Category:Creative
creative | creatively | creativity
Subcategories
This category has the following 11 subcategories, out of 11 total.
C
G
K
Pages in category "Creative"
The following 54 pages are in this category, out of 54 total.
A
- A small insect's measurement of past, present, and future is different from our past, present, and future, and similarly the past, present, and future of Brahma, the chief creative living being within this universe, are different from ours
- A sthita-dhi-muni as mentioned herein (BG 2.56) by the Lord, is different from an ordinary muni The sthita-dhi-muni is always in Krsna consciousness, for he has exhausted all his business of creative speculation. BG 1972 purports
- Actually the conditioned souls are covered by the illusory creative cloud of matter, and the Lord reserves the right of not being exposed to their eyes
- After hearing the words of Brahma, the creator, which were free from all sinful purposes and as sweet as nectar, the Lord heartily laughed and accepted his prayer with a glance laden with love
- Alas, O Providence, O Creator, You are certainly inexperienced in creation, for during the lifetime of a father You have caused the death of his son, thus acting in opposition to Your creative laws
- An advanced devotee can understand the Lord and His creative energy. As soon as one accepts the creative energy of the Absolute Truth, the six opulences of the Supreme Personality of Godhead are also understood
- At the end of each millennium the creative forces, namely the material nature and the living entities who struggle in the material nature, all merge together into the transcendental body of the Lord
- At the end of the millennium, when the Personality of Godhead Lord Narayana lay down within the water of devastation, Brahma began to enter into Him along with all creative elements, and I (Narada Muni) also entered through His breathing
B
- Before the cosmic manifestation was created, the creative propensity was merged in the Supreme Lord's person. At that time all potencies and manifestations were preserved in His personality
- Brahma created Rudra to help him in his creative endeavor, but from the very beginning Rudra began to devour the whole creation, and thus he had to be stopped from such devastating activities
- Brahma, the first spiritual master, supreme in the universe, could not trace out the source of his lotus seat, and while thinking of creating the material world, he could not understand the proper direction for such creative work
- By the inconceivable energy of the Lord, every creative element has its own potencies, known as the potency of the element, potency of knowledge and potency of different actions and reactions
H
- He created a vast expanse of water within the universal space & then impregnated that water with living entities. By that process of impregnation a massive body appeared, blazing like a thousand suns & in that body was the first creative principle, Brahma
- He desires in a certain way, means he's associating with the quality of nature in a method, and according to that association, he's getting a particular type of body. Mind, mind is the creative force. Thinking. Thinking, feeling, willing
- Here the Queen (the wife of King Citraketu) blames supreme providence for her son's death. Following the creative laws, a father should die first and then his son
I
- I am (Krsna) never manifest to the foolish and unintelligent. For them I am covered by My eternal creative potency (yogamaya); and so the deluded world knows Me not, who am unborn and infallible
- If the creative laws are changed according to the whims of providence, then providence certainly should not be considered merciful, but must be considered inimical to the created being
- In Bhagavad-gita Krsna admits that it is He only who superintends the creative energy, the sum total of matter. Thus Vyasadeva neither worships Brahma nor the sun but the Supreme Lord, who guides both Brahma and the sun in their creative activities
- In the maha-kalpa the Lord assumes the first purusa incarnation as Karanodakasayi Visnu with all the potencies of the mahat-tattva and the sixteen principles of creative matter and instruments
- In the spiritual sky of the brahma-jyotir there is no change of various kalpas or millenniums, and there are no creative activities in the Vaikuntha worlds. The influence of time is conspicuous by its absence
O
- O beautiful-faced one, who is this creative person standing before us? With the sharp chisels of His loving glances, He is splitting the hard stones of many women's devotion to their husbands
- O Brahma, when you are absorbed in devotional service, in the course of your creative activities, you will see Me in you and throughout the universe, and you will see that you yourself, the universe and the living entities are all in Me
- One should know the process of creation and should meditate upon the creative process inversely and thus become free from material contamination
S
- Since everything in the cosmic creation is dependent on the asraya-tattva - the creative manifestation or Visnu manifestation - the various demigods and manifestations of energy, the living entities and all material elements are dependent on Krsna
