nanda, was playing on His flute in the pasturing grounds
- After hearing the vibration of the flute of Krsna, the gopis in Vrndavana remembered Him and began to talk amongst themselves about how nicely Krsna was playing His flute
- After Krsna left the shelter of His real father and mother, He went to the lap of Yasodamayi to play the part of an ordinary cowherd boy in the blessed Vrajabhumi, which is very sanctified because of His childhood pastimes
- All those who heard considered the speech of Krsna for some time, and they concluded that Krsna was actually the S.P.G playing the role of an ordinary humans , who is forced to take a certain type of body as a result of the reactions of his past deeds
- Along with the cowherd boys and their own groups of calves, Krsna came out with an unlimited number of calves assembled. Then all the boys began to sport in the forest in a greatly playful spirit - SB 10.12.3
- Along with the other little cowherd boys, Krsna and Balarama went into the pasturing ground and took charge of the calves, and there They played with Their playmates. While taking charge of the calves, sometimes the two brothers played on Their flutes
- Although He has innumerable pastimes, the most important is that of Krsna in human form frolicking in Vrndavana, dancing with the gopis, playing with the Pandavas on the Battlefield of Kuruksetra and playing in Mathura and Dvaraka
- Although He plays just like an ordinary human being, when there is need He shows His nature as God
- Although Krsna sometimes plays like an ordinary person, in fact He is not ordinary, and whenever necessary He displays the powers of God
- Although Krsna was playing the part of a cowherd boy, as the Supreme Personality of Godhead He could understand everything - past, present and future
- Another day, when Krsna and Balarama were playing with Their friends, all the boys joined Balarama and complained to mother Yasoda that Krsna had eaten clay
- Another devotee in ecstatic reverential affection once said, "When will that glorious day in my life come when it will be possible for me to go to the bank of the Yamuna and see Lord Sri Krsna playing there as a cowherd boy"
- Another gopi said, "Everything appears wonderful when Krsna and Balarama travel in the forest of Vrndavana playing Their flutes and making intimate friendship with all kinds of moving and nonmoving living creatures"
- Another gopi said, "He is the only friend of the suffering living entities. When He plays His flute, all the cows and other animals of Vrndavana, although engaged in eating, simply take a morsel of food in their mouths and stop chewing"
- Another gopi said, "My dear friends, Krsna is so beautiful that the goddess of fortune always remains on His chest, and He is always adorned with a golden necklace. Beautiful Krsna plays His flute in order to enliven the hearts of many devotees"
- Another gopi said, "Their ears raise up and they become stunned. They do not appear alive but like painted animals. Krsna's flute-playing is so attractive that even the animals become enchanted, and what to speak of ourselves"
- Another gopi said, "With leaves and flowers decorating His (Krsnas) body, He looks like some hero. When He plays on His flute and calls the cows with Balarama, the river Yamuna stops flowing and waits for the air to carry dust from His lotus feet"
- Another young gopi told her mother, "My dear mother, the birds, who are all looking at Krsna playing on His flute, are sitting very attentively on the branches and twigs of different trees"
- As a boy, He (Krsna) was playing the part of a cowboy. As the son of Nanda Maharaja, He discharged responsibility perfectly
- As confirmed in the prayers of Kunti (SB 1.8.19), nato natya-dharo yatha. The Lord was to play the part of a demon-killer, and a friend, son and brother to His devotees, and thus these devotees were all summoned
- As far as I am concerned, I worship Krsna's father, Maharaja Nanda, in whose courtyard the Supreme Personality of Godhead, the Absolute Truth, is playing
- As Krsna wandered in the forest with Baladeva and the two of Them wonderfully played Their flutes, all the gopis became very much attracted. Thus they praised the Lord’s activities, describing how He was enthusing all the plants, birds, hills and water
- As soon as they felt the warmth of the fire, they (the inhabitants of Vrndavana) immediately took shelter of Krsna, the Supreme Personality of Godhead, although He was playing just like their child
- As such, when He (Krsna) was playing as the perfect husband of the queens, especially of Rukminiji, He enjoyed conjugal love in complete perfection
- At such times He would be greatly morose and would cry, "Alas, where is Vrndavana? Where is Krsna, the son of the King of the cowherd men? Where is that person who plays the flute"
- At the time of Aniruddha's marriage, when we were all playing chess, there was another fight with your brother Rukmi on a controversial verbal point, and My elder brother, Balarama, finally killed him
B
- Balarama & Krsna were so engrossed in playing with Their friends that They did not wish to go back; They just engaged Themselves in playing more & more. When Rohini was unable to take Them back home, she went home & sent mother Yasoda to call Them again
- Balarama and Krsna, along with all Their friends, played all kinds of sports and enjoyed the soothing atmosphere of Vrndavana, full of rivers, lakes, rivulets, fine trees and excellent gardens filled with fruits and flowers
- Balarama said to Krsna, You Yourself are playing as the calves & cows & boys. What is the mystery of this situation? Where have those other calves & cows & boys gone? And why are You expanding Yourself as the cows, calves & boys? Will You kindly tell Me
- Balarama said, "Krsna Yourself are playing as the calves and boys. What is the mystery of this situation? Where have those other calves and boys gone? And why are You expanding Yourself as the calves and boys? Will You kindly tell Me what is the cause?"
