After performing these religious rituals, the younger brother, Sākara Mallika (Rūpa Gosvāmī), returned home with an immense amount of money which he had acquired during his government service. Indeed, the silver and gold coins he brought back filled a large boat.
Gold (Other books)
Other Books by Srila Prabhupada
Teachings of Lord Caitanya
Sanātana then proceeded to go to see the Lord. He did not travel on the open road but went through the jungles until he arrived at a place in Bihar called Pātaḍā. There he rested in a hotel, but the hotelkeeper was informed by an astrologer employed there that Sanātana Gosvāmī had some gold coins with him. The hotelkeeper, desiring to get the money, spoke to Sanātana with seeming respect.
"Just take your rest tonight," he told him, "and in the morning I shall arrange for you to get out of this jungle trap." However, Sanātana was suspicious of his behavior, and he inquired from his servant Īśāna whether he had money, and Īśāna told him that he had seven gold coins. Sanātana did not like the idea of the servant carrying such money. He became angry with him and said, "Why do you carry this death knell on the road?"
Sanātana then proceeded to go to see the Lord. He did not travel on the open road but went through the jungles until he arrived at a place in Bihar called Pātaḍā. There he rested in a hotel, but the hotelkeeper was informed by an astrologer employed there that Sanātana Gosvāmī had some gold coins with him. The hotelkeeper, desiring to get the money, spoke to Sanātana with seeming respect.
"Just take your rest tonight," he told him, "and in the morning I shall arrange for you to get out of this jungle trap." However, Sanātana was suspicious of his behavior, and he inquired from his servant Īśāna whether he had money, and Īśāna told him that he had seven gold coins. Sanātana did not like the idea of the servant carrying such money. He became angry with him and said, "Why do you carry this death knell on the road?"
Sanātana at once took the gold coins and offered them to the hotelkeeper. He then requested that the hotelkeeper help him through the jungle.
The Supreme Absolute Truth has His inconceivable potency, out of which this cosmos has been manifested. In other words, the Supreme Absolute Truth is the ingredient, and the living entity and cosmic manifestation are the by-products. In the Taittirīya Upaniṣad it is clearly stated, yato vā imāni bhūtāni jāyante: "The Absolute Truth is the original reservoir of all ingredients, and this material world and its living entities are produced from those ingredients."
Unintelligent persons who cannot understand this doctrine of byproducts cannot grasp how the cosmic manifestation and the living entity are simultaneously one and different from the Absolute Truth. Not understanding this, one concludes, out of fear, that this cosmic manifestation and the living entity are false. Śaṅkarācārya gives the example of a rope being mistaken for a snake, and sometimes the example of mistaking an oyster shell for gold is cited, but surely such arguments are ways of cheating. As mentioned in the Māṇḍūkya Upaniṣad, the rope for a snake and the oyster for gold examples have their different applications and can be understood as follows. The living entity in his original constitutional position is pure spirit. When a human being identifies himself with the material body, he may be said to be mistaking a rope for a snake, or an oyster shell for gold. The doctrine of transformation is accepted when one thing is mistaken for another. Actually the body is not the living entity, but the doctrine of transformation accepts the body as the living entity. Every conditioned soul is undoubtedly contaminated by this doctrine of transformation.
In Vedic literatures there is information of a material product called "touchstone" which simply by touch can transform iron into gold. The touchstone can produce an unlimited quantity of gold and yet remain the same.
By His inconceivable energies, the Supreme Absolute Truth can remain unchanged and yet produce this cosmic manifestation with all its living entities, just as touchstone can produce unlimited quantities of gold and yet remain unchanged.
The Lord knows everything directly and indirectly, and He is cognizant of all the minute details of everything. He is fully independent as well. He can be compared to a gold mine, and the cosmic creations can be compared to ornaments made from that gold, such as gold rings, necklaces, etc. The gold ring and necklace are qualitatively one with the gold in the mine, but quantitatively the gold in the mine and the gold in the earring or necklace are different.
A touchstone may produce great quantities of gold in contact with iron, but still the touchstone remains as it is.
The Lord is like a touchstone, for by His grace He can turn iron into gold.
When Lord Caitanya visited the southern part of India, He first went to the great temple known as Jiyara-nṛsiṁha-kṣetra. This temple is situated in a place known as Siṁhācalam, five miles from the Viśākhāpattana railway station. The temple is situated on the top of a hill. There are many temples in that area, but Jiyara-nṛsiṁha-kṣetra temple is the largest of all. This temple is filled with beautiful sculpture, of interest to many students, and due to its popularity it is a very rich temple. An inscription in the temple states that the King of Vijayanagara formerly decorated this temple with gold and even smeared the body of the Deity with gold.