- Sri Krsna is the original father and Lord who protects all creative manifestations through His various plenary portions. Since He sustains even the shelters of the collective living beings, there is no doubt that Sri Krsna is the original Narayana
- Sri Sukadeva Gosvami said: In the Srimad-Bhagavatam there are ten divisions of statements regarding the following: the creation of the universe, subcreation, planetary systems, protection by the Lord, the creative impetus, the change of Manus
- Sri Vyasadeva neither worships Brahma nor the sun but the Supreme Lord, who guides both Brahma and the sun in their creative activities
T
- The creation of the universe, subcreation, planetary systems, protection by the Lord, the creative impetus, the change of Manus, the science of God, returning home, back to Godhead, liberation, and the summum bonum
- The creative instruments are eleven, the ingredients are five, and all of them are products of mahat, or materialistic ego. These creations by the Lord in His feature of Karanodakasayi Visnu are called maha-kalpa
- The devotees of the Lord know well how the creative forces work concurrently by the action and reaction of the material energy of the Lord
- The fifth incarnation, named Lord Kapila, is foremost among perfected beings. He gave an exposition of the creative elements and metaphysics to Asuri Brahmana, for in course of time this knowledge had been lost
- The highest standard of bodily comfort is achieved by a fruitive worker who by pious activities reaches the plane of heaven, or the kingdom of the creative gods with their delegated powers
- The ksatriyas are the second-highest social order, and they imbibe the qualities of creative passion and are engaged in the activities of public leadership as executive heads of different political and social bodies
- The living entities are nothing but very small portions of the supreme spirit, like sparks of a fire. Because they are part of the Supreme, they have a creative quality in a very minute quantity
- The Lord, as the Supersoul within Brahma, gave him the intelligence to create. The creative power, therefore, of every living entity is not his own; it is by the grace of the Lord that one can create
- The mahat-tattva is chiefly in the mode of ignorance, and it generates the false ego. It is a plenary expansion of the Personality of Godhead, with full consciousness of creative principles and time for fructification
- The real mind behind all creative agents is the Absolute Personality of Godhead, Sri Krsna
- The sixteen principal creative elements, namely earth, water, fire, air, sky, and the eleven sense organs, first developed from the Lord Himself and were thereby shared by the living entities
- The sum total of the creative elements is twenty-four in all. Each and every one of them is explicitly explained in the system of Sankhya philosophy
- The Supreme Lord inspired Brahma, the secondary creator, and enabled him to carry out his creative functions. In this way the Supreme Lord is the supervising engineer; the real mind behind all creative agents is the Absolute Personality of Godhead
- The vaisyas are the third social order. They imbibe mixed qualities, namely creative passion as well as the darkness of ignorance, and generally they are engaged as farmers and merchants
- The vital force - the life principle in everything - and the creative force derived from it are not acting independently but are dependent upon You, the Supreme Person behind these forces. Without Your will, they cannot work
- There are also many thoughtful writers and creative philosophers, but despite all their learning, if they cannot approach the Supreme Personality of Godhead, they are simply useless mental speculators
- There are many scientists and great workers in this material world who have wonderful creative force, but they act and create only according to the direction of the Supreme Lord
- There is no difference regarding the creative principles and the Lord's control over them, yet there are some differences in the minute details because of different kalpas
- This mood of false separatism is called the quality of rajas (in which the forgetful living entities make sounds like thundering clouds: "I am this," or "It is ours,"), & it gives rise to a creative force for separate lordship over the mode of tamas
- This mood of false separatism is called the quality of rajas, and it gives rise to a creative force for separate lordship over the mode of tamas
- This process of creation began with the life of Brahma, and the creative principle is prevalent all over the material universe because of the quality of passion
W
- We first of all give stress, the creative faculty, that the watchmaker is doing nice work, but who has made that watchmaker? Who is that creative faculty?
- When he (Brahma) saw that Kardama Muni had already begotten nine nice daughters, he was hopeful that through the daughters many children would come who would take charge of the creative principle of the material world. He was therefore happy to see them