- Because of being too attached to playing with the other boys, Krsna and Balarama did not return upon being called by Rohini. Therefore Rohini sent mother Yasoda to call Them back, because mother Yasoda was more affectionate to Them - SB 10.11.13
- Because of her pure maternal love, mother Yasoda thought that this wonderful child playing so many tricks must have had some disease. She did not appreciate the wonders shown by her child; rather, she wanted to close her eyes
- Because she (Putana) was a demon, it was impossible for her to know that the Supreme Lord (Krsna), even though playing the part of a baby, was no one less than the same Supreme Personality of Godhead
- Because the queens accepted the high quality of devotional service, namely administering the Lord all comforts, the Lord played the part of a faithful and complete husband
- Big, big rsis and yogis, those who are interested in brahma-sukha, or to merge in the Brahman effulgence - the source of Brahman effulgence is here playing: Krsna. - Yasya prabha prabhavato jagad-anda - Bs. 5.40
- Blessed are all these foolish deer because they have approached Maharaja Nanda's son, who is gorgeously dressed and is playing on His flute. Indeed, both the does and the bucks worship the Lord with looks of love and affection
- Both the gopis and Krsna forgot their real identities, playing in the water, enjoying each other's company and relieving the fatigue of rasa dancing. The gopis began to splash water on the body of Krsna, all the while smiling, and Krsna enjoyed this
- Brahma found Krsna, the S. P. of Godhead, playing the part of a small cowherd boy; he saw that little child with a lump of food in His left hand, searching out His friends and calves, just as He had been doing one year before, after their disappearance
- Brahma had tried to test Lord Krsna to see if He was really the Supreme Personality of Godhead playing as a cowherd boy
- Brahma is accepting the Supreme Personality of Govinda, Krsna in Vrndavana. Venum kvanantam: He is engaged in playing flute
- Brahma said, "You (Krsna) are playing with Your boyfriends and calves, which might imply that You do not even have sufficient education. You are appearing just like a village boy, carrying Your food in Your hand and searching for Your calves"
- Brahma wanted to show some of his own power and see the power of Krsna, who was engaged in His childhood pastimes, playing as if with ordinary cowherd boys - SB 10.13.15
- Brahmaji said, "I worship Govinda, the primeval Lord, who plays on His transcendental flute. His eyes are like lotus flowers, He is decorated with peacock plumes"
- Bumblebees became mad after the fragrance & sweetness of the atmosphere. Being pleased by the humming sound of the bees, Krsna would play His flute, & together the sounds became so sweet to hear that aquatic birds like cranes, swans & ducks were charmed
- By his mystic power, Brahma stole all the cows, calves and cowherd friends of Krsna and hid them. However, when he returned to see what Krsna was doing alone, he saw that Krsna was still playing with the same cows, calves and cowherd boys
C
- Caitanya said, "Even though I do not see the moonlike face of Krsna as He plays on His flute, and although there is no possibility of My meeting Him, still I take care of My own body. That is the way of lust. In this way, I maintain My flylike life"
- Childhood age, childish dress, movements by the child, sweet words spoken by the child, nice smiling and various forms of childish play are considered provocations for increasing the parental love for Krsna
E
F
- Finally the Lord showed Nityananda Prabhu His two-armed form of Krsna, the son of Maharaja Nanda, simply playing on His flute, His bluish body dressed in yellow garments
- For one year Lord Brahma kept the calves and boys lying down in a cave by his mystic power. Therefore when Brahma saw Lord Krsna still playing with all the cows and calves, he began trying to reason about what was happening. What is this
G
- God comes as Krsna or Kapiladeva and says, "Here I am. See My features. I am a person. I play the flute and enjoy Myself in Vrndavana. Why can't you see Me?" Thus God comes, explains Himself and leaves behind His instruction, Bhagavad-gita
- Gopa. Krsna, you know, in His abode, He is just like a sixteen-years-old boy, and His main pastime is to take the cows in the pasturing ground with His friends, boyfriends, and play with them. This is Krsna's day's business
- Gopis tell Mother Yasoda, "When your son (Krsna) plays on His flute, Lord Siva, Lord Brahma and Indra - although they are supposed to be the greatest learned scholars and personalities - all become bewildered"
H
- He (Brahma) would know how Yasodamayi saw all the universes and planetary systems within the mouth of Krsna during His playful childhood pastimes
- He (Krsna) had a slender flute and a buffalo horn bugle, and sometimes He played on a flute made from the leaves of trees. These are some of the symptoms of the end of Krsna's kaumara age
- He (Krsna) is atmarama, self-satisfied; He can derive all pleasure by Himself, without anyone’s help. But when the Lord descends to play the part of a human being, He plays a role either as a husband, son, friend or enemy in full perfection
- He (Krsna) is known as Govinda, and His eyes are very enchanting. He is playing upon His flute, and on His head there is a peacock feather. And His whole body is illuminated by the moonlight in the sky
- He (Krsna) played the part of an ideal householder possessing more than 16,000 wives, 16,000 palaces and 160,000 children
- He (Krsna) played the part of the charioteer, while Arjuna was given the chance to play the fighter and thus become the hero of the Battle of Kuruksetra
- He (Krsna) played with them (the cowherd boys), sat with them, and ate fruits with them
- He (Krsna) plays a flute, and His eyes are like the petals of a lotus flower. He wears a peacock feather, and His complexion is very beautiful, like a dark cloud
- He (Krsna) plays as a cowherd boy in Vrndavana and as King of Dvaraka. There are many books about Krsna, krsna-katha, and this Krsna consciousness movement has already published many of them
- He (Krsna) plays exactly like a son in the presence of Yasodamata, He plays exactly like a lover in the presence of the cowherd damsels, and He plays exactly like a husband in the presence of the queens of Dvaraka
- He (Krsna) plays exactly like an equal friend with the cowherd boys or even with friends like Arjuna
- He (Krsna) was decorated with Srivatsa, jewels and yellow garments. He was smiling with a beautiful face and playing in the river Yamuna with great strength
- He (Narada) found Krsna living differently in each of the sixteen thousand palaces. In one palace He was talking with His wife, in another He was playing with His children, in another He was arranging for the marriage of His sons and daughters
- Here is a specific example of the Lord's (Krsna) being the Supreme and at the same time a plaything in the presence of His pure devotee
- His (Krsna's) transcendental relation with Arjuna was in friendship, and the Lord therefore played the part perfectly, as He did with His parents, lovers and wives
- His (Krsna) most important pastimes in the human form are those in which He appears as a cowherd boy, a newly grown youth who plays a flute
- His playmates then threatened not to allow Him to play with them again. Krsna became afraid, and instead of going back home, He went back again to play with the boys. At that time, mother Yasoda scolded the children
I
- I (Krsna) have no desire to play any joke with you (the Gopis), for you are tired from observing the regulative principles for one month by worshiping Goddess Katyayani
- I saw Lord Krsna climbing Govardhana Hill and playing His flute, surrounded on all sides by grazing cows
- I was engaged in My own playful activities in My home, and because of My childish innocence I did not know right from wrong
- I worship Govinda, the primeval Lord, who is adept at playing on His flute, whose eyes are blooming like lotus petals, whose head is bedecked with peacock feathers, whose beauty is tinged with the hue of blue clouds
- If a devotee wants to worship Krsna in conjugal love, Krsna perfectly plays the part of a husband or paramour