Lord Caitanya then passed ten nights with Rāmānanda Rāya, enjoyed his company and discussed the pastimes of Kṛṣṇa and Rādhā. The discussions between them were on the highest level of love for Kṛṣṇa. Some of these talks are described, but most of them could not be described. In Caitanya-caritāmṛta this has been compared to metallurgic examination. The metals compared are discussed in the following sequence: first copper, then bronze, then silver, gold and at last touchstone. The preliminary discussions between Lord Caitanya and Rāmānanda Rāya are considered to be like copper, and the higher discussions are considered to be like gold. The fifth dimension of their discussions, however, is considered to be like touchstone. If one is eager to attain the highest understanding, he must begin with an inquiry into the differences between copper and bronze, then silver and gold and so on.
Nectar of Devotion
Dabira Khāsa, who was later to become Rūpa Gosvāmī, retired from his post and collected all the money he had accumulated during his service. It is described in the Caitanya-caritāmṛta that his accumulated savings in gold coins equaled millions of dollars and filled a large boat.
Our Kṛṣṇa consciousness movement in the Western world is based on the above-mentioned proposition of Śrīla Bhaktisiddhānta Sarasvatī Gosvāmī Prabhupāda, our spiritual master. On his authority, we are claiming members from all sections of the Western countries. The so-called brāhmaṇas claim that one who is not born into a brāhmaṇa family cannot receive the sacred thread and cannot become a high-grade Vaiṣṇava. But we do not accept such a theory, because it is not supported by Rūpa Gosvāmī nor by the strength of the various scriptures.
Śrīla Rūpa Gosvāmī specifically mentions herein that every man has the birthright to accept devotional service and to become Kṛṣṇa conscious. He has given many evidences from many scriptures, and he has especially quoted one passage from Padma Purāṇa, wherein the sage Vasiṣṭha tells King Dilīpa, "My dear King, everyone has the right to execute devotional service, just as he has the right to take early bath in the month of Māgha (December-January)." There is more evidence in the Skanda Purāṇa, in the Kāśī-khaṇḍa portion, where it is said, "In the country known as Mayūradhvaja, the lower-caste people who are considered less than śūdras are also initiated in the Vaiṣṇava cult of devotional service. And when they are properly dressed, with tilaka on their bodies and beads in their hands and on their necks, they appear to be coming from Vaikuṇṭha. In fact, they look so very beautiful that immediately they surpass the ordinary brāhmaṇas."
Thus a Vaiṣṇava automatically becomes a brāhmaṇa. This idea is also supported by Sanātana Gosvāmī in his book Hari-bhakti-vilāsa, which is the Vaiṣṇava guide. Therein he has clearly stated that any person who is properly initiated into the Vaiṣṇava cult certainly becomes a brāhmaṇa, as much as the metal known as kaṁsa (bell metal) is turned into gold by the mixture of mercury.
After cleansing the temple, he imagined that he had many water jugs made of gold and silver, and he took all those jugs to the river and filled them with the holy water.
There is a gulf of difference between love and lust, like the difference between gold and iron.
In the spiritual kingdom of Lord Kṛṣṇa, named Goloka Vṛndāvana, there are surabhi cows which give unlimited quantities of milk. There are desire trees from which anyone can take all kinds of fruits, as much as he may desire. The land is made of touchstone, which when touched to iron will transform it into gold.
The gopīs would meditate on Kṛṣṇa's dressing Himself just like a dancing actor and entering the forest of Vṛndāvana, marking the ground with His footprints. They meditated on Kṛṣṇa's having a helmet with a peacock feather and wearing earrings on His ears and yellow-gold colored garments covered with jewels and pearls.
There are three kinds of flutes used by Kṛṣṇa. One is called veṇu, one is called muralī, and the third is called vaṁśī. Veṇu is very small, not more than six inches long, with six holes for whistling. Muralī is about eighteen inches long with a hole at the end and four holes on the body of the flute. This kind of flute produces a very enchanting sound. The vaṁśī flute is about fifteen inches long, with nine holes on its body. Kṛṣṇa used to play on these three flutes occasionally when they were needed. Kṛṣṇa has a longer vaṁśī, which is called mahānandā, or sammohinī. When it is still longer it is called ākarṣiṇī. When it is even longer it is called ānandinī. The ānandinī flute is very pleasing to the cowherd boys and is technically named vaṁśulī. These flutes were sometimes bedecked with jewels. Sometimes they were made of marble and sometimes of hollow bamboo. When the flute is made of jewels it is called sammohinī. When made of gold, it is called ākarṣiṇī.