- If one wants a relationship with Krsna as master and servant, Krsna plays the part of the perfect master. For one who wants Krsna as a son in the parental relationship, Krsna plays the part of a perfect son
- If she (Yasoda) had thought of Krsna as the Supreme Personality of Godhead, the relationship between mother and son would have been destroyed. Therefore Krsna was playing just like an ordinary child, and Mother Yasoda was treating Him as her son
- If you continue that thinking, Krsna, how He's standing, how He is playing on flute, how Radharani is there - in this way, if you think, then you become the greatest yogi
- In Brahma-samhita (5.29) it is stated - Sri Krsna is playing on His flute, and His eyes are as beautiful as the petals of a lotus flower. He wears a peacock feather in His hair, and His form is very beautiful
- In every temple I (the European) saw that the deity was doing something, but here (in the Radha-Krsna temple) I see that God is simply playing a flute & enjoying Himself. He obviously has nothing to do. - This is a very intelligent conclusion
- In His childhood Krsna played just like an ordinary child, but when His mother, Yasoda, wanted Him to open His mouth so that she could see whether He had eaten dirt, within His mouth He showed her all the universes. This is Krsna
- In His village of Vrndavana He enjoyed Himself with His mother, brother and friends, and when He played the role of a naughty butter thief, all His associates enjoyed celestial bliss by His stealing
- In that dress He used to take care of the calves near the house, and sometimes He played with cowherd boys of about the same age
- In the Bhakti-ratnakara it is said that Sri Krsna and Balarama used to play at Khela-tirtha with the cowherd boys during the entire day. Mother Yasoda had to call Them to take Their baths and eat Their lunch
- In the Brahma-samhita there is description of Lord Krsna's lands, the variegatedness of the spiritual abode, and the forms of the Lord playing a flute with His spiritual body
- In the case of Lord Krishna, He played as the fully independent Supreme Personality of Godhead. Apparently, therefore he transgressed so many moral and ethical principles
- In the evening, Krsna and Balarama, along with the boys and cows, returned to Vrndavana, playing Their flutes
- In the spiritual world, Krsna and His devotees are friends, and they play together as cowherd boys. They are not interested in Brahmaloka or Candraloka, for these planets will ultimately be annihilated
- In the Vedic language it is said that Krsna, He has got a flute in His hand. He likes to play on flute. Venum kvanantam aravinda-dalayataksam barhavatamsam asitambuda-sundarangam
- In this book, Krsna, all of His activities as a human being are described. Although Krsna plays like a human being, He always maintains His identity as the Supreme Personality of Godhead
- In this condition, I can guess that he has been captivated by the transcendental beauty of that expert flute-player, Sri Krsna, and, being attached to Him, he is simply staring at the black cloud, remembering the bodily hue of Sri Krsna
- In this same prayer, there is another passage in which it is said, "My dear Lord Damodara, once when You were playing as a naughty boy in the house of Nanda Maharaj"
- In this way (Krsna talking with His wife, playing with His children) He was engaged in varied pastimes in all of the sixteen thousand palaces
- Indeed, a human being is but an imitation of His form. Krsna's dress is just like that of a cowherd boy's. He has a flute in His hand, and He seems to be just like a newly grown youth. He is always playful, and He plays just like an ordinary boy
- It is in Vrndavana that Krsna plays with His cowherd boy friends and dances with the gopis. It is also in Vrndavana that Krsna steals Mother Yasoda's butter. All His activities there are filled with transcendental bliss
- It is not that they think, "Krsna is God, and therefore I love Him." In Vrndavana Krsna does not play as God; He plays there as an ordinary cowherd boy, and although at times He proves that He is the SPG, the devotees there do not care to know it
- It is very good news that the girl Haridasi is dreaming about Krishna, and Krishna is playing with her; it is very much encouraging. It means she will come out a great and successful devotee of Krishna when she is grown up and young
- It was being heard here and there that the benedictions being paid to Krsna were neither befitting nor unbefitting because they were all for the Absolute, who was now playing the part of a human being
- It was He (Krsna) who played the trick of taking away the brahmana's baby as well as the arrows, including the one given by Lord Siva, of which Arjuna was so proud
J
- Jagannatha Misra said, "Certainly child Krsna is with the salagrama-sila. Taking His childhood form, He is playing within the room"
- Just like you see Krsna. What is the difference between Krsna? He has got two hands, you have got two hands. He has got one head; you have got one head. He has got two legs, you have got two legs. You can keep some cows and play with them; Krsna also
K
- Krishna is actually husband of every woman. There was no necessity of formal marriage. But still Krishna played like husband by asking them to become naked
- Krsna & Balarama, being attached to Their play, were playing with the other boys although it was very late. Therefore mother Yasoda called Them back for lunch. Because of her ecstatic love & affection for Them, milk flowed from her breasts - SB 10.11.14
- Krsna also, as spiritual master of Arjuna, He played. He is the original acarya
- Krsna and Balarama passed Their childhood age in Vrajabhumi by engaging in activities of childish play, such as playing hide-and-seek, constructing a make-believe bridge on the ocean, and jumping here and there like monkeys - SB 10.11.59
- Krsna and Balarama taught us (the duties of a vaisya) by Their personal behavior. Krsna took care of the cows and played His flute, and Balarama took care of agricultural activities with a plow in His hand
- Krsna and Balarama, the Supreme Personality of Godhead, are the source of all knowledge, but because They were playing like ordinary human boys, They set the example so that everyone would receive knowledge from the right source
- Krsna continued, "This offer of wrestling is a great favor of his, but the fact is that We (Krsna and Balarama) are simply boys. We sometimes play in the forest of Vrndavana with Our friends who are Our own age"
- Krsna freely moves amongst His friends as a cowherd boy in Vrndavana, and when He plays His flute, all living creatures, mobile and immobile, become overwhelmed with ecstasy. They quiver, and tears flow from their eyes
- Krsna had appeared on the surface of the earth like an ordinary human being, but actually Krsna and Balarama are the Supersoul living within the heart of every living entity. They are Visnu Himself but were playing just like ordinary human boys
- Krsna has four extraordinary transcendental qualities absent in Lord Narayana. These four qualities are, (3) His playing on the flute, whose vibration attracts the three worlds
- Krsna has four more qualities, they are as follows: 61) He is the performer of wonderful varieties of pastimes (especially His childhood pastimes). 62) He can attract all living entities all over the universes by playing on His flute
- Krsna has no enemy. Krsna has no friend. He is completely independent. He does not depend on enemy. But He plays like that for the benefit of the so-called friend and so-called enemy
- Krsna has nothing to do with action and reaction, but because He was playing the part of a human being, He expressed His full sympathy for the bereavement of Satyabhama, and His eyes filled with tears when He heard about the death of His father-in-law
- Krsna Himself is called Madana-mohana, Govinda, Gopijana-vallabha and countless other names as He plays in His different pastimes with His devotees. The three Deities - Madana-mohana, Govinda and Gopijana-vallabha - have very specific qualities
- Krsna is completely independent, and He has no friends or enemies, but He plays for the benefit of both His friends and enemies, and when He acts for the benefit of either, the result is the same. That is Krsna's absolute nature
- Krsna is joyful. He is not engaged in some industrial work or in some heavy machine making. He is simply playing on His flute
- Krsna is so kind and merciful that in spite of such opulence He played with Arjuna as a friend. Such is the transcendental loving reciprocation between the devotee and the Lord. BG 1972 purports
- Krsna is worshipable by great demigods like Brahma & Lord Siva, & Putana was so fortunate that the same Krsna played in her lap as a little child. The lotus feet of Krsna, which are worshiped by great sages & devotees, were placed on the body of Putana
- Krsna played with His intimate friends sometimes by fighting or wrestling with their arms, sometimes by playing ball and sometimes by playing chess
- Krsna plays exactly like a lover in the presence of the cowherd damsels
- Krsna plays on His flute and is accompanied by His pleasure potency, hladini sakti, Srimati Radharani. Of Krsna's many potencies, the hladini sakti is His pleasure-giving potency. That is ananda
- Krsna said, "I can also understand that you (the gopis) have very great affection for Me, and out of that transcendental affection you have come here, hearing My playing on the flute"
- Krsna said, "My dear friends, just see how this spot is very nice for taking lunch and playing on the soft, sandy Yamuna bank. You can see how the lotus flowers in the water are beautifully blown and how they distribute their fragrance all around"
- Krsna said, "There is no second one beyond Me, so I shall become your son." So He became son. So He must play perfectly, that Yasodamayi may not understand "Here is the Supreme Personality of Godhead." Then the feelings of mother and son will disappear
- Krsna sometimes played with His intimate friends by engaging in fighting or wrestling with their arms, sometimes by playing ball, sometimes by playing chess
- Krsna then called all His friends and ordered them: "Now we shall play in pairs. We shall challenge one another in pairs." With this proposal, all the boys assembled together. Some of them took the side of Krsna, & some of them took the side of Balarama
- Krsna was playing chess in the royal assembly council hall
- Krsna was playing like a dramatic actor. Because Brahma had some false prestige, thinking that he had some power, Krsna showed him his real position. A similar incident occurred when Brahma went to see Krsna in Dvaraka
- Krsna was very expert in playing the flute, and the gopis were captivated by the sound vibration, which was attractive not only to them but to all living creatures who heard it
- Krsna's pastimes means there must be devotees; otherwise, with whom Krsna will play? Krsna does not play with any other one unless they are devotees
- Krsna, the Supreme Personality of Godhead, He played just like an ordinary human being as friend of Arjuna
- Krsna, the Supreme Personality of Godhead, is a historical person who appeared on this earth 5,000 years ago. He stayed on this earth for 125 years and played exactly like a human being, but His activities were unparalleled
- Krsna, when He was present personally, He played on His flute. The gopis saw and the cowherds boys saw five thousand years ago. And the acaryas took information. Even if you don't believe in the history, then come to sastra
- Krsna, while playing the flute, enjoyed the beautiful smiling faces of the gopis
- Krsna-karnamrta (32): O Krsna, O wonderful flute player, the beauty of Your boyhood activities is very wonderful in this world. You know the agitation of my mind, and I know what You are. No one knows how confidential our relationship is
- Ksatriya's business is to give protection. Just like Krsna was playing as a ksatriya in Dvaraka. As soon as there is some attack, immediately whole family goes to fight - Krsna, Balarama, Pradyumna
L
- Lamenting for Krsna Radharani said, My dear friend, where is the glory of the family of Maharaja Nanda, who wears a half-moon ornament on His head? Where is Krsna, whose hue is like that of the indranila jewel and who plays so nicely on His flute?
- Later that morning, Krsna went to play with His cowherd boyfriends on the top of the Govardhana Hill. They were imitating the play of thieves and police. Some of the boys became police constables, and some became thieves, and some took the role of lambs
- Lord Krsna and His friends went to the forest to play with the cows, and it is said that the boys who accompanied Krsna enjoyed transcendental friendship with the Supreme Personality of Godhead
- Lord Krsna appreciated the hard labor of His mother, and being compassionate upon her, He agreed to be bound up by the ropes. Krsna, playing as a human child in the house of mother Yasoda, was performing His own selected pastimes
- Lord Krsna cannot be accepted as one of the human beings, even though He played the role of an obedient son. His actions were so extraordinary that by the simple raising of His eyebrows He could deliver death-blows to those who were burdening the earth
- Lord Krsna incarnated Himself as He is and played very wonderful parts as the Lord Himself, and the Bhagavad-gita concerns such wonderful actions and knowledge. Yet foolish men will not accept Lord Krsna as the Supreme Lord
- Lord Krsna is Himself the original Visnu, but because He played the part of a human being, He taught us definitely by His personal behavior what is meant by meditation
- Lord Krsna is not affected by such determination of men of Kamsa's class, but in order to play the role of a child He agreed to be carried by His father to the cow pastures of Nanda Maharaja because Vasudeva was afraid of Kamsa
- Lord Krsna is the self-sufficient Supreme Personality of Godhead, yet because He was playing the role of a human being, He became very depressed for a moment, as if He had actually lost His father
- Lord Krsna, the all-powerful Personality of Godhead, could have brought the child back without effort, but we should always remember that He was playing the part of a human being
- Lord Krsna, the Lord of the universe, plays the part of an ideal son just to teach others how to treat their stepmothers
- Lord Krsna, who is perceived as the impersonal, blissful Brahman by the jnanis, who is worshiped as the SL by devotees in the mood of servitorship, played with the cowherd boys, who had attained their position after accumulating many pious activities
- Lord Narayana has sixty transcendental qualities. Over and above these, Krsna has four extraordinary transcendental qualities absent in Lord Narayana. These four qualities are (3) His playing on the flute, whose vibration attracts the three worlds
- Lord Sri Krsna is the supreme pure, but because He was playing the role of an ordinary human being, He immediately washed the brahmana’s feet and, for His own purification, sprinkled the water onto His head
- Lord Sri Krsna, the Personality of Godhead, along with Balarama, played like a human being, and so masked He performed many superhuman acts
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- Maharaja Pariksit requested Sukadeva Gosvami to narrate other childhood pastimes exhibited by Krsna while playing as a human child
- May Lord Kesava protect me with His club in the first portion of the day, and may Govinda, who is always engaged in playing His flute, protect me in the second portion of the day
- Mistaking Satrajit to be the sun-god, some of the important citizens of Dvaraka immediately went to Krsna to inform Him that the sun-god had arrived to see Him. At that time, Krsna was playing chess
- Mother Yasoda addressed Balarama thus: "My dear Rama, the glory of Your family, my dear child, please come back with Your younger brother Krsna immediately. You have been engaged in playing since early morning, and You must be very tired"
- Mother Yasoda rebuked Krsna, saying - Now I shall bind You so that You cannot commit any further offensive activities. Nor for the time being can You play with Your playmates
- Mother Yasoda requested Krsna, "Instead of being enthusiastic in playing, now please come and be enthusiastic in charity." - because it was Krsna's birthday
- Mother Yasoda said, "My dear Krsna, O my dear lotus-eyed child, please come and suck my breast. You have played enough. You must be very hungry, my dear little child. You must be tired from playing for so long"
- Mother Yasoda said: My dear son Krsna, lotus-eyed Krsna, come here and drink the milk of my breast. My dear darling, You must be very tired because of hunger and the fatigue of playing so long. There is no need to play any more - SB 10.11.15
- Mother Yasoda sent Rohinidevi to call Rama and Krsna from Their play, since it was the right time for lunch. Therefore Rohinidevi went to call Them, breaking Their engagement in play
- Mother Yasoda told Krsna, "My dear Krsna, do You think that You are a street boy? You have no home? Please come back to Your home! I see that Your body has become very dirty from playing since early morning. Now come home and take Your bath"
- Mother Yasoda told Krsna, "You should also be cleansed and decorated with nice dress and ornaments. Please, therefore, come back, take Your bath, dress Yourself nicely, and then again You may go on playing"
- Mother Yasoda told Krsna: My dear son, because of playing all day, Your body has become covered with dust and sand. Therefore, come back, take Your bath and cleanse Yourself - SB 10.11.18
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- Nanda continued, "We remember Him (Krsna) playing in those places, because He was constantly visiting them. When His appearance within our minds becomes manifest, we immediately become absorbed in thought of Him"
- Nanda Maharaja and the gopis and other cowherd men could not understand that Krsna was the Supreme Personality of Godhead playing as a human child and that His life was not in danger under any circumstances
- Narada spoke as follows: "My dear Lord (Krsna), You are the Supreme, Parabrahman, and Your pastimes as an ordinary human are another tactical resource, exactly like a play on the stage in which the actor plays parts different from his own identity"
- Narada wanted to fall at the lotus feet of Krsna, but because the Lord was playing the part of a human being, he simply offered his respects within his mind, & fixing the transcendental form of the Lord within his heart, he left the assembly house
- Naradaji saw Lord Krsna engaged in playing chess with His dear wife and Uddhava. The Lord immediately got up from His personal seat and invited Narada Muni to sit there
- Not at all disturbed because of being taken high in the sky by the demon, Krsna was playing and enjoying. This is ananda-cinmaya-rasa-vigraha
- Not far away from Their residential quarters, both Krsna and Balarama, equipped with all kinds of playthings, played with other cowherd boys and began to tend the small calves - SB 10.11.38
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- O Krsna, O flute-player, the sweetness of Your early age is wonderful within these three worlds. You know My unsteadiness, and I know Yours
- O master of all energies (the Supreme Personality of Godhead), please tell me (Brahma) philosophically all about them. You play like a spider that covers itself by its own energy, and Your determination is infallible
- Of His (Krsna's) important pastimes in human form, the most important are those pastimes in which He appears as a cowherd boy, a newly grown youth who plays a flute
- Once, after the uprooting of the yamala-arjuna trees, Rohinidevi went to call Rama and Krsna, who had both gone to the riverside and were playing with the other boys with deep attention - SB 10.11.12
- Once, when Krsna and Balarama were playing on the bank of the Yamuna, a demon of the name Vatsasura assumed the shape of a calf and came there intending to kill the brothers. By taking the shape of a calf, the demon could mingle with the other calves
- One after another, all of them (Kamsa's wizards) were killed by the Lord as if He (Krsna) were only playing with dolls. Children play with toy lions, elephants, boars, etc., which are broken by the children in the course of their playing with them
- One day Lord Krsna, the liberator of the twin arjuna trees, was playing with Balarama and the other children on the bank of the Yamuna, and because it was already late in the morning, Rohini, the mother of Balarama, went to call them back home
- One day while Krsna was playing with His small playmates, including Balarama and other sons of the gopas, all His friends came together and lodged a complaint to mother Yasoda. "Mother," they submitted, "Krsna has eaten earth" - SB 10.8.32
- One gopi said, "He (Krsna) moves His attractive eyebrows while playing His flute with His delicate fingers"
- One gopi said, "They (Krsna and Balarama) enjoy Themselves on the top of Govardhana Hill, and everything becomes absorbed in transcendental pleasure when Krsna plays on His flute, charming the whole created manifestation"
- One gopi told mother Yasoda, "My dear mother, your son is very expert among the cowherd boys. He knows all the different arts of how to tend the cows & how to play the flute. He composes His own songs, & to play them He puts His flute to His mouth"
- One gopi told mother Yasoda, "When He (Krsna) plays (the flute), either in the morning or in the evening, all the demigods, including Lord Siva, Brahma, Indra and Candra, bow their heads and listen with great attention"
- One night Radharani was talking in a dream. "My dear Krsna, please do not play any more jokes on Me! Please stop! And please don't touch My garments either. Otherwise I shall inform the elderly persons, and I shall disclose all of Your naughty behavior
- One night, after the Putana demon had been killed, baby Krsna could be seen playing upon her breast. Upon seeing this, Yasoda became stunned for some time. This is an example of a conjunction of various symptoms of ecstatic love
- One of the gopis began to play on a flute, and another praised her the way Krsna's boyfriends praised Him while He played on His flute. One of the gopis took another gopi on her shoulders, just as Krsna used to take His boyfriends
- One of the gopis told her friends, "The highest perfection of the eyes is to see Krsna and Balarama entering the forest and playing Their flutes and tending the cows with Their friends"
- Others might have thought that He (Krsna) was in difficulty, but because the demon's chest was sufficiently broad to play on, the baby was happy in all respects
- Over and above all, the Lord (Krsna) used to play His celebrated flute. The sound vibrated by His flute would give His friends such transcendental pleasure that they would forget all the talks of the brahmananda which is so praised by the impersonalists
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- Persons who are constantly engaged in the transcendental meditation of seeing Krsna, internally & externally, by thinking of Him playing the flute, entering Vrndavana forest & tending the cows with the boys have really attained the perfection of samadhi
- Playing like a bull, Lord Balarama fights with Krsna head to head. And sometimes Lord Krsna massages the feet of Lord Balarama
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- Radharani said, "It is very pleasant, but still I would like to go to the bank of the Yamuna beneath the trees of the forest there. I wish to hear the vibration of His sweet flute playing the fifth note within that forest of Vrndavana"
- Radharani said: "My dear friend, just see how Krsna has nicely composed songs and how He dances and speaks funny words and plays on His flute, wearing such nice garlands"
- Ramananda Raya quoted a verse from Srimad-Bhagavatam (SB 10.32.2) stating that when the Lord appeared before the damsels of Vraja smiling and playing on His flute, He appeared just like Cupid
- Rukmini's attention was attracted by His (Krsna's) bodily features and transcendental qualities, and the mind of the goddess of fortune was attracted by His flute playing and other transcendental features
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- Saint Narada saw all these activities of the Lord, who is the Supersoul of all living entities but who played the role of an ordinary human being to manifest the activities of His internal potency
- Satya said, "When Lord Sri Krsna came and fought with the bulls, they were just like playthings for Him. He captured the bulls and roped each one of them by the nostrils"
- She (Kuntidevi) knows, - Although Krsna is playing the part of my nephew, my brother's son, He is still the supreme master
- Simply superficially if we understand Krsna that: Krsna was born of the father & mother, Devaki and Vasudeva, He was born in Mathura & then played with the gopis and He taught something on the Battlefield of Kuruksetra - that is not sufficient knowledge
- Since I have heard the name of a person called Krsna, I have practically lost My good sense. Then, there is another person who plays His flute in such a way that after I hear the vibration, intense madness arises in My heart
- Since Krsna is both matter and spirit, the gigantic universal form comprising all material manifestations is also Krsna, and His pastimes in Vrndavana as two-handed Syamasundara, playing on a flute, are those of the SP of Godhead. BG 1972 purports
- So the lusty aborigine girls, while looking toward Krsna playing His flute, saw the reddish kunkuma on the ground and immediately took it and smeared it over their faces and breasts
- Some of them (the gopis) were breast-feeding their small babies, and some were engaged in distributing food to the members of their families, but they left all such engagements and immediately rushed toward the spot where Krsna was playing His flute
- Sometimes He serves Lord Caitanya as His guru, sometimes as His friend and sometimes as His servant, just as Lord Balarama played with Lord Krsna in these three different moods in Vraja
- Sometimes Krsna and Balarama would play on Their flutes, sometimes They would throw ropes and stones devised for getting fruits from the trees, sometimes They would throw only stones - SB 10.11.39-40
- Sometimes Krsna began to play by dressing Himself like a woman. Seeing this form, Uddhava said, "How wonderful it is that this woman is attracting my ecstatic love exactly as Lord Krsna does. I think she must be Krsna covered by the dress of a woman"
- Sometimes They (Krsna and Balarama) made Themselves into bulls and cows by covering Themselves with blankets. Thus Krsna and Balarama played. The two brothers also used to imitate the sounds of bulls and cows and play at bullfighting
- Sometimes They (Krsna and Balarama) played with amalaka fruits and bael fruits, just as small children play with balls. Sometimes They danced and made tinkling sounds with Their ankle bells
- Sometimes they (Krsna and His firends) would play amongst themselves like a king and his subjects
- Sometimes when the cowherd boys used to play in the forests of Vrndavana, Krsna would play on one side, and Balarama would play on another
- Sometimes, Their ankle bells tinkling, They (Krsna and Rama) would play football with fruits like bael and amalaki. Sometimes They would cover Themselves with blankets and imitate cows and bulls and fight with one another, roaring loudly - SB 10.11.39-40
- Sri Caitanya Mahaprabhu continued, "Indeed, not seeing the beautiful face of Krsna playing His flute, I continue to live My life like an insect, without purpose"
- Sri Caitanya Mahaprabhu used to express His mind in this way: "Where is the Lord of My life, who is playing His flute? What shall I do now? Where should I go to find the son of Maharaja Nanda"
- Srimati Kuntidevi was quite aware that Krsna is the original Personality of Godhead, although He was playing the part of her nephew
- Sudama said, "You (Krsna) adopted all these pastimes for Your pleasure only; otherwise there was no need for Your playing the role of a human being"
- Sudama said, "You (Krsna) played the role of a student and lived with us in the house of the guru"
- Sukadeva Gosvami said, "Just imagine - these cowherd boys are now playing with the Supreme Person as though they are on an equal level"
- Sukadeva Gosvami, while describing how Krsna played as one of the cowherd boys, points out Krsna's identity. Who is this cowherd boy
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- That is the way of reciprocation of love affairs between God and His devotees. Yasodamayi wanted to have Krsna as her child, He played exactly like a child in her lap, but at the same time played the part of the Almighty Lord whenever it was so required
- The associates of the Lord said, "The Lord, Hari, whose silk dress is as yellow as golden autumn foliage, whose chest is beautified with garlands of flowers and who is always playing upon His flute
- The beauty of Krsna is fully manifested in Vrndavana. As sixteen-years boy and playing flute, the beauty was so attractive that even Vasudeva Himself became attracted by the beauty
- The benedictions were fitting in the sense that the Lord was playing the part of a human being, as if a cousin of Maharaja Yudhisthira, but they were also unfitting because the Lord is absolute and has nothing to do with any kind of material relativities
- The brahmanas continued, "Even though we were reminded of Krsna and Balarama by the cowherd boys, we disregarded Them. We now think that the Supreme Personality of Godhead simply played a trick of mercy on us by sending His friends to beg food from us"
- The conjunction can be auspicious or inauspicious. That the Putana demon had been killed was auspicious, but that Krsna was playing on her breast in the dead of night, with no one to help Him in case of trouble, was inauspicious
- The demon fell flat from the sky, and Krsna was playing on his chest very happily, uninjured and free from misfortune
- The demon quickly threw Krsna up and tried to kill Him by pinching Him in his beak. Bakasura did not know that although Krsna was playing the part of a child of Nanda Maharaja, He was still the original father of Lord Brahma, the creator of the universe
- The elder gopis of Vrndavana were so absorbed in affection for Krsna that they wanted to save Him, although there was no need to, for He had already protected Himself. They could not understand Krsna was the Supreme Personality of God playing as a child
- The form of Krsna is described in the authoritative Vedic literature Brahma-samhita: His abode is made of cintamani stone, and the Lord plays there as a cowherd boy and is served by many thousands of gopis
- The gopis there are also goddesses of fortune, and they surpass the goddess of fortune who abides in Vaikuntha. In Vrndavana, Lord Krsna is always playing His transcendental flute, which is His dear companion
- The gopis, following the proper system, protected Krsna, their child, with this mantra: While You are playing, may Govinda protect You, and while You are sleeping may Madhava protect You - SB 10.6.25-26
- The lady continued, "He (Krsna) is always accompanied by His cowherd boyfriends, and He plays His transcendental flute"
- The lady continued, "In the morning when He goes to the pasturing ground with His cows and cowherd boyfriends, and in the evening when He returns with them, playing on His flute and smiling very brilliantly"
- The land of Vrndavana, the Lord's (Krsna's) childhood playground, still remains today, and anyone who visits these places enjoys the same transcendental bliss, although the Lord is not physically visible to our imperfect eyes
- The last phase of the pastimes of Lord Krsna is described in Srimad-Bhagavatam as mausala-lila. This includes the mystery of Krsna's disappearance from this material world. In that pastime the Lord played the part of being killed by a hunter
- The Lord accepted them (16000 girls) as His wives, and thus their lives became glorified. Such auspicious glorification was still more glorified when the Lord played with them as the most devoted husband
- The Lord descends to attract all by His specific transcendental pastimes, and thus He plays the part of the most perfect master, friend, son and lover
- The Lord exchanges transcendental relations in five ways, as proprietor, master, friend, son and lover, and in each of these pastimes He plays fully by the potency of yogamaya, the internal potency
- The Lord is omnipotent; simply by His will He can perform anything and everything. When the Lord appeared as Lord Krsna, He played the part of the son of Yasoda and Nanda, and He lifted the Govardhana Hill, although lifting a hill is not His concern
- The Lord is supremely perfect, and whenever He enacts His transcendental pastimes as a son, a rival or an object of enmity, He plays the part so perfectly that even pure devotees like Uddhava are bewildered
- The Lord plays the part of a subordinate in His transcendental sporting, and thus sometimes He puts Himself in the care of Yasodamata for His protection in His so-called helplessness of childhood. That is the transcendental lila, or pastime of the Lord
- The Lord's form is so beautiful that the Brahma-samhita (Bs 5.38) states: I (Brahma) worship Govinda, the primeval Lord, who plays on His transcendental flute. His eyes are like lotus flowers, He is decorated with peacock plumes
- The Lord, in His naturally childish playful activities, used to spoil the stocked butter of mother Yasoda by breaking the pots and distributing the contents to His friends and playmates, including the celebrated monkeys of Vrndavana
- The lovable Supreme Lord is the supreme shelter. The Lord is the supreme subject, and the devotees are the object. The coming together of a subject and object is called alambana. The object hears, and the subject plays the flute
- The mothers of the boys (Krsna's cowherd boys expansions), upon hearing the sounds of the flutes and bugles being played by their sons, immediately rose from their household tasks, lifted their boys onto their laps - SB 10.13.22
- The original form of the Lord, is Krsna with two hands, playing on the flute. Because Arjuna was a devotee and wanted to see the universal form, Krsna showed it to him, but that was not His actual form
- The Personality of Godhead, who is considered an ordinary human being by mundane people, played with the cowherd boys, who had attained their position after accumulating many pious activities
- The S. P. of God, Krsna, who is never caught by the yogis & speculators, was playing just like a little child for such a great devotee as mother Yasoda. Yasoda, however, could not easily catch the fast-running child because of her thin waist & heavy body
- The same gopi said, "Not only are they attracted by the dress of Krsna and Balarama, but as soon as they hear the playing of the flute, the deer, along with their husbands, offer respectful obeisances unto the Lord"
- The same gopi said, "This smiling boy Govinda is standing on the bank of the Yamuna and playing His flute, His lips brightened by the beams of the full moonlight"
- The same gopi spoke, "When Govinda plays His flute, the peacocks immediately become mad, as if they had heard the rumbling of a new cloud"
- The Supreme Personality of Godhead was playing as a liar and accusing all the other devotees of being liars. As stated in (SB 10.12.11), krta-punya-punjah: a devotee may attain such an ecstatic position after many, many births of devotional service
- The sweetness of Krsna's joking words plays indescribable havoc with the hearts of all women. His words bind a woman's ear to the qualities of their sweetness. Thus there is a tug-of-war, and the life of the ear departs
- The two-handed human form of Krsna playing the flute is the superexcellent manifestation of the Lord
- The vamsi flute is about fifteen inches long, with nine holes on its body. Krsna used to play on these three flutes occasionally when they were needed
- The word ajohavit means "calling them again and again." "Krsna and Balarama," she (mother Yasoda) called - please come back. You are late for Your lunch. You have played sufficiently. Come back
- Their (Krsna and Balarama's) playmates complained, "Krsna is leaving us just at the point when our playing is at the summit. Next time we shall not allow Him to leave"
- Their faces were decorated with tilaka and smeared with the dust raised by the cows, and Krsna's head was decorated with a peacock feather. Both He and Balarama played Their flutes, and the young gopis were joyous to see Krsna returning home
- Then He showed the highest limit of cleverness in drawing pictures of dolphins in various playful sports on Her breasts. In this way Lord Hari made His youth successful by performing pastimes in the bushes with Sri Radha and Her friends
- There (in Goloka) the Lord plays His flute, His eyes are like lotus petals, and the color of His body is like that of a beautiful cloud. On His head is a peacock feather. He is so attractive that He excels thousands of Cupids
- There are several origins or causes for this compulsive love of Krsna, such as Krsna Himself, the devotees of Krsna, Krsna's playing on the flute, etc. The effect is sometimes loving and sometimes stunted
- There was no necessity of formal marriage. But still Krishna played like husband by asking them to become naked. In the spiritual world there is no cohabitation; simply by such emotion in transcendental ecstasy the desire is fulfilled
- There were various types of big trees and small plants in the forest, and the gopis addressed them: "Dear banyan tree, have you seen the son of Maharaja Nanda passing this way, laughing and playing on His flute?"
- They (Krsna's activities, His appearance) are all pastimes, and for Him (Krsna) they, are all play. But for us they are actual, tangible facts
- Thinking in this way, the Lord remained silent, and Lord Gopala, knowing His contemplation, played a trick
- This creation emanates from Bhagavan, the Supreme Lord, who is without anxiety. Krsna very pleasantly associates with His consort Srimati Radharani and enjoys playing His flute
- This human form (of Krsna) was explained by Krsna Himself after He manifested the virat-rupa. The virat-rupa is not the original form of the Lord; the Lord's original form is Dvibhuja-syamasundara, Muralidhara, the Lord with two hands, playing a flute
- This scene (Mother Yasoda binding child Krsna because of His disturbance) is very much appreciated by pure devotees, for it shows how much greatness there is in the Supreme Person, who plays exactly like a perfect child
- This sportive playing went on amongst the boys as childhood pastimes
- This verse (CC Madhya 19.206) is from Srimad-Bhagavatam (SB 10.18.24). When all the cowherd boys were playing in the forest of Vrndavana, the demon Pralambasura appeared in order to kidnap Krsna and Balarama
- This verse (of CC Adi-lila 6.64), quoted from Srimad-Bhagavatam (SB 10.15.17), describes how Lord Krsna and Lord Balarama were playing with the cowherd boys after killing Dhenukasura in Talavana
- To say nothing of Lord Narayana personally, Lord Krsna Himself appeared as Narayana just to play a joke on the gopis
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- Unless Krsna played, how you can play
- Up to that time, neither Balarama nor Krsna had undergone the haircutting ceremony; therefore Their hair was clustered like crows' feathers. They were always playing hide-and-seek with Their boyfriends or jumping or fighting with them
- Upananda said, "Very recently, this child was playing between two trees, and the trees fell down violently, and yet there was no injury to the child. So Lord Hari saved Him again"
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- We can begin to experience this bliss by following the prescribed methods of devotional service. When we see the Deity, we can gradually realize how Krsna is smiling, playing on His flute and enjoying the company of Srimati Radharani
- We should always remember that Krsna was playing the part of an ordinary human being, and His horses also, by the will of Krsna, played the parts of ordinary horses in hesitating to enter the darkness
- What is the difference between us and God, or Krsna? He is also living entity. Just like we see Krsna is playing on flute and He is enjoying the company of Radharani
- When He (Krsna) was playing just like a child on the lap of His mother Yasodamayi or just like a cowherd boy with His transcendental friends, He continued to remain God, without the slightest diminution of His six opulences. Thus He is always unrivaled
- When He (Krsna) was playing the part of a ksatriya as the son of Maharaja Vasudeva, He displayed all the skill of a martially spirited ksatriya
- When He (Lord Krsna) plays (His flute), the clouds stop their loud thundering out of fear of Him. Rather than disturb the vibration of His flute, they respond with mild thunder and so congratulate Krsna, their friend
- When He plays on His flute, all living entities - including trees, plants, animals and human beings - tremble and are saturated with jubilation. Tears flow constantly from their eyes
- When Krsna and Balarama entered the village of Vrndavana along with Their friends, They played Their flutes, and the boys praised Their uncommon activities in the forest
- When Krsna and Balarama play on Their transcendental flutes, the moving creatures become stunned and stop their activities
- When Krsna began to play on His flute, the sound vibration entered into the ear of Brahma as the Vedic mantra om
- When Krsna came, He came as the son of Devaki and Vasudeva. Vasudeva belonged to the royal family and was therefore a ksatriya. As such, Krsna played the part of a ksatriya, but this does not mean that Krsna belonged to the ksatriya class
- When Krsna played upon his flute, all the gopis, or cowherd girls, were attracted by the sound and left their household duties, and when they came to Him, He danced with them - CC Intro
- When Krsna plays like a child, He plays perfectly, when He plays as the husband of sixteen thousand wives He plays perfectly, when He plays as the lover of the gopis He plays perfectly, and as the friend of the cowherd boys He also plays perfectly
- When Krsna plays with His young friends, mother Yasoda is very much disturbed by thoughts that Krsna, because of always playing and not taking His food properly, must be getting weak. These are examples of the exalted ecstasy felt in Krsna's service
- When Krsna was a child, He playfully took the shoes of His father, Nanda Maharaja, and put them on His head. People may try very hard to become one with God, but actually we can surpass that - we can become father of God
- When Krsna was playing in so many ways, sometimes it appeared that He caused distress to the gopis, but actually such dealings were full of transcendental bliss
- When Krsna was playing jokes on Rukmini, she feared that Krsna might leave her and became so perturbed that she dropped the fan with which she was fanning Him and fainted, falling unconscious on the floor
- When Lord Brahma described this incident to his associates on the Satyaloka planet, they all became astonished. Brahma told them that after taking away all the boys, he saw Krsna again playing with the same boys in the same fashion
- When Lord Brahma returned after a moment of time had passed, he saw that although by human measurement a complete year had passed, Lord Krsna, was engaged just as before in playing with the boys and calves, who were His expansions - SB 10.13.40
- When Lord Krsna was enjoying His childhood pastimes with His boyfriends, one Aghasura demon became very impatient. He was unable to tolerate seeing Krsna play so happily, and therefore he appeared before the boys intending to kill them all
- When she saw that her dear baby Krsna was playing on the chest of the dead demonic woman, Mother Yasoda, at a loss what to do, began to walk this way and that. This is an instance of being emotional on account of seeing something ghastly
- When the child Krsna assumed such heaviness, she had to put Him down in order to give Trnavartasura an opportunity to take Him away and play with Him for some time before the child returned to the lap of His mother
- When the cowherd boys and their animals drank the poisoned water of the River Yamuna, and after the Lord (in His childhood) revived them by His merciful glance, just to purify the water of the River Yamuna He jumped into it as if playing
- When the gopis saw Krsna fearlessly playing on Putana's lap, they very quickly came and picked Him up. Mother Yasoda, Rohini and other elder gopis immediately performed the auspicious rituals by taking the tail of a cow and circumambulating His body
- When the gopis saw the demon (Trnavarta) killed and child Krsna very happily playing on his body, they immediately picked Krsna up with great affection. The cowherd men and women became very happy to get back their beloved child Krsna
- When the greatly powerful Putana expanded her body, Krsna remained the same small child and fearlessly played on the upper portion of her breast
- When the Lord (Krsna) descends on this material world by His all-merciful energy, He plays like a human being, and therefore it appears that the Lord is partial to His devotees only, but that is not a fact
- When They play on Their flutes, all moving living entities are stunned, and nonmoving living entities experience ecstatic jubilation by Their sweet music. All these things are certainly very wonderful
- When Yasoda saw that her dear baby Krsna was playing on the chest of the dead demoniac woman, mother Yasoda, at a loss what to do, began to walk this way and that. This is an instance of being emotional on account of seeing something ghastly
- When You play Your flute, the vibration acts like a messenger in the form of a yogini perfect in the art of chanting mantras. This messenger enchants all the women in the universe and attracts them to You
- Whenever Krsna played His flute, He conquered the minds of the gopis, and without seeing the gopis Krsna could not be happy. Other transcendentalists, such as jnanis and yogis, cannot conquer the SP of Godhead; only pure devotees can conquer Him
- While He (Krsna) was playing, He was God, and when He was fighting in the Battlefield of Kuruksetra, He is God. That is God. Not that sometimes not God, sometimes God. That is not God. God is always God, in any circumstance. That is God
- While playing like a small child with His (Krsna's) associates, the Lord killed many demons, including Aghasura, Bakasura, Pralambasura and Gardabhasura. Although He appeared at Vrndavana just as a boy, He was actually like the covered flames of a fire
- While Sukadeva was narrating various activities of Krsna in playing the role of an ordinary human being, he also narrated the history of the battle between the dynasty of Yadu & the demon Salva, who had managed to possess a wonderful airship named Saubha
- While walking, He (Krsna) played His flute just to call His cows. Just by His association, the trees, plants and other vegetation in the forest immediately became Krsna conscious. A Krsna conscious person sacrifices everything for Krsna
- With each queen, Krsna Himself was in a different form, and He was acting in different ways. In one form He was engaged in playing with His children, and in yet another form He was performing some household work
- Without fear, the child Krsna was playing on the upper portion of Putana Raksasi's breast, and when the gopis saw the child's wonderful activities, they immediately came forward with great jubilation and picked Him up - SB 10.6.18
Y
- Yasoda and Nanda Maharaja, they are foster father and mother. Real mother, father is Vasudeva and Devaki. So Nanda Maharaja came within the house and saw little Krsna, "Yes." He was playing
- Yasoda and Rohini chanted: While You (Krsna) are playing, may Lord Govinda protect You from all sides, and when You are sleeping, may Lord Madhava protect You from all danger; when You are walking, may the Lord of Vaikuntha protect You from falling down
- Yet there are mahatmas, great souls, who can understand Krsna. Arjuna could understand that although Krsna was playing the part of his friend, He was nonetheless the Supreme Personality of Godhead
- You (Krsna) are a very respectable boy because You are the son of Nanda Maharaja, and You are very dear to us (the gopis), but You should not play this joke on us, because now we are all shivering from the cold water
- You (Krsna) should come here, and after You have taken Your bath, eaten Your lunch and been decorated with ornaments, You may play with Your friends again - SB 10.11.19
- You are seeing Krsna at every moment. Does this mean you are seeing Krsna in His two-armed form playing the flute at every moment
- You have seen the picture, how with Krsna the gopis are nicely dancing, enjoying; the cowherd boys are playing. Enjoy with Krsna, that is your real enjoyment. But without Krsna, when you want to enjoy, that is maya
- You'll find Krsna always, wherever He is, He is playing on flute with company, either gopis or cowherd boy or somebody, somebody. This is enjoyment
- Yudhisthira said, "We are all very much surprised that Your Lordship (Krsna) can play the part of an ordinary human being, but we can understand that You are performing these activities just like a dramatic artist"